Showing posts with label Laurie Trok. Show all posts
Showing posts with label Laurie Trok. Show all posts
Monday, January 13, 2014
Laurie Trock @ The Westmoreland
Laurie's new pop-up show @ The Westmoreland Museum's temporary space surprised me. Not entirely content to push her ethereal linear cuttings and installations, she moved towards painting.
Many works involve scanning hand made cutouts and tricking a laser cutter into shaving away layers of plywood to create inlays. The results are surprisingly sensitive and human.
But I am the Fire with Laurie Trok
Thursday January 02, 2014 - Sunday February 02, 2014
Westmoreland @rt 30
4764 State Route 30
Greensburg, PA 15601
Hours
Wednesday - Friday 12 PM - 7 PM
Saturdays & Sundays 10 AM - 5 PM
The new space is a 30,000 former furniture store several miles out of town, and does not seem reasonably accessible without a car.
Sunday, April 21, 2013
Four Suites: You're invited!
Opening night, April 5, 2013
I have been looking forward to working with the other artists in the Four Suites exhibit for months. Obviously, the others have too. The installation took a considerable amount of time, and showed a lot of detailed thought and sensitivity to the ModernFormation space.
Static images don't really do justice to the atmosphere of the exhibit. Each artists' work stands very well alone, while showing a sensitivity to the space as well as the works of the the others. I must say, the show blends very well.
I hope that doesn't sound too overly self congratulatory. I'm sure it sounds at least a little bit.
Jean McClung installed several of her light sculptures in the back room of MoernFormations. The works play well in the darkened space, providing a white light focus along one wall. Laurie Trok installed two cut paper pieces, in the front and back rooms, emphasizing a subtle shadowy calligraphy. John Morris composed interludes of his small medium-based work along one wall in the front room. My work? Oh, it was composed of works from my Earths and Detritus series of collages.
Did you miss the opening of Four Suites? You're in luck! There is a closing reception on Friday April 26, from 7-9PM.
Four Suites closing reception
Modernformations
4919 Penn Avenue. Pittsburgh PA 15224
412.362.0274
Four Suites Installation
Four Suites, installation (back room at ModernFormations)
Four Suites, installation (front room at ModernFormations)
I have been looking forward to working with the other artists in the Four Suites exhibit for months. Obviously, the others have too. The installation took a considerable amount of time, and showed a lot of detailed thought and sensitivity to the ModernFormation space.
Static images don't really do justice to the atmosphere of the exhibit. Each artists' work stands very well alone, while showing a sensitivity to the space as well as the works of the the others. I must say, the show blends very well.
I hope that doesn't sound too overly self congratulatory. I'm sure it sounds at least a little bit.
Jean McClung installed several of her light sculptures in the back room of MoernFormations. The works play well in the darkened space, providing a white light focus along one wall. Laurie Trok installed two cut paper pieces, in the front and back rooms, emphasizing a subtle shadowy calligraphy. John Morris composed interludes of his small medium-based work along one wall in the front room. My work? Oh, it was composed of works from my Earths and Detritus series of collages.
Did you miss the opening of Four Suites? You're in luck! There is a closing reception on Friday April 26, from 7-9PM.
Four Suites closing reception
Modernformations
4919 Penn Avenue. Pittsburgh PA 15224
412.362.0274
Four Suites Installation
Four Suites, installation (back room at ModernFormations)
Four Suites, installation (front room at ModernFormations)
Saturday, March 30, 2013
Unblurred + GA/GI = Supersized First Friday

There's always a host of venues open and fun activities on First Fridays along Penn Ave for the monthly Unblurred series. April brings with it the GA/GI (Geek Art/Green Innovator) festival. In addition to the usual venues participating in Unblurred, Penn Ave will be amping it up with more presenters, activities and showcases.
GA/GI sets the tone for Unblurred with its central theme of green and renewable technologies. Some of the Galleries along the Penn Ave arts district feature artists that work with found materials and new technologies. For instance, Studio 5013 is featuring OZMA instruments: Guitars made of found and reclaimed materials by Jeffrey Schreckengost. At the other end of the spectrum, Edge Studios will present Robotics Artist, Donald Jones from CMU's High Point Project.
