Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts

Thursday, November 13, 2014

Call For Submissions: Looking at Appalachia Photography Project Seeks to Create Broad Regional Portrait

From, photographer, Roger May- in Belt Magazine
"What images first come to mind when you hear the word “Appalachia”? No, really. The first image?
One of the things I like to do in a group setting, particularly with students, is run through this exercise. I explain that there is no right or wrong answer. It always starts slowly. Not a peep from anyone. Inevitably, someone mentions coal. Then bluegrass. After a few minutes and some steady coaxing, we get down to the nitty-gritty. Incest. Trailers. Mountain Dew. Lazy. Uneducated. Now we’re talking. After compiling a list of a dozen or so of these visual cues, everyone seems to breathe a sigh of relief when it registers that they’re not alone in their answers. Nearly everyone thinks these things, but to say them out loud? That can be frightening. My next question is to ask what about these cues are unique to Appalachia or can they be found in other places in America. One by one, we all agree that not a single stereotype listed can be ascribed solely to Appalachia. So why is it then that we’ve come to associate them so strongly?"
May points out that many of the very well meaning New Deal and Progressive Era images of staggering poverty have stuck in the global imagination.

"Those images often represented the poorest parts of the area — to muster support for their intended cause — but unjustly came to present the entirety of the region while simultaneously perpetuating stereotypes.
So, what is it about these stereotypes, these visual triggers that are immediately conjured up when Appalachia is referenced? And how can we retrain our thinking and seeing?"
How have these stereotypes perpetuated the very poverty they aimed to fight? Brain Surgery and robotics in Pittsburgh is as much part of the "Appalachian Story" as poverty in Logan County, West Virginia.

50 years after the "War on Poverty", May aims to crowdsource a more complex and realistic picture of a vast area- that includes the entire Pittsburgh metro.



Submissions 

Submissions are not limited by style or subject matter (portraits, landscapes, etc.), however:
1. All work submitted must be the copyright of the photographer.
2. Photographs must be made in calendar year 2014.
3. Photographs must be made in one of the 13 state’s regions the Appalachian Regional Commission defines as Appalachian (here).
4. Submissions are open through 31 December 2014.
Include the date (month, day, and year), city, county, and state. Submissions must be in .JPG format, sized at 1500 pixels on the longest side, 72ppi. File names must include your last name and the city and state where the photograph was made (example: maychattaroywv2.jpg). Submissions received in any other format will not be accepted. Please do not watermark or add text to your submissions.
Photographs will be indexed by the state in which they were made. You are not limited to submitting work about one state, however please be aware of the ARC map boundaries. To be clear, this project is not seeking poverty pictures. Will poverty be included? Yes. Poverty exists to be sure, however the purpose of this project extends far beyond that.
Email submissions and questions to rogerdalemay@gmail.com.

May has already lined up an exhibition in Spartanburg, South Carolina- but hopes to tour the exhibition.
Sounds like a published book is also possible.
See, Looking At Appalachia for more details and images as project evolves.


Tuesday, October 07, 2014

Cleveland Based Photographer Exhibits Shots of "Jews Who Rock" in Davenport, Iowa


From The Quad City Times
"Macoska has worked professionally as a photographer, primarily of rock musicians passing through Cleveland, since 1974.
Currently the house photographer for the Rock and Roll Hall of Fame in Cleveland, she has also shot the cover art for albums by David Bowie, Led Zeppelin, Devo, Heart, AC/DC and The Kinks."
Who would be better positioned to photograph the stars of rock?

"The more she researched, Macoska discovered that Jewish influences went beyond musicians such as Neil Diamond, Gene Simmons and Billy Joel and into those behind the scenes, such as Beatles manager Brian Epstein; Sid Bernstein, the producer who brought the Fab Four to America; and legendary concert promoter Bill Graham.
"I kind of knew there were Jewish influences in rock 'n' roll, I just never knew that there were influences beyond musicians," she said, adding that the two Cleveland DJs who coined the phrase "rock 'n' roll" in 1952 and staged the first rock concert were both Jewish."
This sounds like a cool show and I hope she thinks of bringing it to Cleveland.

"Jews Who Rock"
Photos by Janet Macoska
September 10- December 10
River Music Experience
 2nd Floor Gallery
129 Main Street,
Davenport, Iowa

http://www.janetmacoska.com/

Wednesday, February 06, 2013

Unblurrrrred

I admit, I didn't make it to every venue that was open this past First Friday. I usually try a little harder, and welcome the random wanderings that Penn Avenue presents in its warmer weather offerings. February is always a trial, so I just focused on a few spaces and beat a hasty retreat to my warm little house.

