Showing posts with label Photographic History. Show all posts
Showing posts with label Photographic History. Show all posts

Wednesday, April 11, 2012

The case for a Teenie Harris Museum: A forum for urban history

Well, the Teenie Harris show, I gave a tepid review for, (wishing for a larger selection of full scale prints) really grew in my heart and soul. I went back three times and now wish I had gone more often.

The good news is it will tour. It also, became a pretty huge hit in town and garnered a lot of national and international press.

A reduced version of the exhibition will travel to the Harold Washington Library Center, Chicago (February 4–June 4 2012); the Birmingham Civil Rights Institute (August 7–October 28, 2012); and the Robert Woodruff Library at the Atlanta University Center (January 20–April 13, 2013).


The bad news is that the show will be edited down and isn't scheduled for high profile venues like The Smithsonian, ICP or any major museum.

The online archive continues to grow and be enriched with more personal stories and info.

More than one writer grasped the historic importance of this huge collection of pictures documenting a community.

The Big Legacy Of Charles 'Teenie' Harris, Photographer

The black and white images captured by Charles 'Teenie' Harris that re-tell the musical history of black America in the 20th Century

I think the Harris archive is almost without equal as an extensive, in depth portrait of American life. His 50,000 photos are not made up of many pictures of the same moments, but capture almost 50,000 separate, distinct people, places and events.

Harris didn't just record crime scenes or fashionably dressed people or jazz performances or sports or staged portraits or interesting buildings or pictures meant to advocate a political or social agenda. From his work we get a full idea of a lost time and place. As full an idea as one person could ever provide.

Of course, the time and place is one of endless interest. What happened to the thriving, beautiful, dynamic community he captured? Sadly, no similar record exists of The Grand Concourse, Newark's Central Ward or even of Harlem itself in it's glory days.

So many questions and so many possible points of discussion. In my opinion, Pittsburgh really needs a stand alone museum of Harris's work. My hope is it would become a center for not just African American, but all urban history.

Thursday, March 01, 2012

The Radical Camera @ NY's Jewish Museum : A few Thoughts

Stuffing in a few shows while I'm here, to see the Whitney Biennial.

The Radical Camera, which highlights some of the great photography associated with The Manhattan Photo League makes an important counterpoint to the Teenie Harris show.

The Radical Camera: New York's Photo League, 1936-1951

In 1936 a group of young, idealistic photographers, most of them Jewish, first-generation Americans, formed an organization in Manhattan called the Photo League. Their solidarity centered on a belief in the expressive power of the documentary photograph and on a progressive alliance in the 1930s of socialist ideas and art. The Radical Camera presents the contested path of the documentary photograph during a tumultuous period that spanned the New Deal reforms of the Depression, World War II, and the Cold War


The show included around 200 works by around 50 photographers.

Sid Grossman
Bernice Abbott
Bill Witt
Ida Wyman
Wegee
Lee Sievan
Arthur Leipzig
Morris Engel
Lisett Model
John Vachon
Ruth Orkin
Aaron Siskind
Rosalie Gwathmey
Marion Palfi
Jack Manning
Lucy Ashjian

Anyone who doubts that journalists, artists and photographers can change the world should see this show. In some ways, it was a bit chilling, given what we now know about the way their images of complex, vibrant communities like Harlem as troubled and damaged helped pave the way large scale urban renewal.

"Being a photographer is making people look at what I want them to look at" ... Ruth Orkin


The whole show has a great push and pull between photographs taken to make a point about poor working and living conditions, racism and social injustice and a gut level love and fascination with the street life of New York. (about 75% of the shots are of NY)



Check out the site which includes a number of videos and an amazing map of where some of the pictures were taken.

The Radical Camera: New York's Photo League
The Jewish Museum in New York
November 04, 2011 - March 25, 2012

Columbus Museum of Art

April 19, 2012 -Sept 9, 2012

Thursday, February 23, 2012

Video compilation of Teenie Harris profiles in the national media



The Westmoreland Museum, which hosted a earlier Harris retrospective, uploaded a montage, highlighting some of the attention paid to Harris and the communities he photographed. Almost all of them are really well done, so don't just skip through it.

Seems like many were done during the period of the earlier show, but some are newer.

"what he shows so clearly and forcefully in these photos is the sense of community that existed"