| Hand Painted Sign, Cleveland Heights |
| Hand painted sign, Cleveland Heights |
| Hand painted sign, Cleveland Heights |
Cleveland SGS interviews this smart and hard working man and gets advice every business person should hear.
| Hand Painted Sign, Cleveland Heights |
| Hand painted sign, Cleveland Heights |
| Hand painted sign, Cleveland Heights |
"One relationship that became very lucrative was with the British heavy metal band Led Zeppelin. They had a habit of “redecorating” their rooms wherever they stayed -- even going so far as pushing a piano out of a hotel window in Chicago. “I loved Led Zeppelin, because they always traveled with their accountant,” Swingos says. “Whatever damage they did to their rooms, the accountant always took out his checkbook and paid for everything down to the penny. I didn’t mind because I always got new stuff for whatever rooms they stayed in after they left.”
"The first annual History Mystery Ride (HI MY) to support the Village Bike Cooperative will be held on Saturday, October 4th in Bay Village, OH. The inaugural ride will have three route options, including an easy-paced, family friendly 12 mile History Mystery [HI MY] cruise.
This ride includes stops designed to educate riders about Bay’s History as well as to sharpen detective skills.
- Bicyclists desiring endurance options will have 25 and 50 mile routes.
- All three ride levels will end morning travels with a meal at the Village Bicycle Cooperative where riders will enjoy a historic style picnic experience.
- Food will be catered by strEAT Mobile Bistro
The Cooperative is adjacent to the Bay Skate and Bike Park, Disc Golf Course, and Huntington Beach Reservation, so we welcome you to ride, learn, eat and enjoy some fall fun in Bay... a lovely place to visit.
- VBC Volunteers will host programs in the afternoon.
All riders will receive a ride packet that will include a T-Shirt. Cost for the ride, packet, and food is $40.00. For more information, contact Rebecca @ 440.346.0560"
"He was the custodian of one of the great legacies of the Arts and Crafts movement of Cleveland," said Stephen Harrison, curator of decorative arts and design at the Cleveland Museum of Art. "He wore that mantle with humility and pride, and that pervaded everything he did."
Harrison said that Melvin Rose continued to ensure that Rose Iron Works "became a haven for craftsmanship and artisanship when machines took over and began taking the men out of the craft."
In 2008, Melvin Rose was awarded the Cleveland Arts Prize Lifetime Achievement Award for Design."
Rose had founded the company that bore his name in 1904, and Feher, who had moved here from Paris at his behest, would be his most famous colleague and collaborator. While the iconic screen was used to illustrate the breadth and depth of American Art Deco, you could also say, zooming in more tightly, that no one could write the history of design and architecture of 20th-century Cleveland without considering Rose Iron Works. "It's the best Art Deco ironwork ever done in the United States," says Henry Adams, an art historian and professor at Case Western Reserve University, who once devoted a graduate seminar to the firm's work. "Not only is their workshop extraordinary, but the story of Rose is the great American story."
Examples of the firm's artistry have been featured at the Museum of Fine Arts, Boston, and the Renwick Gallery in Washington, D.C.
In Cleveland, the company's legacy penetrates the present and past -- whether manifested in elaborate dressing-room doors at Halle Bros. department store, the sculptural sign for the G.W. Mercer floral shop on West 25th Street or the gates of the Van Sweringen estate in Shaker Heights. Not far from the art museum, you can find an iron mural by Martin's son Melvin on the walls of the Cleveland Botanical Garden and an adjacent gate Melvin designed at the Western Reserve Herb Society.
Through the early 1950s, the company was one of the nation's leading designers and creators of ornamental and functional works, crafted in wrought iron, stainless steel, aluminum-copper alloys and glass.
A traffic-stopping street festival is planned for Oct. 7, a rare Sunday that the market will be open, and will include food by local restaurants and celebrated food trucks, as well as a parade with costumes created in workshops led by the Cleveland Museum of Art's Parade the Circle organizers.
The market's actual birthday is Nov. 2, a Friday. The gala event will be celebrated Saturday, Nov. 3 (billed as the first day of the market's next century), featuring homeboy restaurateurs and award-winners Jonathon Sawyer and Michael Symon -- along with a dozen or so of their nationally renowned chef friends. Tickets will be priced at three levels, with the most expensive providing the closest access to chefs. The Great Lakes Brewing Co. will be releasing a centennial brew.
