Thursday, May 12, 2011

Only God Could Hear Me: A Film About Opening Up New Worlds For The Disabled Through Technology



Sorry, I'm not articulate, but this sure looks like a great film which follows four people as their world's are opened up through the use of new technologies and they can finally communicate.

As you can see--It's very much set in Pittsburgh and should also give a peak at many of the great scientists and technologists working on problems like this here.

Starring and narrated by Chris Klein and Jennifer Lowe, 'Only God Could Hear Me' offers a portrait of the lives and souls of "non-speakers," looking beyond just how they communicate, into why they are driven to do so. Follow several AAC users as they navigate the daily challenges of their disabilities. Brought to you by Bruce Baker and Semantic Compaction Systems, the creation story of the "Minspeak" method is told in parallel. Directed by Colin Sanders.


5 Special Screenings:

Sunday, May 15th - 2pm & 7:15pm

Tuesday, May 17th - Thursday, May 19th - 7:15pm

SouthSide Works Cinema

"All proceeds will benefit the Pittsburgh Employment Conference for Augmented Communicators through SHOUT, a western Pennsylvania 501(c)3 organization. The mission of SHOUT is to advocate for full and meaningful employment for people with disabilities who rely on augmentative communication."

Great Calendar Of Events @ Fleeting Pages: Tonight at 7, Bookstore Clerks Who Write About It

Thursday May, 7 – 9pm: Reading – “Bookstore Clerks Who Write About It”

Bookstore clerks, bookstore owners, and former bookstore workers read from their own writings on the bookstore biz, as well as the writings of others. Great indie bookstores represented include: Powell’s Portland and Powell’s Chicago, St Mark’s Bookshop, East Side Books, Jay’s Bookstall, Caliban Books, Awesome Books, Maelstrom Books, Burke’s Book Store, and more.- Free


See the large calendar and growing calendar of events planned at Fleeting Pages this month. Here.

Wednesday, May 11, 2011

The M.C. Escher Show @ Akron Art Museum Breaks Museum Attendance Records & Expectations--Extended Through June 5

From Artdaily
"Surpassing attendance expectations, M.C. Escher: Impossible Realities has drawn record crowds to the Akron Art Museum. As the last of only two venues in the United States to show this once-in-a-lifetime loan from Athens, Greece, Impossible Realities drew visitors from across the country. Escher fans came from as far away as Alaska, California and Washington, with most of the out-of-state visitors hailing from Pennsylvania, New York, Michigan and Illinois.

Because of its overwhelming popularity, the museum, in an unprecedented move, is extending the exhibition’s closing date. Visitors now have until Sunday, June 5, 2011to examine first-hand the masterworks of Maurits Cornelis Escher before the collection returns to Greece."


We saw this fantastic show on our trip to Cleveland. Due to bad weather and some kind of camera screw up I don't have any exterior shots of the great new museum building--which to a large extent is the main reason we dropped in.

I also thought the Escher show would be great and had some idea the museum's overall collection was worth a look. In total everything was way better than expected.

Escher, is an artist I love but since his primary work is geared towards graphic reproduction, I felt that seeing things in person might be redundant. One can see all this in a book. To some extent this is true. Even so, the show includes some more obscure works you may not know, examples of his process like some 3 D models, cancelled Lithography stones and many working drawings. They also made several large scale models of his impossible architectural constructions that were even more trippy when brought to life. The feeling of stepping into someones head and being surrounded and immersed in their world makes it worth seeing the prints in person.

An even bigger treat was the permanent collection which is heavily tilted towards contemporary art and worthy of a whole other post.

I do wonder exactly why the museum didn't think the show would be that popular. Escher is a huge cult figure, one of the few who's work attracts and influences people who normally pay no attention to art.

Pittsburgh Is Art Day Of Giving Today! Consider The Artist Opportunity Fund Of The Greater Pittsburgh Arts Council

As You know, Today if you give to a large list of local organizations--using your credit card through The Pittsburgh Gives Site, your donation will be matched with funds from The Pittsburgh Foundation.

