Showing posts with label Real Estate. Show all posts
Showing posts with label Real Estate. Show all posts

Thursday, June 16, 2011

Green Thinking Needs To More About Neighborhoods Than Buildings

Up until very recently, the whole LEED certified green building thing looked and smelled like a bit of a racket to me.

The biggest flaw in LEED is measuring buildings without looking at the context they fit into which is why many of them sit in parking lots with no transit access--or in areas exclusively zoned for single uses-where you will have to get in a car to get a cup of coffee.

This year standards have come out to better evaluate neighborhoods.

First launched as a pilot program in 2009, LEED for Neighborhood Development (LEED-ND) was developed by the U.S. Green Building Council (USGBC), in cooperation with the Congress for New Urbanism and the Natural Resources Defense Council, to reward environmentally conscience neighborhood design. The new standards sought to encourage the creation of places that protect fragile land, lower energy use and emission creation, and limit waste. The three umbrella standards which the USGBC ranks new projects;

1) Smart Location and Linkage,

2) Neighborhood Pattern and Design,

3) Green Infrastructure and Buildings;

all seek to create a benchmark for area development. The Smart Location and Linkage standard focuses on limiting newly developed land, rejuvenating brownfields; while conserving bodies of water, erosion susceptible land, animal habitats, and agriculturally rich soil. It encourages the creation of neighborhoods that promote dense and well connected areas that support pedestrian and bike traffic. Neighborhood Pattern and Design focuses on the infrastructure choices made within the community that reduce the carbon footprint created by residents in their day to day lives. And Green Infrastructure and Buildings, much like LEED’s original green building code, uses passive and active designs and tools to reduce water waste, improve energy efficiency, and lessen infrastructure’s environmental impact.


Copied with links kept.

Location. The centers of regions and older suburbs perform better than the fringe, even if other factors are held constant.

Connected streets. A well-connected street network (featuring smaller blocks and lots of intersections) shortens travel distances and makes walking more feasible and pleasant. It is the single most important determinant of how much walking will take place in a neighborhood and the second most important determinant (after location) of how much driving will take place.

Places to go. A mix of conveniences such as shops, schools, and places to eat and socialize encourages walking, promotes fitness and health, and reduces emissions from driving.

Ways to get around. The more transportation choices, the better. If you’re lucky enough to be within walking distance of rail transit, for example, the number of automobile trips during rush hours can be up to 50 percent lower than what would otherwise be expected under standard engineering forecasts.

Density. As I have said before, it doesn’t necessarily have to be high density to reduce driving and watershed-damaging pavement per household. We see substantial improvements in performance as we move from large-lot sprawl even to ten homes per acre; beyond 40 to 50 homes per acre, we continue to see improvements, but at reduced increments. Moderate density helps a lot.

Green stormwater infrastructure. While runoff per household goes down in denser neighborhoods, runoff per acre can go up unless mitigated. Green infrastructure, when in the form of publically accessible green spaces, can also bring an array of additional benefits to a neighborhood.


In my opinion-real green building certification should give at least equal weight to the buildings context as to the building itself -which is why almost all the buildings, in a walkable, transit oriented place like Manhattan are more than half way to an A.

Saturday, August 05, 2006

More Picking at the Scab

So here are some thoughts, I have about the previous post. As you can see it's an ongoing public therapy session which is freely flowing between a lot "issues" but almost all of them relate closely to the pretty hardcore suffering that a lot of artist's are going through right now. Obviously it starts with a rant related to the pressures and inequity that faces a lot of women artists in getting their work done, getting it out there and all the trouble that seems to involve in the current system. It soon exposes a lot of the deep wounds that unite/ divide most artists. How does one keep a studio? How can one get one's work out there? etc...

Here are a few thoughts. First of all, I think that my first purpose here was to just try to expose some of the anger and pain that's out there. I think that one fundamental problem that exists is that a lot of this pain is not talked about freely. So there is an increasing lack of awarness on the part of a lot of the "power structure" of dealers, collectors and the like of what the level of pressure on artists is. I also think it's really important in that what is going on now is pretty new in that it's on a totally different level and now threatens the existence of the art world as we know it. Here and here are some more links on the subject.

Getting back to all that bitching; ( and here's some more, more, more. ) What is my opinion about it and who's side do I take. I would say that, yes I feel the artist's pain but my sympathy level is pretty low and dropping fast. The current scene of today is more than anything else the product of the choices made by artists so they have a lot to do with thier own problems now. I mean, artist's in the 1965 East Villiage or 1965 Haight Ashbury could lay some claim to being unaware of their own role in the process of urban gentrification. And also artists in the NY scene during this period could claim a high level of commercial ignorance since for the most part it wasn't a commercial scene. But with each passing year the ignorance excuse gets thinner as nieghborhood after neighborhood is revived by artists and also as the enourmous art industry develops around artists. A lot of artist's have a lot more money than me ( someone's paying for those $90,ooo MFA programs) and a lot of artists are highly skilled in a way I am not- good on computers and handy. We all know that a huge chunk of NY was fixed up by artists living on the sly in run down buildings. So my sympathy level is pretty low.

Almost all of the middle aged artist's in NY know and now resent the few artists who were smart enough to scrimp and buy thier run down rat infested buildings years ago. The fact is that they were the stupid frogs who sat and sat while they were slowly cooked. To anyone with eyes open the point of no return for Billyburg came around 1996-1997 ( which is around when Joe bought his building I think ) The issue of NY's housing shortage has been known for many years.
Artist's made this situation and now they will suffer for it.

One fact stands out in America. There are dozens of emptied out and run down cities with surplus housing and empty factory space ( I moved to one, not that it's all run down or anything ) and some are pretty big. You would think that artists would be flocking here to grasp thier last chance to have some control of thier lives. ) and you woud think that dealers who are allegedly concerned about thier artist's would be making similar moves. But for the most part this is not happening. The level of inertia is amazing and is more and more unforgivable,