The woman above was particulary thoughtful in setting up her own display, and not just clustering things around the apartment building garbage bin!
Where Do I Start?
1 day ago



"Spoon, an upscale casual restaurant featuring modern American cuisine. The team plans to open Spoon in July. In the fall, they plan to open BRGR, a gourmet burger restaurant, in the former 2Red, which served as a companion to the Red Room before both restaurants closed in late January.
“We were pretty much ready to close on the Cafe Allegro location, and this opportunity came up in the east side,” Stern said. “We just decided that we felt the Red Room location was a better fit for our chef’s style of cooking.”
)"When it comes to art appreciation, "People being drunk goes a long way," allows Jon Rubin, an assistant professor of art at Carnegie Mellon University.http://www.waffleshop.org/
Or so it seemed late one Saturday night (or early Sunday morning, but who's counting?) at a former tuxedo shop at the corner of Baum and Highland avenues, in East Liberty. Here, in an emerging cultural nexus formed by the Shadow Lounge and a spate of trendy new restaurants, students from Rubin's Contextual Practice course hosted a combination art happening, waffle house and reality-TV show."
"Artists Open "Conflict Kitchen" To Stimulate Dialogue About Countries in Conflict with the U.S.Carnegie Mellon University School of Art Professor Jon Rubin, adjunct assistant professor of art John Peña (A'08) and Dawn Weleski (A'09) are opening an Iranian takeout restaurant in the East Liberty neighborhood of Pittsburgh on Saturday May 7 as part of a yearlong art project called "Conflict Kitchen." The kitchen only serves cuisine from countries that the United States is in conflict with to raise awareness of the issues between the countries and to gain a better understanding of the highlighted countries social and culture life.
"Kubideh Kitchen," the Iranian take-out restaurant, will be the first iteration of Conflict Kitchen. Brett Yasko, an adjunct professor in the School of Design, created the graphic design work and Pablo Garcia, the Lucian and Rita Caste Chair in Architecture and assistant professor at Carnegie Mellon, created the architectural design of the storefront (pictured at right). Illah Nourbakhsh, assistant professor in the Robotics Institute and a member of the Pittsburgh-Iranian community, advised the project."
tree-dedication memorial :: sunday, may 23, 2010 – 12p.m.Allegheny Commons
Park, West Park, North Side, PittsburghCorner of Brighton Road & West North
Avenue (near the lake)pot-luck luncheon following :: at the new hazlett
theaterAllegheny Square East, Pittsburgh, Pennsylvania 15212412.320.4610 –
www.newhazletttheater.org guests are encouraged to bring a dish to share,
beverages will be provided.
There are also some great pictures of John and of his work on the Pittsburgh Arts Blog:
http://pittsburghgalleries.blogspot.com/2010/05/in-memory-of-pittsburgh-artist-john.html
GRAND RAPIDS, MI – May 18, 2010 – While more than 1,000 artists have already begun their registration process to enroll in ArtPrize 2010, several of the more than 220 venues have reported that increased competition for artists has already begun for the 2010 event, and asked ArtPrize organizers to extend the artist registration deadline. ArtPrize officially announced that the artist registration date will be extended from May 27 to the new deadline of June 17, 2010. The matching period between the artist and venue will remain the same as published between June 1 and July 1, 2010.
“There is a huge demand for art this year,” said Bill Holsinger-Robinson, ArtPrize, Executive Director. “We’ve heard that many artists have informal agreements with venues already in place.” ArtPrize has gone from 159 to more than 220 venues. Many of the venues from 2009 have plans to increase the artists they’ll show.
“We showed maybe six or seven artists last year,” says Linda Lafontsee of Lafontsee Galleries, “We plan to fill the gallery with up to 40 artists this year.”
In addition, ArtPrize is seeing a number of curators who have been engaged by venues, such as the Blue Bridge and the Monroe Promenade. These curators bring their own network of artists that they would like more time communicating with.


"One wild design of Frank Lloyd Wright, I think points out the limitations of even a creative genius . One of his most fantastic plans was for downtown Pittsburgh--It was called Point Park Center and here is a drawing.