Grants to Greater Pittsburgh Arts Council through the site will help support individual artists.

"Funds raised during the Pittsburgh is Art Day of Giving will be directed entirely to GPAC's Artist Opportunity Fund which helps advance the careers of individual artists by providing funds to support specific extraordinary opportunities that have the potential to significantly impact an artist's
work and professional development."

Follow the link to the full list of arts organizations available for matching funds.

Remember, all donations must be through that site and be made Today!

Tuesday, May 10, 2011

Pittsburgh is Art Day of Giving - 5.11.11 Make Your Donations To Local Arts Oragnizations Go Further By Donating Tomorrow

The Pittsburgh is Art Day of Giving is a 24-hour donation match campaign and opportunity to increase giving to our thriving arts and culture sector. Initiated by the Greater Pittsburgh Arts Council and the Heinz Endowments, it is sponsored by The Pittsburgh Foundation and modeled after their October 2010 Pittsburgh Gives Day of Giving. Other contributing foundations include: Hillman Foundation, Claude Worthington Benedum Foundation, The Buhl Foundation, and The Grable Foundation.

The match pool will contain between $475,000-500,000 from The Heinz Endowments, The Pittsburgh Foundation, The Hillman Foundation, The Buhl Foundation, The Benedum Foundation and The Grable Foundation. Every organization that receives donations during the match period will receive a portion of the match. The matching dollars will be pro-rated.

Donors will have 24 hours to give. Only credit card gifts through PittsburghGives.org will be eligible for matching funds. No gifts from checks, cash, gift card redemptions, or donor-advised fund grants will be eligible for matching funds.Minimum gift eligible for match: $15

Maximum gift to a single organization: $10,000

Each participating organization is eligible to receive funds with no maximum limit for the organization. Organizations are prohibited from donating to themselves.

Participating organizations will receive pre- and post-event surveys which they must complete and return. Organizations are also required to report gift results including size of donor pool, average gift size, number of new donors, total amount of gifts received from returning donors.


Should have posted and hyped this much earlier--partly I didn't because I wanted to hype the great Kickstarter project by Fleeting Pages (only donations to registered Non Profit Arts Orgs in the region are eligable)

Please remember many of the less known and smaller arts organizations in The region--as well as the larger ones. A few suggestions of some you might not think of.

Future Tenant (not sure why website is down)

Artists Image Resource

The Waffle Shop

The Braddock Carnegie Library Arts Program

City Of Asylum, Pittsburgh

The Manchester Craftman's Guild, Youth and Arts Programs

The Silver Eye Center For Photography

Silk Screen Asian American Film Festival

The Union Project

Society to Preserve the Millvale Murals of Maxo Vanka

The Sprout Fund

The Westmoreland Museum Of Art

Some Images Of Pittsburgh's Panther Hollow



So many things going on and a dozen posts I need to do.

Here are some images of Panther Hollow which I am partly posting because they relate to an idea I have in my head. Without a little context,I could have tried to tell you this was West Virginia. Such a weirdly magical and strangely isolated place in the heart of the city. Pittsburgh often doesn't play this up and make the best us of it's strange geography.

Monday, May 09, 2011

WDUQ's Artists On-Air Series Profiles The Great Pittsburgh Wood Artist, John Metzler

It's right around this time last year when a tragic accident took away one of the most promising and ultimately influential artists in the city.

"Pittsburgh loses lots of trees to development, disease and pests every year and the Urban Tree Forge gives some of the timber a second life as building material, furniture and art. The woodworker John Metzler founded the organization. He was killed in May 2010 by a runaway U-haul trailer as he cut wood outside the Forge. Larkin Page-Jacobs has his artist profile."


See the full story and listen here.

Some Images From Pittsburgh's Shadyside Neighborhood



Depending on where you live in the wider region, these pictures may either interest or bore you. Hopefully, at this point some Clevelander's or other regional residents now read the blog who may not know this beautiful part of Pittsburgh.