There's more than art happening during the festival. Optimus Technologies will be talking about how the next generation bio fuel systems actually works. Plumb Media is having a meet-and greet of some of the co-authors from Baker Leadership's latest book. Empowered in Pittsburgh encourages young adults to extend their handprint and get involved in their communities. Stop by to find out more!
April Unblurred also sees the return of The Clay Penn. Awesome Books, as you might know, is transforming to Amazing Books on April 3. The original location of Awesome Books on Penn Ave is already closed and is making its transformation to The Clay Penn. Stop in and reacquaint yourself with Laura McLaughlin's great ceramic works.

Of special note, I want to mention that I, along with Jean McClung, John Morris and Laurie Trok, will be exhibiting at ModernFormations. An extra special note: the opening reception is on Friday, April 5 from 7-10PM.
This is far, far from a comprehensive list of what is happening on April's first Friday, nor is it meant to be a Best of... preview. A list of events for Unblurred is available on their page and GA/GI's two-day calendar is posted here.
Tuesday, January 22, 2013
Laurie Trok: Words for Poems
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| Laurie Trok (photo credit to Garret Jones) |
The scale of the works ranged from intimate to grand. One section of the gallery was installed with dozens of tiny pieces scattered across the wall. The interplay between light and shadow was fascinating in this installation. Shadows cast across the individual pieces seemed in the act of reaching but not quite touching, creating a tension of desire.
Each of the paper cut pieces are complex and delicate, curved and suspended, with an illusion of floating. The artist suggests that the viewing of the exhibit is best at night, but each permutation of light will emphasize different aspects of the exhibit. The paper cut pieces themselves are marvelously detailed, and in a more uniform light, the works will tangle in your eye.
Words for Poems is a very short run exhibit. The doors opened on Saturday and the show closes on Friday, January 25. Laurie will be sitting the gallery Tuesday and Wednesday to extend the gallery hours, and Fe Gallery has regular hours on Thursday and Friday. It's well worth the effort to get to the exhibit while there is an opportunity.
Additional images available
More info about this exhibit
FeGALLERY | 4012 Butler Street, Pittsburgh PA 15201 | 412-254-4038
Thu - Fri: 4:00 pm - 8:00 pm
Sat: 12:00 pm - 6:00 pm
Sun: 12:00 pm - 4:00 pm
www.fegallery.org
Tuesday, January 15, 2013
What I'm doing this weekend

It's so nice when the universe aligns and so many good things happen at one time. Granted, there are plenty of weekends, weekdays and holidays when good things happen. Universal alignment is when they are all happening in proximity to where I live.
Play promises to be a really great show, because I am pretty familiar with most of the artists. Since it's also curated by Tim Fabian, I am more than sure the exhibit will be a good one. The list of artists, in case you are curious:
Sue Abramson, Ruth Drescher, David Grim, Tom Gigliotti, George Kollar, Jean McClung, Mark Panza, Michael Sahaida, William D. Wade
Now, isn't your curiosity piqued?
Please please try to make it to Fe for Words for Poems. I am familiar with Laurie Trok's work and it is exceptional. But the show has a VERY short run and will be gone before you know it. If you happen to be in Larryville during Fe's extended hours for the show, venture down to Espresso A Mano. It's just a few blocks away from Fe, serves great coffee, and currently is hosting David Grim's work on it's walls.
David Grim: Looking @U
More information about this show
Espresso A Mano
3623 Butler St
Play, opening January 19, 2013
More information about this exhibit
Panza Gallery
115 Sedgwick Street
Millvale Pa 15209
Words for Poems, opening January 19 2013 at Fe Gallery
More info about this exhibit
FeGALLERY | 4012 Butler Street, Pittsburgh PA 15201 | 412-254-4038
Thu - Fri: 4:00 pm - 8:00 pm
Sat: 12:00 pm - 6:00 pm
Sun: 12:00 pm - 4:00 pm
www.fegallery.org
Wednesday, January 04, 2012
Don't go back to sleep

Don't go back to sleep, Laurie Trok's solo exhibit, is a presentation of her collage work. The works are assembled from re-purposed materials, from manila folders to magazine pictures. Her approach to collage is complex, with multiple layers and dimension.