Most Wanted Fine Art (5015 Penn) … 6PM TO 11PM
“CONVERGENCE: New works by Donnie Toomer & Andrew Rabb
Month Long Exhibit

Donnie Toomer and Andrew Rabb at MWFA
Donnie Toomer (left) and Andrew Rabb (right) at MWFA


Oh, now, Donnie Toomer's work was fun to look at. Really, the exhibit of portraits is colorful and active; lots of energy packed into those little frames. It was nice to see some familiar faces on the walls, too. You know, this is the second portrait show I've seen recently. I'm hoping that the interest in portraiture continues to appeal. Human portrayal is very complex, and becomes even more so when you are also looking at the subtext of the artist in his portraits.

By contrast, Andrew Rabb's photography was more quiet and contemplative. The photographs were very clean and crisp, with a nice light quality to them. The image above was my favorite from his small presentation of several works. There are more examples of these ephemeral portraits on his website, which are every bit as good.

All in all, a very nice show at MWFA this month, even if the works are so divergent.

Get to know Andrew Rabb and Donnie Toomer a little bit better.

Modernformations Gallery and Performance Space (4919 Penn)
“Darkness and light: The Artwork of Richard Claraval”
Exhibit runs through Feb 22nd.
Richard Claraval at ModernFormations
Richard Claraval at ModernFormations


Richard Claraval's intentions are very clearly drawn in his exhibit Darkness and light. From the show statement -

The back room of the Gallery, with it’s hues of deep red and purple, will be filled with drawings that explore the destructive forces of the world: greed, nationalism, the great disparity between the haves and have-nots, religion; the “Dark”. While the white cube front room will contain images of the “Light” or positive forces: science, education, independent thinking, tolerance.

The works were larger-scale drawings, treated with a loose and expressive hand. Thematically separated, the works in the front room were more controlled while the ones in the back, designated as depicting darker forces, were treated more chaotically. The large scale of the drawings (about 36" x 36") gave them a lot of impact.

A few notes:
Stuff 'n Such Society, along with its nostalgic miscellania and original artworks, has also begun to carry chapbooks.
LAW OF OFFICE OF RICHARD J. WALTERS and THE DANCE EMPORIUM (5005 Penn Ave)has Tango music, beginning at 9:30PM every first Friday
Catapult Co-Working Space has a Show 'n Tell every First Friday, beginning at 5PM.
Awesome Books is Awesome! Also, show them some love.

Tuesday, January 15, 2013

What I'm doing this weekend

Play @Panza Gallery Words for Poems @Fe Gallery Looking @U

It's so nice when the universe aligns and so many good things happen at one time. Granted, there are plenty of weekends, weekdays and holidays when good things happen. Universal alignment is when they are all happening in proximity to where I live.

Play promises to be a really great show, because I am pretty familiar with most of the artists. Since it's also curated by Tim Fabian, I am more than sure the exhibit will be a good one. The list of artists, in case you are curious:

Sue Abramson, Ruth Drescher, David Grim, Tom Gigliotti, George Kollar, Jean McClung, Mark Panza, Michael Sahaida, William D. Wade

Now, isn't your curiosity piqued?

Please please try to make it to Fe for Words for Poems. I am familiar with Laurie Trok's work and it is exceptional. But the show has a VERY short run and will be gone before you know it. If you happen to be in Larryville during Fe's extended hours for the show, venture down to Espresso A Mano. It's just a few blocks away from Fe, serves great coffee, and currently is hosting David Grim's work on it's walls.
David Grim: Looking @U
More information about this show
Espresso A Mano
3623 Butler St

Play, opening January 19, 2013
More information about this exhibit
Panza Gallery
115 Sedgwick Street
Millvale Pa 15209

Words for Poems, opening January 19 2013 at Fe Gallery
More info about this exhibit
FeGALLERY | 4012 Butler Street, Pittsburgh PA 15201 | 412-254-4038
Thu - Fri: 4:00 pm - 8:00 pm
Sat: 12:00 pm - 6:00 pm
Sun: 12:00 pm - 4:00 pm
www.fegallery.org

Tuesday, July 26, 2011

Open Call: Westmoreland Museum Looking For Photos Of Tattoos

No, all these pictures will not be displayed in the gallery-but it's still a great opportunity to display this honest personal and often deeply creative artform.