My goal is to sort of think of the region as a menu-which many people leave the region or live in without fully looking at. If you live in Pittsburgh and don't know or explore places like Johnstown, Erie, Youngstown, Akron, Canton, Wheeling, Morgantown and Cleveland you don't know all the options available. If seeing how great the South Side or Tremont is causes some people or businesses to move around the region--great. No place is perfect for everyone or everything. The key thing is that people have seen the menu and all the potential the area holds. For the most part, it's likely better you move to Columbus than move to Los Angeles. Of course better awareness of regional assets may also attract new people from outside the area.

Likewise, greater knowledge of what has worked and not worked in various places is of great value.

These shots were taken yesterday in one of the more gorgeous parts of Shadyside and give some idea of the amazing quality of much of the city's housing stock.

I will try to get back with more images of the area as well as other parts of Pittsburgh.

Sunday, May 08, 2011

More Images From Fleeting Pages Pop Up Bookstore In East Liberty



Swung by Fleetingpages again to help Jean install her art. Lots of good news and expanding inventory. The Big Idea, alternative bookstore in Bloomfield now has a section in the store with perhaps 100 titles--most strongly political.

By tomorrow, Bob Ziller will have a selection of titles from Awesome Books in Garfield, which has a very broad selection of fiction, history and art titles. The Fleetingpages inventory has also expanded. My guess is there might now be 1000 titles in the store, which might not sound like much relative to a large bookstore. This however is a significant amount great stuff you are highly unlikely to find elsewhere.

Swing by often as the space evolves and changes. As you can see from the in store calendar, many events are planned--with many more on the way.

FYI Fleeting Pages is still open to new stuff but it must be brought in by May 13.

Images From East Liberty Pop Up Bookstore, Fleeting Pages



Checked out Fleeting Pages yesterday and got some shots of their unique inventory of Books, comics, zines and all kinds of things book and print related.

Right now the selection of several hundred books and magazines trends towards poetry, short stories, off beat fiction,Horror, political non fiction, travel and wonderfully strange and beautiful comics and zines. Also, there's a growing selection of books written by local authors exploring many aspects of local lore, you may not know about.

The inventory is still growing and being put out--You can still bring your stuff over--till May 13! Also, Fleetingpages is still open to ideas for lectures, readings, workshops, film screenings and performance events. Where's Tom Sarver?

Got a screed, a rant, a new set of lovely recipes or tips on growing arugula-bring it over. Also, they are open to a bigger selection of art.

Friday, May 06, 2011

Some Shots of Case Western's Frank Gehry Designed, Peter B Lewis Building



Sort of by the grace of god, Pittsburgh's major college and art museum complex ended up within the city, while Cleveland's ended up right on the city's edge and just across the city line. For the most part, I think the motivation to build a clean, new place away from the dirty industrial core was similar to Pittsburgh's except, in our case, the bulk of really heavy industry was never in the city itself--but outside in the huge complexes along the Mon and Ohio Valleys.

A high percent of visitors to Cleveland spend some time in the area called University Circle, home to or bordering on such major institutions as The Cleveland Clinic, The Cleveland Museum of Art, The Cleveland Botanical Garden, The Children's Museum Of Cleveland, The Cleveland Institute Of Art, The Cleveland Museum of Natural History, Severance Hall, The Cleveland Institute Of Music and Case Western Reserve University--many of them housed in beautiful and often uniquely designed buildings, some of which are icons of modernist design.

The good aspect of lots of good modernism is it's sensitivity to the landscape--the bad part is often it's total ignorance and insensitivity to human needs and human scale. Architecture must be judged on both the aesthetic value of how it looks, but on the social level of how it works, as a place for people to live and interact.

I can't fully judge, University Circle having spent too little time in and around it in the surrounding neighborhoods. We did walk around Little Italy which is close by.

The area around the museums is windy which obviously works well for cars. However, at least in nice weather, there are wonderfully landscaped wide walkways and lots of maps making it a great place to walk from place to place.