If you missed the opening in December, Laurie Trok's solo is having a last showing at 3634 Penn Ave this Friday.
Don't go back to sleep
Laurie Trok
January 6, 6-11PM
Closing Party
Morris Levy Gallery
3634 Penn Avenue
Monday, December 05, 2011
December Unblurred
The theme for Unblurred in December is large group shows; it seemed like the larger venues on Penn were all doing some variation of this. It was interesting to see the different takes on that idea, and it made for a very active evening. I am sure I missed as much as I got to during December's Unblurred.
Winter in Frames at ModernFormations

A fun exhibit of small format works, Winter in Frames invited artists to submit works for public voting. The top three voted artists get a group exhibit. While the gallery typically follows a monthly show rotation, Winter in Frames will remain in place through January 14, when the winners will be announced. If you missed the exhibit opening on December 2, you can always swing by during regular gallery hours, or for first Friday (January 6).
There are several images from the exhibit in the slideshow. And no, I'm not going to say who I voted for. I will say that it was a nice balance of work. Survey shows like this, with no stated theme and no over-arching juror, can be difficult to present. ModernFormation's Director, Jennifer Quinio Hedges, did a phenomenal job with organizing the installation.
Exhibiting artists include --
Ron Copeland, Julie Urban, Dafna Rehavia Hanauer, Jake Reinhart, Lauren Toohey, Donnie Toomer, Steven M. Yeager, Lizzee Solomon, Katie Sussman, Stephen Tuomala, Stephen Knezovich, Nancy Schuster, L.J. Swiech, Carol Skinger, Ruthanne F. Bauerle, Stephen Haynes, Chris Humphrey, Joel Brown, Mark Zets, Jeff Zets, Eric White, Lindy Hazel LaDue, Rebecca Rose, Kristin Turcsanyi, Susan Contanse, Jes LaVecchia, Mark Mangini, Ryan Emmett, Jay DelGreco, Aimee Manion, and Joseph Materkowski.
Modernformations
Lascaux to Garfield at IRMA FREEMAN CENTER FOR IMAGINATION

A special off-the-wall presentation of local artists work, Lascaux to Garfield was a very short exhibit. There were many familiar names, and the exhibit was a joint venture between the Irma Freeman Center and The Puppet Happening.
There were several pieces that stood out for me. Renee Ickes, whose work is pictured above, creates some very cheeky pierced and cut paper pieces. Laurie Trok, who does very intricately layered paper-cut collages, had a couple small pieces in the show. More of her work is available for viewing at her solo show at Morris Levy Gallery, opening December 10.
Puppet Happening is a venture of Tom Sarver's, who has been producing puppet shows in Pittsburgh for years. He had a mini-festival at the Irma Freeman Center over the weekend, and will be doing more in the future.
Exhibiting artists include: Sheila Ali, Alberto Almarza, Ashley Pixelle Andrews, Tommy Bones, Dean Cercone, Victoria Cessna, Matthew Conboy, Thommy Conroy, Murphi Cook, LEX Covato, Mike Cuccaro, George Davis, Tirzah DeCaria, The Dirty Poet, Sam Ditch, Zach Dorn, Kirsten Ervin, Gabe Felice, Irma Freeman, Claudia Giannini, Karen Hartman, Doug Hill, Jennifer Howison, Renee Ickes, Carolyn Kelly, Jessica Langley, Chris Lisowski, Maria Mangano, Jean McClung, Anna Mikolay, David Luis Montano, John Morris, Lindsay O’Leary, Organza Orgazmica (Scott Andrew, Elin Lennox and Michael McParlane collaboration), Larry Rippel, MJ Sadeghi, Nicole Sarver, Tom Sarver, Jessica Scott, Kate Sherman, Moshe Sherman, Kara Skylling, Steve Smith, Oliver Southgate, Jim Storch, Laurie Trok, Robert Zehmisch & Bob Ziller.
