Tons of people put lots of time, effort and love into this project and I'm very glad they did.
Awesome:
The awesome part of this sort of explains itself. The project was huge and pulling it off demonstrated a tremendously powerful community effort; technical skill and almost military coordination. Using an iconic bridge as a metaphoric demonstration of civil society involving almost 2000 people.
From The Post Gazette
"A niece in Toledo, Ohio, Rose Durant, also got involved. Ms. Deaniello didn't stop there, though, and brought in yet another acquaintance to create panels, 90-year-old Zella Poindexter, who lives in a Pittsburgh nursing home.
Much of the pre-site planning for Knit the Bridge was accomplished at the Spinning Plate gallery in East Liberty, where volunteers such as Ms. Deaniello, 71, were "little worker bees," she said, laughing.
The real buzz began early Saturday, when the actual assembly began. With the bridge closed off to vehicle and foot traffic, the low chatter of conversation from the mostly female crews was a backdrop as they stitched away hours in the sun."
Underwhelming:
The weakness of the project in some ways comes from it's greatest strength.
Yarn Bombing as a movement tends to relate to street art and gather strength from pushing boundaries. Overwhelmingly the aesthetic is about softening the hard, technical world with the handmade, funky and chaotic.
The main tower covering was machine knitted according to reports. Also, the most interesting aspects of the bridge like the cables were not "bombed".
One also gets the strong impression that an effort was made to control and design out unexpected content or quirks- washing out anything remotely offensive or personal. (Could be wrong about that)
While I understand the physical and logistical barriers involved, the project fails to push the envelope in a way that creates true art.
Views were from first look late Sunday evening. I may change my mind as I walk the bridge and soak it all in.