Here are images of the new Peter B Lewis Building, home to Case Western's Weatherhead School of Management. From the exterior, I have a very good impression of this building, although the huge Peter B Lewis name sloping over the front entrance is pretty overwhelming. Would love to have been a fly in some of those design meetings with Gehry.

Images From 2011 Art All Night





Here are some shots I took at this Years Art All Night. Each year, I plan to do a major post, identifying the work and doing a review. This year, I decided just getting the stuff off my camera would be a good goal.

Depending on the space--timing and level of volunteers that come forward, it can sometimes look like this 14 year long Pittsburgh tradition is dying or not worth the effort. This year was a near knockout blow to the pessimists.

I spent about an hour and a half there but should have gone back--there's even a chance I missed an entire area. From what I could tell, a decision was made to put the performers outside the space this year, allowing even more space for art work. It's always a judgement call--clearly this limited bands who need to plug in and kept things more low key and acoustic. IMHO, the amount of new space for artists more than made up for this. Lucky the weather was nice.

One great thing about Art All Night, is seeing the vast amount of great work by artists who don't normally try to show their work. Pittsburgh as a city pumps out many well trained artists, who often don't have time or the mentality to pursue traditional exhibition opportunities. One theme this year seemed to be self portraits. Also many artists grab this chance to make an uncensored political statement or push the limits of humor. The extra space allowed for several good installation type statements like the one from Just Seeds about America's Prison Industrial complex.

Art All Night Website

Deep apologies for not crediting the artists, it was simply way too difficult. You know who you are.

Thursday, May 05, 2011

Pittsburgh Weekend Art Events: 5//6-7/11.

Friday

Unblurred again, already?! Yes. Time is slipping by quickly, and another installment of the monthly art event has come. This month we have a big opening at the Glass Center (5472 Penn), where artists from all over the world are particpating in "10 x 10 x 10". And it will all be hanging "salon style". That means plenty to look at.

Over at Modern Formations (4919 Penn Ave) you can see "Smitten", featuring the work of Shar Yarnal, and "Viral" by Chad Knapik. You can see "digital illustrations" by Jordan Wong at Imagebox (4933 Penn), and a "happening" at the newest Unblurred venue- assemble (5125 Penn). Meanwhile, the Eastside Gallery (6401 Penn Ave) and Garfield Artworks (4931 Penn) both host group shows.

Saturday

Fleeting Pages, Day 1 starts at 10AM and runs until 9PM. Check out this "pop-up" book store, with all the trimmings, at the former Border's Location in East Liberty. There should be events throughout the day, even if I couldn't find much online information about it.

If you feel like a bit of a drive, head out to Artform Gallery & Tattoo in Lower Burrell (2603 Leechburg Road) for "Through the Looking Glass", a "Global infusion of art & technology". Proprietor Seth Leibowitz promises that this will be a very special show, and has expanded his hours (2PM-11PM) to demonstrate that fact.

I've never been to the Jeffrey Smith Studio (3801 Butler St, Lawrenceville), but apparently the venue is hosting a show of digital landscapes by Noël Kennard from 7-10PM.

Patrick Lee's classically-styled paintings will be on display at the Panza Gallery in Millvale (115 Sedgwick Street). The reception for "Into the Light" runs from 6-9PM.

Great Time To See Work By Pittsburgh Artists, Diane Samuels, Kim Beck and Mary Mazziotti in New York

Mary Mazziotti @ OK Harris
EXHIBITION: APRIL 9 – MAY 14, 2011



Mazziotti Rooster - 2011
embroidery and applique on textile
50 x 46 in. (127 x 117 cm)

"This series of embroidered and appliquéd textiles is presented as a memento mori for our nation. Each figure is worked in black felt and mounted on a vintage tablecloth that bears the wear and tear of use. They suggest the notion of a great empire, slipping from the strength of her glory years into an inevitable decline."

So sorry I will miss this show which revives the language of naive optimism often associated with early American and Mexican folk art-at the very time so many are questioning our nation's future.