Do you have a tattoo? Would you like to share its design with others?

In September, the Westmoreland Museum of American Art will host the exhibition Tattoo Witness of tattoo photographs by Pittsburgh artist Mark Perrott. We would like also like to show pictures of your tattoos in a special section of the exhibition.

Please send us a photo of your tattoo(s) and your story about why or where you got it to tattoowitness@gmail.com. If you prefer not to send via email, bring a photo of your tattoo (no larger than 8x10 inches) to the Museum or send it via postal mail to:

Westmoreland Museum of American Art
Tattoo Witness Photos
221 N. Main Street
Greensburg, PA 15601

Submission deadline: September 1, 2011
Photos chosen will also appear on our Facebook page.

Sunday, July 10, 2011

Holy Crap! Cleveland Takes Homegrown Neighborhood Fireworks To a New Level

Rust Wire has some amazing photos taken this year by Frank Lanza, showing some pretty serious informal fireworks on Cleveland's West Side.

On the one hand, it really looks like they shouldn't be doing this and on the other it looks like the most awesome kind of all American good time possible.

Friday, March 27, 2009

Big Urban Photography Project @ Rust Wire

Hopefully more printed and online projects will develop to fill the emerging gaps in news coverage, and community linkages opening up as traditional newspapers struggle and fold. One new blog with ambitions to connect the Rust Belt is called Rust Wire which seems to be cooking up some kind of online photography project.

"Rustwire is recruiting photographers across the Midwest to take part in a photo project attempting to capture the unique essence of individual Rust Belt cities.

We want shots of Cleveland, when the fog rolls in from the lake and blankets downtown. We want the vacant storefront in the old Polish neighborhood in Buffalo. We want children playing in the streets in St. Louis. We want street construction projects, old warehouses, snowstorms and street festivals.

We need photographers with an interest in urban landscapes and knowledge and love for their cities. Email us at rustbeltnews@gmail.com to participate."

Monday, December 01, 2008

Obscurae Fundraiser For Braddock Arts Projects

I know I told everyone to stop shopping, but if you have any reasonable amount of money at all, I suggest going to this fundraiser in at Unsmoke Systems to support arts projects in Braddock.

Change is underway in Braddock as groups working with and within the community bring renewed energy to a town that many wrote off. Artists, social entrepreneurs, community organizers, urban homesteaders and others with a pioneering spirit are inspired by the town's potential for grassroots urban renewal and are using the inherent energy in Braddock to fuel their creativity. It is with this spirit that OBSCURAE views the maligned town – turning a photographic eye towards the borough's oft-overlooked beauty amidst the former grandeur and "urban blight" that Braddock has come to represent for many.

Curated by Braddock residents Jenny Fremlin and Jodi Morrison, with special guest curator John Ryan Brubaker, OBSCURAE pays homage to Braddock's unique post-industrial urban beauty. From the borough's Victorian and industrial-era construction to particulars of its natural surroundings, each photograph captures a unique perspective of the town. Works are mounted and framed with found-materials from the community. In creating OBSCURAE, curators Fremlin and Morrison hope to encourage others to look deeper and appreciate the small wonders that drew them to Braddock. "The energy in Braddock is amazing, from the support of our neighbors who are long-time Braddock residents to curious people dropping in there is always something happening in this town. All of that activity and more is captured in the photographs that have been submitted by these brilliant photographers who have explored here and chosen to help the town that inspired their art by participating in this event" said Fremlin.

Join us for a two-day photography exhibition/fundraiser, The event, OBSCURAE, will occur on Friday, December 5 and Saturday, December 6, 2008. Benefiting Braddock Redux and their continuing revitalization efforts of this historic steel mill town, OBSCURAE features more than 125 donated and framed photographs of Braddock from over 25 photographers that ticket holders will win and take home at the OBSCURAE art photography lottery. Public viewing of the work, open to all and free of charge, begins Friday from 7 – 11pm and continues Saturday at 2pm; the art lottery commences at 4pm Saturday. Those attending OBSCURAE, held at UnSmoke Systems Gallery at 1137 Braddock Avenue, are invited to take part in the gallery's interactive photo booth designed by installation artist Merissa Lombardo and taste fresh-baked pizza by Josh Tonies made in Braddock's very own outdoor wood-fire community oven located next to UnSmoke Systems. There is no charge to attend OBSCURAE and view the exhibition; visitors wishing to take home a work of art can purchase lottery tickets for $45 through the website, www.obscuraegallery.org, or for $55 at the door. The lottery offers supporters the opportunity to contribute to Braddock art and community projects with a partially tax-deductible ticket purchase. At the same time, supporters will be able to enjoy the exhibit, local food and drinks, the photo booth installation, AND leave with a limited edition framed art photograph that will sell in OBSCURAE's online gallery for up to $125. Photographs included in the lottery range from 8x10 to 13x19 and are mounted and framed using a variety of reclaimed materials. All pieces are stunning to display or give as a gift this holiday season.