Irma Freeman Center for Imagination. 5006 Penn Avenue. Images from the exhibit are available in the slideshow.
Image Box: Robert Pell

Robert Pell's low-relief pieces are very fun and beautifully presented. The works, a combination of drawing and cut-outs, are a tribute to his school notebook doodles.
Study Hall Series, Imagebox, 4933 Penn Ave
Notes of interest
Assemble went hyper local for its December exhibit, with an open call to artists living within ten blocks of the space. Lots of fun stuff, images in the slideshow.
The CottonFactory had their last Tee Rex event of the year. They won't be opening for first Fridays again until March 2012. Note to my artist friends: The CottonFactory has guest vendors for their Tee Rex events. Contact ink[at]cottonfactory.com for details. 5440 Penn Ave.
Jes LaVecchia has her work at the Mr. Roboto Project. These sweetly-colored, illustrative works are very fun, especially on these dreary winter days. Mr. Roboto is open for several special events in December when you can view the exhibit.
Winter in Frames at ModernFormations

A fun exhibit of small format works, Winter in Frames invited artists to submit works for public voting. The top three voted artists get a group exhibit. While the gallery typically follows a monthly show rotation, Winter in Frames will remain in place through January 14, when the winners will be announced. If you missed the exhibit opening on December 2, you can always swing by during regular gallery hours, or for first Friday (January 6).
There are several images from the exhibit in the slideshow. And no, I'm not going to say who I voted for. I will say that it was a nice balance of work. Survey shows like this, with no stated theme and no over-arching juror, can be difficult to present. ModernFormation's Director, Jennifer Quinio Hedges, did a phenomenal job with organizing the installation.
Exhibiting artists include --
Ron Copeland, Julie Urban, Dafna Rehavia Hanauer, Jake Reinhart, Lauren Toohey, Donnie Toomer, Steven M. Yeager, Lizzee Solomon, Katie Sussman, Stephen Tuomala, Stephen Knezovich, Nancy Schuster, L.J. Swiech, Carol Skinger, Ruthanne F. Bauerle, Stephen Haynes, Chris Humphrey, Joel Brown, Mark Zets, Jeff Zets, Eric White, Lindy Hazel LaDue, Rebecca Rose, Kristin Turcsanyi, Susan Contanse, Jes LaVecchia, Mark Mangini, Ryan Emmett, Jay DelGreco, Aimee Manion, and Joseph Materkowski.
Modernformations
Lascaux to Garfield at IRMA FREEMAN CENTER FOR IMAGINATION
A special off-the-wall presentation of local artists work, Lascaux to Garfield was a very short exhibit. There were many familiar names, and the exhibit was a joint venture between the Irma Freeman Center and The Puppet Happening.
There were several pieces that stood out for me. Renee Ickes, whose work is pictured above, creates some very cheeky pierced and cut paper pieces. Laurie Trok, who does very intricately layered paper-cut collages, had a couple small pieces in the show. More of her work is available for viewing at her solo show at Morris Levy Gallery, opening December 10.
Puppet Happening is a venture of Tom Sarver's, who has been producing puppet shows in Pittsburgh for years. He had a mini-festival at the Irma Freeman Center over the weekend, and will be doing more in the future.
Exhibiting artists include: Sheila Ali, Alberto Almarza, Ashley Pixelle Andrews, Tommy Bones, Dean Cercone, Victoria Cessna, Matthew Conboy, Thommy Conroy, Murphi Cook, LEX Covato, Mike Cuccaro, George Davis, Tirzah DeCaria, The Dirty Poet, Sam Ditch, Zach Dorn, Kirsten Ervin, Gabe Felice, Irma Freeman, Claudia Giannini, Karen Hartman, Doug Hill, Jennifer Howison, Renee Ickes, Carolyn Kelly, Jessica Langley, Chris Lisowski, Maria Mangano, Jean McClung, Anna Mikolay, David Luis Montano, John Morris, Lindsay O’Leary, Organza Orgazmica (Scott Andrew, Elin Lennox and Michael McParlane collaboration), Larry Rippel, MJ Sadeghi, Nicole Sarver, Tom Sarver, Jessica Scott, Kate Sherman, Moshe Sherman, Kara Skylling, Steve Smith, Oliver Southgate, Jim Storch, Laurie Trok, Robert Zehmisch & Bob Ziller.