"Development in Automobile-Scale of Point Park, Pittsburgh," called for a circular concrete and steel building of mammoth dimensions: one-fifth of a mile (300 m) in diameter and 175 feet (50 m) tall, the building would be capable of holding one-third of the city's population. The entire structure was wrapped by a spiraling roadway that Wright called the "Grand Auto Ramp," which accommodated traffic in both directions and would have been four and a half miles (7 km) long.[8] Even Wright's drawings for the project were enormous: Neil Levine describes them as "over eight feet [2.5 m] long by almost five feet [1.5 m] high."[9]
The decks of the Grand Auto Ramp were to be cantilevered from piers of reinforced concrete. The ramp enclosed the interior space, forming what Cleary describes as a vast atrium. Inside are individual structures supported by pylons, containing the main facilities of the building: the theaters, opera house, arena, and planetarium. Bridges and platforms connected the interior structures. The roof of the building was to offer a winter garden and gardens. The main structure was flanked by "Fast Ramps": ramps with a much narrower radius than the main ramp that allowed rapid movement from the higher levels of the Grand Auto Ramp to the bottom of the building.[10] The incorporation of the automobile into the building was a manifestation of Wright's expressed philosophy for the scheme: to provide "newly spacious means of entertainment for the citizen seated in his motor car Winter or Summer. A pleasurable use of that modern instrument is here designed instead of allowing it to remain the troublesome burden it has now become to the City."[11]
A projection from the central building toward the Point terminated in a 500 foot (150 m) tower, equipped for light shows. Multi-decked bridges over the Allegheny and Monongahela were attached to the central building. Pedestrians, cars, and trucks would cross on separate decks. Both bridges passed underneath the central structure, where traffic interchanges allowed travelers to head into the city, across either of the bridges, or up into the Civic Center itself. Open spaces on the site were occupied by parks, an outdoor concert area built to accommodate 15,000 people, and a zoo. "
The original concept ran against a lot of practical issues which Wright didn't feel a genius should have to address.
"Wright's presentation of this plan to the Allegheny Conference in the spring of 1947 was unsuccessful, primarily because of concerns about the plan's economic viability and architectural feasibility. In a meeting with conference officials at Taliesin West, Wright seemed uninterested in how to handle traffic access to the bridges, and when asked how much the project would cost, answered that he did not care. When the officials returned to Pittsburgh to meet with Kaufmann they recommended against Wright's scheme; Kaufmann decided not to show the plans even to the rest of the committee.[14]"
The scheme was later adapted and there is drawing of this on the Wikipedia. it's great as a fantastical artwork, and also because some of the ideas in it appear in his later works like the Guggenheim in NY.
Wright proved to be, in spite of his genius, very much a product of his age in terms of his negative view of urban areas. Needless, to say he saw Pittsburgh as it was in 1947 as being a place with little worth saving. Thankfully for the city, It seems that nobody had the kind of cash on hand to attempt this lab experiment."

"As early as the 1940s, the Federal Government, led by agencies such as the Federal Housing Administration and the Department of Transportation, established policies that spawned suburban flight. As people continued to flee older industrial cities, they left behind cities ill equipped to adequately deal with the plethora of abandoned and vacant property. Since then, cities have resorted to dealing with vacant properties as best as their miniscule resources allow as they do not have sufficient funding to implement policies that will lead to sustainable development and community regeneration. Residential streets plagued with large, unsightly gaps between houses stand as silent witnesses to the cities whose budgets do not permit them to rebuild after they demolish properties, while properties that cannot be demolished decay and often become safety threats that they city has no means of repairing. Such unavoidable neglect has resulted in declining property values for the entire city, which has made businesses hesitant to invest in the area, and eventually has led to rampant unemployment, crime, and poverty.
Until recently older industrial cities largely have been neglected by the very government that created the conditions that led to their dilapidated state. However, vacant property has now become a national issue that the Federal Government cannot afford to ignore any longer, and a new piece of legislation introduced by Congressmen Time Ryan (OH17) and Brian Higgins (NY27) and Senators Sherrod Brown (OH) and Charles Schumer (NY) gives these cities reason to hope for restoration. The legislation, entitled The Community Regeneration, Sustainability and Innovation Act of 2009 (CRSI), would provide distressed communities with the resources necessary to implement large scale changes that will approach the issue holistically, thus restoring these cities to their former thriving condition.
CRSI encourages cities to adopt a holistic regeneration model that is used by communities worldwide. It will strongly encourage multi-jurisdictional or regional approaches to transforming vacant and abandoned property. This approach supports policy innovation, experimentation, and environmentally sustainable practices through collaborative efforts to reuse vacant properties in ways that will provide long-term benefits to the public, whether it is through the creation of green infrastructure, economic development, or other strategies. Implementation of such strategies will help reverse the over thirty year trend of depopulation, skyrocketing unemployment rates, and urban sprawl."


"People are inventing the future everyday, and some of them are in northwest Pennsylvania. If you're one of them, there’s a chance to take an idea you have for a product and begin the process of making an idea reality.
