Green Building Deconstruction Workshop With The Transformazium @ The Queens Museum

Oh the irony, I booked my trip back from NYC to see the Hold Steady play a benefit at The Braddock Library, only to find that the folks from North Braddock's Transformazium, Caledonia Curry,(AKA, Swoon) Leslie Stem, Dana Bishop Root, Ruthie Stringer will be talking at the Queens Museum the same day.

"Initially attracted to North Braddock because of the radically different set of resources it offered (in the form of abundant space and cheap real estate as well as a moody landscape of aesthetic decay), Transformazium rapidly realized a need to pause and examine the realities of their post-industrial neighborhood and build relationships with their new neighbors.

After doing a personalized tour of Detroit Disassembled, Transformazium will bring their experience living and working in a neighborhood that in many ways parallels neighborhoods in Detroit to QMA’s Detroit Project Room, and will use their Deconstruction activity book as a framework for generating questions, discussion, and reflection on the appeal of the post-industrial landscape, the challenges of relocation, the potential social and economic impact of Deconstruction on areas struggling with abandonment, and the possibilities for communication and exchange that can exist in a neighborhood."

Deconstruction: Coloring and Conversation with Transformazium
Saturday, November 12, 2:00 pm – 4:00 pm, 2011
The Queens Museum

Review OF Swoon Show

By the way there was finally a well written and insightfull review of the Swoon show in the City Paper. From what I can see, that was about it in terms of coverage here.

"Stain and Swoon, derive their inspiration, and in which they define their creative practices. Put simply, they see the outside world of pedestrians and walls as a more potent display space for their ideas than the comparatively sterile pretenses of art patrons and the white cube. Swoon, in an interview with The New York Times, once said that outdoor display avoids the "quiet, boring preciousness" of the gallery world."

You can see very clearly in the show how much all three artists valued and loved the tragically sacred setting of Braddock.