Irma Freeman Center for Imagination. 5006 Penn Avenue. Images from the exhibit are available in the slideshow.
Image Box: Robert Pell
Robert Pell's low-relief pieces are very fun and beautifully presented. The works, a combination of drawing and cut-outs, are a tribute to his school notebook doodles.
Study Hall Series, Imagebox, 4933 Penn Ave
Notes of interest
Assemble went hyper local for its December exhibit, with an open call to artists living within ten blocks of the space. Lots of fun stuff, images in the slideshow.
The CottonFactory had their last Tee Rex event of the year. They won't be opening for first Fridays again until March 2012. Note to my artist friends: The CottonFactory has guest vendors for their Tee Rex events. Contact ink[at]cottonfactory.com for details. 5440 Penn Ave.
Jes LaVecchia has her work at the Mr. Roboto Project. These sweetly-colored, illustrative works are very fun, especially on these dreary winter days. Mr. Roboto is open for several special events in December when you can view the exhibit.
Wednesday, December 22, 2010
Adventures in hot metal: Carley Parrish
It's been a week since I accepted Carley Parrish's gracious invitation to stretch my skills and try my hand at casting in her studio. It was a small group at the studio: Carley Parrish, Mike Walsh, Adam Castleforth, and my friend Laurie Trok and myself. I am a complete novice when it comes to this type of medium. Honestly, it was absolutely a wonderful experience. I have not retrieved my experiments yet, but I will follow up with an image of my attempt!
What Carley was concentrating on for the evening was a molten aluminum pour. She was casting in two different types of sand relief and lost wax casting. The sand reliefs were very immediate, and offered an opportunity to experiment with carving or pressing. One sand, for carving, was mixed with something to keep it stable and was good for carving a relief into. It kept marks very well. The other sand was softer and better for taking an imprint. This was where my friend, Laurie Trok, and I were working.
Carley Parrish and Mike Walsh were working with a combination of things. Both had lost wax pieces prepared and both were also preparing sand for casting in relief. Theirs were much more complex, of course, planned as components for later assembly. Mike Walsh was also preparing for an exhibit that opened on December 18 at The Gallery 4.
All in all, it was a rewarding experience. Carley made the process seem much more accessible than I would have thought, bringing a very intuitive approach to a medium that I had always seen as requiring considerable planning. Unfortunately, I had to cut out before the drama of the pour really started. I will, however, be sure to update when the next hot metal pour will be held.
Please take a few minutes to view the slide show. The images are labeled and document the process up to loading the crucible.
Get to know Laurie Trok. I wish I could find some information on Adam Castleforth to share with you along with Laurie's, but I can find no trace in the e-phemeral.
If you want to acquaint yourself with some of Carley Parrish's work, stop by Hermanowski's (1907 Penn Ave) in the Strip District where you can see the impressive Strip Mural. Carley and her husband, Ed Parrish, have brought hot metal to many public events in Pittsburgh and surrounding communities. Their work is always good and their events are filled with fire and energy. Carley includes a number of mediums in her skills, and her work appears in many focused and group presentations. Recently, some of her works were included in the new Irma Freeman Center for Imagination in the exhibit Energy: the Good, the Bad, and the Ugly.
You can definitely get to know Mike Walsh a little better Check out:
Coming Full Circle "20 Years Later"
Recent work by Mike Walsh
The Gallery 4
206 S, Highland Ave, 15206
Phone:
877.yinz.art
412.363.5050
hours:
tues - sat
1pm - 7pm
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