How does the Art Lottery work?

Donated pieces are exhibited throughout the gallery, and all pieces displayed will go home with a ticket holder that evening. Lottery participants are encouraged to browse the gallery before the lottery begins and compile a list of at least their first 25 favorites. The lottery begins with the first ticket being randomly chosen. When a ticket holder's number is called, he or she has up to 60 seconds to choose a piece. Once a piece is selected an art handler removes it from the wall and packages it for the winner. After approximately 35 pieces are selected there will be a break so that the remaining ticket holders can browse through the available artwork to select their next series of choices. The lottery continues, with appropriate breaks, until all the ticket holders have chosen a one-of-a-kind framed photograph and all the work is off the walls.In addition to the show, OBSCURAE's online gallery, launching Friday December 5, offers the chance to purchase limited edition prints and frames. During the weekend of the show, December 5-7, the online gallery will offer a gallery launch 10% discount. Proceeds from the gallery will support both the continued efforts in Braddock as well as the photographers who donated pieces for the exhibition. Some photographers participating in the show have also contributed additional pieces for purchase only available online. Visit www.obscuraegallery.org to view the work starting December 5th .

Fundraiser sponsored by Braddock Redux hosted at the UnSmoke Systems Gallery

1137 Braddock Avenue, Braddock, PA

Curated by: Jenny Fremlin & Jodi Morrison, with special guest curator John Ryan Brubaker

Friday, December 5, 2008: Public Viewing /

Preview Reception 7pm-11pmSaturday, December 6, 2008: Public Viewing: 2pm ;

Art Lottery: 4 – 7pmLottery Tickets: $45 through website; $55 at the Door

Wednesday, October 08, 2008

New curator position at CMoA



From the Carnegie Museum of Art Press Release --

Carnegie Museum of Art announced today the creation of a new curatorial department of photography and has appointed its first head, Linda Benedict-Jones. Benedict-Jones has been the executive director of Silver Eye Center for Photography on Pittsburgh’s south side since 1999 and will assume her position at Carnegie Museum of Art on December 15, 2008. ...

... Carnegie Museum of Art’s connection with photography dates to the early 20th century, when its annual exhibitions of the Pittsburgh Photographic Salon included the works of local and international photographers. At the heart of its collection are works by Pittsburgh and Southwestern Pennsylvania photographers from the 1860s to the present, bolstered by acquisitions of classic photography. Recent acquisitions include a gift of more than 150 vintage and contemporary photographs from the George H. Ebbs collection; the archive of the complete works of renowned photographer Duane Michals (a native of McKeesport, Pennsylvania); and the Pine Flat Portrait Studio collection of artist Sharon Lockhart, whose work is included in the 2008 Carnegie International.


Linda Benedict-Jones has been the Executive Director at Silver Eye Center for Photography since 1999. Silver Eye, located on E Carson St in Southside, is a wonderful, small venue. It packs quite punch for its size. The shows are consistently good. It is difficult to manage a venue whose exhibits have national appeal and yet still promotes local and regional artists. Ms. Benedict-Jones fills the post admirably. She is also very approachable. The CMoA has brought a real gem into their stff. I am looking forward to what the new curatorial efforts will bring to the museum.

Wednesday, May 16, 2007

Photomakers at Filmmakers, North Oakland


At Pittsburgh Filmmakers in North Oakland, two recent graduates and one established local artist are showing photographs in the lobby gallery surrounding the Melwood Avenue screening room. Mandy Kendall’s “Inverted Landscapes” use double exposure, long rectangles, and black and white film to show the “extraordinary beauty of the everyday world.” They’re beautiful, lyrical images shot in Eastern Ohio and Western PA. In an age of digital everything, these are images true to what the photographer captured on old fashioned film; only the printing is digital.