InnovationErie: Design Competition offers an opportunity to compete for prizes which provide not only monetary rewards, but chances to advance ideas through the use of contest prizes including prototyping, business plan development, logo design, etc.
The contest is open to all individuals, 18 and over, who reside in Northwestern Pennsylvania. The contest begins by submitting an electronic application by midnight, May 10, 2010. Entries will be reviewed by competition judges who will select semi-finalists. Semi-finalists will exhibit works at the Erie Art Museum where they'll compete for prizes as well as Best of Show, an award selected by the public.
About InnovationErie
A collaborative effort among professionals in the science, art, manufacturing, engineering and design (SAM & ED) industries, InnovationErie: Design Competition is a product design competition allowing people to showcase their product ideas, with the possibility of taking them to the next level: the marketplace. The competition seeks ideas for products that can be manufactured in the Erie region."
"Northeast Ohio and Southwest Pennsylvania together constitute one of the 20 megapolitans Lang and Nelson have identified. They call this region the “Steel Corridor,” a name that evokes its proud past but unfortunately does not point to a promising or particularly innovative and prosperous future. In 2007 Ohio Congressman Tim Ryan (OH-17) his counterpart in Pennsylvania, Congressman Jason Altmire (PA-04), tired of the continuing reference to the industrial past, coined the term “Tech Belt” and, in October 2007, convened the first “Tech Belt Summit,” inviting the region’s business and civic leaders to meet at Youngstown State University and begin to explore the shared future of this region.
The Tech Belt is, indeed, an impressively large region. Lang and Nelson note that our megapolitan region is home to 7.1 million people. It is larger than Ohio’s other megapolitan, the “Ohio Valley,” anchored by Columbus and Cincinnati (5.3 million) and is approximately the same scale as the “Carolina Piedmont,” anchored by Charlotte and Raleigh (7.0 million), the “Georgia Piedmont,” surrounding Atlanta (6.9 million), the “Florida Corridor,” linking Tampa and Orlando (7.8 million) and the “Greater Metroplex” of Dallas-Ft. Worth and Oklahoma City (7.9 million)."
University Circle is a temporary home for more than 10,000 university and college students. The evening’s discussion will focus on the students’ current experiences in University Circle and whether their plans involve remaining in the area following graduation. They’ll also discuss the changes they’d recommend to businesses and community leaders to make the landscape of the neighborhood and Northeast Ohio region more attractive to them and their friends as a place to plant permanent roots.
“The students who are drawn here for educational purposes represent a very creative population,” says Perry. “It’s also a population that doesn’t often get a chance to share their thoughts in an open forum. I hope the interaction will be an enriching experience for the Circle Neighbors audience and the panelists.”
Participants will include students representing Case Western Reserve University, the Cleveland Institute of Music, and the Cleveland Institute of Art. The event is a presentation of Circle Neighbors, coordinated by The Womens Council of the Cleveland Museum of Art, in collaboration with the Cleveland Botanical Garden, the Cleveland Museum of Natural History, The Women’s Committee of The Cleveland Orchestra, MOCA, and the Western Reserve Historical Society.
Those interested in attending the discussion should visit the Womens Council Web site and click the RSVP button on the home page or call 216-707-2527."
"Progressive Field, first known as Jacobs Field, was built in the early 1990s primarily from revenue from the County’s sin taxes, which raised some $266 million for the stadium and arena. It opened in 1994. The County had to add revenues to the project because of cost overruns. In addition to the “sin” taxes each year the County has had to pay some $10 million on bonds let by Cuyahoga County to cover additional costs. These payments have cost taxpayers more than $100 million thus far and they continue to be paid. The stadium alone cost $176 million to build. It now has a seat capacity of 45,199.
The team is worth, according to a Forbes magazine compilation of MLB teams worth, $391 million. Dolan paid Jacobs $323 million for the team in 2000. Forbes says gross revenues of the team last year were $170 million. The team is 21st of the 30 teams in gross revenues. Gate receipts were $37 million, according to this listing."
Ohio Professional Writers (OPW) is an organization of professional writers and communicators open to men and women. OPW is dedicated to excellence in communication and to protecting First Amendment freedoms.
OPW is a statewide network of corporate and freelance writers, editors, reporters, photographers, graphic designers, public relations, advertising practitioners and webmasters. Among our members are communication business owners, managers, production personnel, and radio personalities. Also eligible for membership are journalism teachers and college students in a communications-related field.
