Showing posts with label Pittsburgh Biennial. Show all posts
Showing posts with label Pittsburgh Biennial. Show all posts

Friday, October 24, 2014

Chuck Connelly : My America @ The Andy Warhol Museum

Chuck Connelly: My America @ The Andy Warhol Museum for the Pittsburgh Biennial 2014 from PFPCA on Vimeo.

Surreal, fantastic, hideous and humorous but rarely boring

The once, hailed art star, Connelly is now known more as a character and cautionary tale than the actual living artist he still is.

From The Warhol Museum website

Chuck Connelly: Homo, 1979 Courtesy of the artist


"This exhibition, Chuck Connelly: My America, will mark Connelly’s first solo museum show and feature works from his beginning years in New York to the present day. Born in Pittsburgh in 1955, Connelly graduated from the Tyler School of Art, Philadelphia in 1977. In the early 1980s Connelly, based in New York City, exhibited widely and developed a highly inventive style of expressionist painting. During this period, Connelly was recognized as a key figure among the New York-based Neo-expressionist painters – alongside artists such Julian Schnabel and Jean-Michel Basquiat – and was collected by major institutions across the United States. In the late 1990s, Connelly returned to Philadelphia where he continues to live and work."

Amazingly, they say this is his first museum solo

From a 2008 blog post by David Grim

"Right from the start it was clear that Chuck Connelly was a bit unstable. He paced through the screen nervously, ranting and raving against his perceived enemies and the injustices of his life. He was shown haranguing a woman who I soon figured out was his ex-wife, and it was clear that being around Connelly must be a trial. He is the true manifestation of the artist as L'enfant terrible. He drinks incessantly, and becomes increasingly agitated until the point of violence. This isn't surprising as he is said to view himself as a Jackson Pollock-type, outside the realms of polite cultured society. Apparently he learned quite early that he would be allowed a certain amount of self-indulgence, given his profuse talent.

But evidently Connelly miscalculated the reception his act would generate. At one point he looked assured to attain the lofty ranks of art-stardom. He was represented by Annina Nosei, and courted by collectors and celebrities. He sold millions of dollars in paintings. Martin Scorcese even used him as his subject in his segment of New York Stories. According to the tale that director Jeff Stimmel spins, this tribute actually led to his downfall. After New York Stories (starring Nick Nolte as the infamously truculent artist) was released, Connelly was asked for his reaction to the film by The New York Post. He called the portrayal mundane and cliché, and made a rather unflattering comparison to Scorcese's masterpiece,Raging Bull."
But evidently Connelly miscalculated the reception his act would generate. At one point he looked assured to attain the lofty ranks of art-stardom. He was represented by Annina Nosei, and courted by collectors and celebrities. He sold millions of dollars in paintings. Martin Scorcese even used him as his subject in his segment of New York Stories. According to the tale that director Jeff Stimmel spins, this tribute actually led to his downfall. After New York Stories (starring Nick Nolte as the infamously truculent artist) was released, Connelly was asked for his reaction to the film by The New York Post. He called the portrayal mundane and cliché, and made a rather unflattering comparison to Scorcese's masterpiece,Raging Bull."
I admire his work the more I see it, especially the way he resists the clean packaging that can drive an artist's career.

Chuck Connelly: My America
September 27, 2014
January 4 , 2015

Wednesday, September 03, 2014

8/28- 9/4 Weekly Arts & Urbanism Roundup

Pittsburgh
What a trip: Living it up in Pittsburgh, hidden-arts-and-culture jewel (Washington Post)

Hop to it on microbrew tour (Toronto Star)

Allure showcase represents 34 Pittsburgh area artists (Pittsburgh Tribune Review)

110 Artists gather for Fair in the Park (Pittsburgh Post Gazette)

Let's Talk About Art: Review of Blaine Siegel's Pittsburgh Biennial Show (Pittsburgh Post Gazette)

Pittsburgh area fall family activity guide (Pittsburgh Mommy Blog)

Murals give youngsters a chance to shine, memorialize Pittsburgh playwright (Pittsburgh Tribune Review)

Cleveland

Cleveland police shooting may have been "suicide by police". (Cleveland.com)

Black, white and stuck all over: Identity politics are keeping Cleveland a two race town in a multi-race world.  (Belt Magazine)

Cleveland House of Blues to host benefit for documentary film about famed rock writer Jane Scott. (Cleveland Scene)

Cleveland joins meatless Mondays trend. (Cleveland Scene)

Mansfield, Ohio

Thousands of movie fans expected to celebrate 20th anniversary of The Shawshank Redemption

Akron

Goodyear says it won't build new $500 million factory in Ohio.