Diane Samuels: A Noisless patient spider @Kim Foster Gallery
April 28 - June 4, 20

"Samuels’ drawing The Odyssey of a patch of street exactingly renders a 21 x 310-feet stretch of scarred asphalt onto a 92 x 33-inch sheet of paper. With the help of a magnifying glass, you discover that the drawing is made from handwriting that word for word transcribes the entire text of Homer’s Odyssey, the epic poem of war and homecoming. The cracked asphalt is the street in front of Samuels’ home. The text winds its way down one side of the sheet of paper returning up the other side, back to her home, and ends with the text’s call to bring a halt to the great leveler, War.

Before beginning to write, Samuels affixed a photo-mask of the street’s crevices and potholes over the paper. After the text was written, she peeled away the mask removing some of the text. Where the text was destroyed, the drawing was created. Accompanying the drawing is an archive of the lost and destroyed memories made from the text-covered photo-masks."


Kim Beck: Space Available on The NY High Line

March 4, 2011 - January, 2012. On rooftops along Washington Street, between West 13th and Gansevoort Streets.



Kim Beck presents three sculptures resembling the skeletal framework behind advertising billboards. These blank forms emulate the abounding indicators of the economic recession, such as empty storefronts and "For Sale" signs. Beck's sculptures have the illusion of depth when viewed from the front, but as visitors move past them, the side views reveal that they are completely flat, cut from perspective drawings and built like theater props.

Play: A Gift To America, Recalls The Mural's Creation @ St. Nicholas Church in Millvale

A play written several years ago about the creation of amazing Maxo Vanka murals will be performed at St. Nicholas Croatian Church, under the murals themselves Tonight through Saturday.

"David Demarest, who taught English literature at Carnegie Mellon University until his retirement, wrote "a dramatic interpretation of the creation of the murals" and titled it "Gift to America." The hour-long work was first staged in St. Nicholas in 1981 and to sold-out audiences in 2008.

"Gift to America" returns to St. Nicholas Church on Wednesday and continues through May 7. A silent auction of two drawings by Mr. Vanka and a poster for an exhibition of his work, and the Thursday performance with cocktail reception, will benefit the Campaign to Preserve the Millvale Murals of Maxo Vanka.

Performances begin at 8 p.m. Wednesday and Friday and at 8:30 p.m. May 7. The church hall will open one hour prior, and seating will begin a half hour before the performance begins. There is no reserved seating. Tickets are $20 from www.proartstickets.org or 412-394-3353, or $25 at the door. The benefit performance will begin with a cocktail reception at 6:30 p.m. Thursday, followed by an 8 p.m. performance and dessert reception. Tickets are $75, $80 at the door."

A long quote from Merge who visited the Church with me in 2007.

"Vanka's personal belief in the futility of war and his sadness at seeing his homeland destroyed are made patently obvious through his work. After being commissioned by Father Albert Zagar to paint the murals in 1937, Vanka completed two cycles of paintings (20 altogether)- the first in an eight-week span that spring, and the second group in 1941. The latter works clearly demonstrate his anguish over the war in Europe. He set for himself grueling shifts of up to 16-18 hours a day, and sustained his energy with multiple doses of Coca-Cola. Zagar gave the internationally-renowned artist a freehand to depict whatever imagery he so chose. In doing so, Zagar empowered Vanka to create timeless works mixing secular and spiritual concerns in a manner wholly original.

The content of these murals is truly unforgettable. There are mournful peasants entreating God for support in their difficult struggles in the Croatian countryside. An angel in a gas mask looms over the congregation from high upon one wall. An anguished, crucified Christ separates two war-crazed soldiers. In a similar scene, the Virgin Mary desperately tries her hand at a peaceful resolution. On another wall an industrial robber baron sits at dinner and is served a cleansing course of fiery retribution by a skeletal hand. These are not the placid reassuring scenes of sanctification that a regular churchgoer becomes acclimated to. They challenge the viewer to seek the holy in the most trying of times.