Antioch College was a private, independent liberal arts college in Yellow Springs, Ohio. It was the founder and the flagship institution of the six-campus Antioch University system. Founded in 1852 by the Christian Connection, the college began operating in 1853 with the distinguished scholar Horace Mann as its first president. The college's educational approach blended practical work experience with classroom learning, and participatory community governance. Students received narrative evaluations instead of academic letter grades. The college's enrollment during the last academic year that it was open for classes (2007-08) was fewer than 200 students.
Pittsburgh is the home of a solid number of very important colleges. But if someone asked me which one is the most important to the life and future of the city- I would say Point Park. This is because it one of the few schools here that seems intent on embracing it's location and integrating itself into the fabric of the city. (CMU may be on board with that now)
New York is a city with dozens of colleges which play a huge role in it's life. There is Columbia, NYU, Fordam, Pratt Institute, Saint Johns and the huge City University system. There are also tons of smaller schools scattered throughout the city. Parsons, SVA, FIT, Cooper Union, Hunter College, The New School, Juilliard, Baruch College and John Jay are a few. Not surprisingly a lot of these schools have strong specialties in the major "industries of NY" - art, film, media, fashion, theater, music, law, business , design and food. One is sometimes struck, by the rather unassuming nature of some the schools. Few have stadiums, elaborate sports facilities, fancy campuses or massive buildings. Many of the most respected are pretty low key and functional. But looks can be deceiving in that few of these schools beg for applicants and degrees from a lot of them are highly valued. A few like SVA, started small but have grown into sizable institutions. A lot of them do a booming and I think lucrative business in continuing education. So what makes these schools so popular and successful.
What are they selling if it ain't fancy campuses, winning teams and hot cheerleaders? What these schools got is NY and they have learned to work it. Courses taught by major executives, takeover artist's, art dealers, former mayors, film or television producers and the like are the norm. Internships with major law firms or media companies are integrated into the deal. This is easy because many of these people live and or work blocks away. These schools have a symbiotic relationship with the city. Their street level harmony with NY feeds the city and the city in turn feeds the schools.
Few Pittsburgh schools seem to have or want much of a relationship with the city. But Point Park does and is expanding in away that should benefit the school and enhance the life of Pittsburgh. I also like it's marketing spin which proudly positions itself as an urban school in a great city. I also want to give a shout out to to other schools in the downtown which play a very positive role in the city and have a strong pro-urban history. The Art Institute of Pittsburgh is the flagship of a huge for profit education empire and the Pennsylvania Culinary Institute has held on doggedly to a downtown that most ignore. I think that anyone looking for answers to why Pittsburgh has failed to develop a self supporting organic art scene and retain large numbers of it's out of town students should look at the design of the city's colleges.
Pittsburgh gets some amazing film festivals, and they're not always that well publicized. Since I moved to Pittsburgh, I've seen fantastic films at festivals dedicated to Czech Republic directors, Jewish-Israeli directors, GLBT topics, Chinese directors, Global themes, and local filmmakers. This doesn't even count the many film series and festivals I've missed, such as the Amigos del Cine Latinoamericano, Romanian Cinema on the Edge, the Cine-stan Festival for Turkmen and Kazakh films, the Polish Film Series, the Indian Film Festival, the Italian Film Festival, the Syrian Film Series, the German Avant-Garde Film Series, and many more.
If you have thoughts, events, insight or images you want to share about art, music, film, urban design, architecture, transit or history in the Pittsburgh, Cleveland, Youngstown, Erie, Morgantown, Akron, Canton region--Cleveburgh, email me diggingpitt@gmail.com. We can hook you up to post.
This is not Hyper Local media, but regional media seeking local viewpoints.

If you have thoughts, insight or images you want to share about art, music, film, urban design, architecture, transit or history in the Pittsburgh, Cleveland, Youngstown, Erie, Morgantown, Akron, Canton region--Cleveburgh, email me diggingpitt@gmail.com. We can hook you up to post.
This is not Hyper Local media, but regional media seeking local viewpoints.
Ms. Jacobs wrote that successful neighborhoods "are not discrete units. They are physical, social and economic continuities -- small scale to be sure but small scale in the sense that the lengths of fibers making up a rope are small scale."
"The Death and Life of Great American Cities" became a classic that masses of sociology, public policy and political science students read. An attack on urban planning of the day, the book was a foundation for the New Urbanist movement.
The national non-profit Project for Public Spaces called it "perhaps the most influential American text about the inner workings and failings of cities, inspiring generations of urban planners and activists."
"All the things she talked about is what we are doing: sidewalk cafes, street trees, merchants groups, festivals," said architect David Lewis, one of the area's most venerable advocates of community-building urban design.