Other "Rust Belt News"

Repurposing old train stations in the rust belt. (Belt Magazine)

Ferguson, race and the inner ring suburb. (Belt Magazine)

Other Architecture, Urbanism and Arts News

The art of Burning Man (but is it art?) (Hyperallergic)

The Subsidy Show: Colbert, Fallon and the crony capitalism of the creative class.

The Highway to Serfdom

Chinese authorities shut down Beijing Independent Film Festival. (Hyperallergic)

Designing mobile homes for the new wanderers (Hyperallergic)

The war on Airbnb

Building bigger roads actually makes traffic worse (Wired)

Second American journalist beheaded by ISIS (UK Daily Mail)

Bahrain tortures award winning photojournalist (Hyperallergic)

Saturday, September 17, 2011

BIENNIAL AT WARHOL OPENS THIS AFTERNOON 3-5

I assumed this opened tonight!But it is an afternoon opening. From Kim Beck's email
If you're free this afternoon, I hope you'll join me for the opening of the Gertrude's Lot & the Pittsburgh Biennial at the Warhol Museum. I will have a new piece installed in Warhol's Silver Cloud Room!

Curated by Eric Shiner, the exhibit will feature the work of Elise Adibi, Lilith Bailey-Kroll, Kim Beck, Patricia Bellan-Gillen, Cara Erskine, Dara Birnbaum, T. Foley, Jill Freedman, Amisha Gadani, Vanessa Louise German, Deborah Kass, Eileen Lewis, Jill Miller, Ayanah Moor, Dulce Pinzon, Madelyn Roehrig, LaToya Ruby Frazier, Diane Samuels, Carrie Schneider, Karen Seapker, Renee Stout, and Alisha B. Wormsley.

Monday, September 12, 2011

PIttsburgh Biennial LeRoy at Pittsburgh Center for the Arts through 9/18



John and I are happy to be a part of LeRoy's work in the Pittsburgh Biennial. As you can see, we are a very small part. LeRoy's huge installation of a fabric collage at the Pittsburgh Center for the Arts is fascinating. So much to look at. To quote Kurt Shaw from the Pittsburgh Tribune Review:
The remaining works on display are quite compelling, if not beautiful. Pittsburgh artist Paul LeRoy Gehres, a.k.a. LeRoy "King of Art" MFA, presents a fabric-collage installation of pop-cultural references in his installation "I'm a Lover not a Fighter." The installation encourages audience participation with FOR TWOS, a wearable garment designed for the interaction of two people at once, originally invented by German contemporary artist Franz Erhard Walther. Visitors are invited to wear the FOR TWOS, have a conversation about the subject matter that Gehres has printed on each, photograph the process, post the photos on his "I'm a Lover not a Fighter" Facebook page and continue the conversation on his blog, lovernotafighter.blogspot.com, making for one of the more engaging works in the exhibit.

There are many terrible ties. And many other images culled from photos of Pittsburghers and others, presented in interesting ways. I was particularly taken by a photo of Phyllis Diller on a PINK khaki background.
BE AWARE that the earlier parts of the Biennial...at the Pgh. Center for the Arts, The Carnegie and the Filmmakers are open only through Sunday!

Thursday, June 16, 2011

Will The Pittsburgh Biennial Get Much National Press?

Finally, a number of major cultural venues, The Warhol, The Carnegie Museum, The Warhol, Pittsburgh Filmmakers and CMU's Miller Gallery are collaborating on a large scale exhibit project similar to what I have long advocated on here.

"We are quickly becoming one of the most dynamic art communities in America, and the Pittsburgh Biennial is going to prove that Pittsburgh is a place that cherishes and supports the arts," says Warhol curator Eric Shiner.

Highlighting a broad spectrum of works and providing increased recognition for more than 60 of the region's top artistic talents, the survey-style show features everything from 2-D work, installation and sculpture, to time-, interactive- and process-based works.

Pittsburgh Filmmakers will dedicate its galleries to a presentation of media arts, while works on view at The Miller Gallery will examine the city's long labor history as well as CMU's legacy of presenting courses that explore the social role of art in public contexts. Featured at the Miller will be collectives and artists who work collaboratively in socially engaged ways, such as in publishing, installation, art education, new media, performance, and printmaking."


Finally, many of the best artists in the city brought together in the kind of large scale show that should allow each to really show off what they are doing.

Now comes the next question--will anyone beyond the immediate Pittsburgh region know about or care about this show? Well, on a positive note-since the show has a somewhat broader definition of a "Pittsburgh artist" and has included several people who no longer live here full time, at least one NY dealer I talked to knew about it.On the negative side, the absence of any artists from a wider region-means that those places have no particular need to pay attention.

I think the show will receive limited out of town coverage and that very little of the wider contact, dialog and recognition will develop. Pittsburgh is like the irritating date who only talks about themselves. My guess is Pittsburgh Foundations and other large funders are behind some of this extreme introversion. They are not doing any serious Pittsburgh artist any favors.