Had these paintings been completed for a museum, they would inspire a constant stream of tourists from all over the world. As it is, they await the few who become aware of their existence through word-of-mouth. Since my initial exposure to them, I have tried periodically to see them again. But it's no use showing up on church property, hoping for the random chance. You must call ahead of time to see the murals. Fortunately the woman in charge of tours is accommodating, and will show you around for nothing but a freely-offered donation. If you happen to be in the Pittsburgh area, I am scheduling a group tour for either this coming Monday or Tuesday. Contact me if you want to be included. The experience will leave an indelible mark upon you."


Some images taken by me.

Slideshow from Pittsburgh Quarterly

vankamurals.org

Maksimilijan Vanka on Wikipedia

Tours of these amazing murals are now offered every Tuesday, Thursday, Saturday and Sunday from 1-4

Wednesday, May 04, 2011

Why Pittsburgh Should Consider A Comprehensive City Plan Like Youngstown 2010

Anyone who digs deep enough into this blog's history will know that my personal views lean Libertarian and I'm deeply doubtful of conventional urban planning. This being said, perhaps what might be worse is the hodgepodge of disconnected--non planning I see in Pittsburgh today-in which the city and authorities like the URA seek to "engage the public" or more often reveal their already made plans.

A few weeks ago, I told you about a sudden series of meetings (or at least sudden to me) open to Oakland residents about neighborhood design--meetings that did not involve people from surrounding neighborhoods like The Upper Hill, East Liberty, Squirrel Hill or Shadyside. Not long before, East Liberty did something similar--again without input from surrounding areas. Likewise, those interested could attend meetings about Pittsburgh transit which were also completely detached from zoning, development and other topics.

Now it's Homewood's turn and as is not unusual, the process starts with a press release handed down from top city officials.

Pittsburgh Mayor Luke Ravenstahl and Councilman Ricky Burgess today announced a new collaborative designed to bring East Liberty-style growth to the struggling Homewood neighborhood.

Mr. Burgess announced that the city Planning Department will provide $150,000 to the Homewood-Brushton Community Coalition Organization to hire one or more economic development specialists. He said additional funding announcements by the city and Urban Redevelopment Authority will be made in the next week or so.


How exactly, any of these places or plans are supposed to understand issues like service needs, transit planning or parking and traffic without carefully looking at and coordinating on a wider level is never explained. Often, this job is left to a well paid out of town consultant who flies in and dumps off some advice. The end result is a public confused and unaware of the potential and development options that might be available, who rightly feels the process is a waste of their time.

Interestingly, Pittsburgh's nearby although much smaller neighbor, Youngstown has done things very differently by creating a process that got a broad section of the public, to think about the city's past and future.

"In the infant years of the new millennium, the city realized it urgently needed a new vision. Jay Williams was working as the city’s director of community development in 2001 when the planning department sought out the expertise of Youngstown State University (YSU), the leading employer for the city and Williams’s alma mater. YSU had plans in mind for its own growth, but ended up nurturing a rehabilitative partnership with the city. Williams, along with D’Avignon and Anthony Kobak, the current chief city planner, teamed with YSU academics piqued by the research of new urbanists such as Stephen Graham and Ann Markusen. Youngstown came to recognize itself, in the words of Markusen’s theoretical work, not as a “sticky” place —an urban center that continuously draws people (Los Angeles, Atlanta, New York City) — but as “slippery” — one where it’s easy for, say, a YSU student to slip into the city, and then slip out due to lack of jobs or housing.

“Our right-sizing plan came out of talks we were having internally acknowledging that although our population wouldn’t be going back to the hundreds of thousands, but that smaller didn’t mean inferior,” says Mayor Williams. “The question we asked was, because we were once so much larger how can we take the remnants of what made us large and build upon that?”

The planning team began to consider a counterintuitive approach to development: rather than grow the city, it should clean and “green” up the unoccupied real estate. They conceived and presented a basic “right-sizing” formula to the Youngstown public, who fleshed out the plan with their ideas and expectations. Or, depending on whom you ask, the planners consulted the public first and then drew up a blueprint for Youngstown 2010.