CMU’s Eno Thereska works to portray the human condition in “Species.” Eliminating backgrounds, placing his human subjects against a stark white page, these singles, pairs, and couples look lonelier and more detached than ever. Except the ones that are hopeful, or something else entirely. I really liked these. They were like Richard Avedon for regular people.

Deeper into the gallery, Artist Image Resource director, Robert Beckman, has rearranged the space, adding a wall, and then covering the squarish room with life-sized images of East Ohio Street. This installation, called “STREET” (detail above), uses huge inkjet prints, pushing their color to gaudy and gorgeous tones. Beckman gets the “visual abundance” he’s going for, and if you’ve ever been to East Ohio Street on Pittsburgh’s Northside—with its pawn shops, luncheonettes, sports bars and thrift stores--you know where the inspiration comes from.

Through June 10th
Filmmakers Galleries
Hours: Noon-5pm, M-F
and during film screenings in Melwood Screening Room
477 Melwood Avenue
412.681.5449
www.pghfilmmakers.org

Wednesday, April 25, 2007

Pinhole Photography Workshop @Digging Pitt

Pinhole photography workshop with George Kollar
April 29, 2007: 12:00pm



Join George Kollar, Trever Miller and John Fobes at Digging Pitt Gallery on April 29, Worldwide Pinhole Photography day. George will be conducting a pinhole photography workshop. 12-2pm Free. Please RSVP your interest to Digging Pitt Gallery by email or at 412-605-0450

George Kollar
Pinhole Photography Workshop


George Kollar has been producing work with a pinhole camera for many years. His subject matter ranges from motorcycles to carnivals. In this workshop, George will go over constructing your own pinhole camera. George will supply his expertise and materials for the workshop. The workshop is free. Please RSVP to Digging Pitt Gallery by email or at 412-605-0450.

George Kollar

Time is of the essence. Worldwide Pinhole Photography day is April 29. Anyone, anywhere, that makes Pinhole photography can send it to www.pinholeday.org, which maintains a gallery of lens-less photography. Last year, there were 2267 participants from sixty countries.

What is pinhole photography? It is photography in which a tiny hole is used in place of a lens. Most pinhole camera are home made. The hole is made with a fine needle and household aluminum foil. Some of the cameras are made using cardboard boxes, coffee cans and even fifty-five galleon drums. Today you can purchase any size format pinhole camera to shoot film.

As an independent photographic artist I have experimented with the unique image produce by the pinhole camera. The camera I use is a Zone 2000 film camera, 6x6 format with a pinhole of f/138.

There is an endless supply of information on pinhole photography on the web. Today pinhole has come full circle as fine art photography. Enthusiasts from all parts of the world realize pinhole photography has been revived. I hope to see other pinhole photographers out on world wide pinhole day. Gear up, make a camera and welcome aboard.

Digging Pitt Gallery
4417 Butler Street
Pittsburgh PA
412-605-0450
www.diggingpitt.com
Digging Pitt on MySpace
Digging Pitt blog

Saturday, March 17, 2007

Photographic Showcase @Digging Pitt Too

April 14 - June 2, 2007
Photographic Showcase @Digging Pitt Too
Produced by Redfish Creative


Photographic Showcase @Digging Pitt Too
Opening reception April 14: 6-9PM

Produced by Redfish Creative
Curator: John Eastman
Kim Curinga (top image)
Elena Hiatt Houlihan (bottom image)
More information

In April, Digging Pitt Too will be presenting a photography showcase. John Eastman, who is the curator, selected works by artists whose approaches to photography are entirely different. Please join us on April 14 for the artist reception.

Curator Statement -- John Eastman

One of the magic elements of photography is that the photographer has the opportunity to present to the viewer an image, captured for a split second or less, maybe never existing again in that context. It is through their eyes, and of their lens, that a type of artistic interpretation is made available to us. While images appear seemingly obvious, it is the interpretation that I always look for in a photographer's work, as this is their version of the story, or the message they are asking you to be open to see.

The process of creating a photographic montage, I believe, further extends that liberty. We have the benefit of experiencing close-up, a detailed working process that starts with a series of skillfully captured images, re-imagined, re-created, and edited by the photographer. Ultimately they present us with their vision of another version of a continuous whole.

This new composite enables us a visit inside the photographer's mind, and not just through the lens of their camera. Welcome to the interpretations of Elena Hiatt Houlihan and Kim Curinga.

Digging Pitt Too
45th & Plummer Streets
Pittsburgh PA 15201
412-605-0450
SA 12 – 5
by appointment
and at other random times
www.diggignpitt.com