Winston Earl Willis (b. October 21, 1939) is a formerly successful American real estate developer who first came to local prominence in Cleveland, Ohio during the early 1960s. At the time, one of the most successful business owner/operators in the country, he created and controlled a corporation, University Circle Properties Development, Inc. (UCPD, Inc.) that owned one of the most strategic and valuable real estate parcels in Cleveland and was the largest employer of blacks in that part of the country. Under his solely-owned UCPD corporation at East 105th and Euclid, upwards of 23 successful businesses were running simultaneously and exhibiting tremendous success.
The acquired experience of having operated several successful small businesses led to a quick assessment of the local college community that would prove to have been very shrewd. After securing a lease on a building that was previously an automobile dealership showroom, 19-year-old Willis opened The Jazz Temple, a liquor-less coffeehouse/night club, to immediate success. Situated on a small triangular lot on Mayfield Road near Euclid Avenue and adjacent to the Western Reserve University campus, his institutional neighbors were the Cleveland Museum of Art, University Hospital, and Severance Hall, home of the Cleveland Orchestra. The club also bordered the ethnic enclave known as Murray Hill/Little Italy.
Willis approached such legendary jazz artists as Miles Davis, John Coltrane, Dizzie Gillespie, Herbie Hancock, Cannonball Adderley, The Ramsey Lewis Trio, and Dinah Washington and convinced them to come to Cleveland to appear at his club. Not only did they appear and perform before standing-room-only crowds, but such notable acts at the trendy establishment also attracted visits from Malcolm X, and Stokely Carmichael, and booked performances from other notables such as comedians Red Foxx, Bill Cosby, Richard Pryor and Dick Gregory. The popular night spot, frequently referred to as “the Jazz Mecca”, was hugely successful and became a regular hang-out for college students from throughout and around the State of Ohio. But that success was short lived. As is typical of jazz establishments – there was much race-mixing and numerous interracial couples in attendance. This triggered community wide resentment in the racially polarized community, and after months of threats and intimidation, a vanguard of vengeful racists planted a bomb in the club, thereby ending the brief history of one of the most successful jazz spots of the region.
"It also includes "tours" of the city's neighborhoods, industrial areas and historical sites.
"We're trying to curate the city as a living museum," said CSU history professor Mark Tebeau. "Cleveland has such a rich past and we're trying to expose that past layer by layer."
Available videos range from old newsreel footage of the National Air Races at Cleveland Hopkins Airport to a 1930s film clip of Herman Pirchner, owner of the Alpine Village restaurant downtown, setting a world record by carrying 50 steins of beer at one time."
Building content for the new app has been a community-wide project, said Tebeau, noting that teachers across the region, along with students, nonprofits and historical societies have all contributed.
And that mass contribution, said Nancy Proctor, head of mobile strategy and initiatives at the Smithsonian Institution in Washington, D.C., is what makes the Cleveland Historical app unique.
"It is a strange moment in the history of Cleveland pride. Kill the Irishman proves that 1970s Cleveland's rakishly charming crooks and killers are as worthy of a gangster film as those in '20s Chicago and '40s Los Angeles.
In 1976, 37 bombs exploded in Cuyahoga County — and legend aside, Danny Greene and the Mayfield Road Mob were probably responsible for less than half of them. Add City Hall's default, industrial decline, the rise of the Cleveland joke and a cellar-dwelling sports team or two, and the '70s may have been Cleveland's low point, its gloomy, unrelenting era of gray despair. But just as locals celebrated surviving the Blizzard of '78, they celebrate outlasting the blizzard of bad news, the drought of default, the epidemic of dynamite. Hitting bottom forges character — and characters.
So, to see back in time to the real Danny Greene, we consulted people who knew him well, writers who've tackled his story before, and documents and footage from his lifetime. We also talked to the lead actor, director and co-producer of Kill the Irishman to hear how they aimed to capture Greene's essence. The story takes us back to an era when the city's ethnic neighborhoods produced fierce rivalries and Clevelanders watched their high school classmates grow up to be union leaders and judges, cops and gangsters, nodding warily toward one another over lunch at the Theatrical Grill."