No matter its genesis, the eventual plan reflected three years of public surveys and town hall meetings aimed at understanding the city’s needs. “Overwhelmingly, people said they wanted the city shrunken, and they were for cleaning up the blighted situations that were causing different variations of decay, crime and abandonment,” Kidd says. Thousands of citizens were consulted, and hundreds of students and professionals logged the process. The plan went into high gear after Williams was elected mayor in 2005. At 34, he was the youngest mayor Youngstown ever elected, and also the first African American — two identity aspects that resonated with college students and the emerging black majority."


Now again, I'm not an expert on what Youngstown did. Some might say, this long series of meetings was useless and didn't get down to specifics. It did however get a large percentage of people to support several general themes--that the city in the short run would have to shrink and that resources should be focused on key areas like the downtown. In the few years, since, the relative lack of acrimony and trouble likely came from these early meetings, where a broad base of people came to understand and buy into a certain way of looking at the city.

In my opinion a process like this in which people could meet, study, talk and speak with experts about major issues on something beyond just a neighborhood level would pay huge dividends over time.

Youngstown 2010

Tuesday, May 03, 2011

Cleveland's Playhouse Square: A Model for Economic Vitality--In The Wall Street Journal

In a time when arts organizations all over and Cleveland itself is hurting badly, Cleveland's main theater district thrives as an integrated real estate developer- extracting the value it's own theaters bring and building on it through property development.

"What makes PlayhouseSquare unique is that it not only renovated and manages the performance spaces—including the five historic theaters (the Ohio, the Palace, the State, the Allen and the Hanna) that otherwise would have been bulldozed for parking lots—but it also created a local development corporation that owns more than 1.6 million square feet of office and retail space inhabited by more than 3,000 workers in five buildings; developed the 205-room Wyndham Cleveland Hotel; and manages an additional million square feet of real estate throughout the Cleveland metropolitan area.

Its budget of more than $60 million puts it ahead of the better-endowed Cleveland Orchestra and Cleveland Museum of Art. Two-thirds of PlayhouseSquare's annual budget supports the performing arts. One-third is reinvested in its real-estate ventures.

"The real-estate business is a working endowment for the theaters," said Gina Vernaci, vice president of theatricals for PlayhouseSquare. "The stages feed the neighborhood's excitement and vice-versa," she added. "People who work down here now think about PlayhouseSquare as a campus."


Playhouse Square on Wikipedia

A Week of Pittsburgh's Art Scene As Seen By Warhol Director, Eric Shiner In Art In America

Eric Shiner gives us an inside look at Pittsburgh's art scene in Art in America. This guy just doesn't sleep and is determined to not allow his new administrative duties as the new Warhol Director get in the way of his very active interest in engaging artists and curating shows, both inside and outside Pittsburgh. Check it out.

Roving Eye: Flying high In Pittsburgh

Monday, May 02, 2011

A Few Photos of Cleveland's Rock Hall and Downtown Waterfront



I know, these images will not excite most people who have visited Cleveland, since this is one the places they have been. As you can see, the weather was sort of bad and limited our chance to walk around much--Also the Rock Hall itself does not allow photography at all.

You might notice, also, the huge Football Stadium across the way, which is used only about 10-12 times a year, but manages the rest of the time to make a large area, dead and unpleasant. There may be some tiny park there or something but it didn't look worth looking for. This stadium is the gift that keeps on taking, right in an area, Cleveland really needs park and recreational space--or where The Rock Hall might have expanded--perhaps with exiting small scale performance spaces. There was room for both.

The ship in the foreground is a classic Great Lakes iron ore ship now open for tours.

Sunday, May 01, 2011

Support Fleeting Pages on Kickstarter

Face it, the economy sucks-almost everywhere, many great causes and art projects need support and we can't help everyone.

Fleeting Pages is a concept that will

A) Make use of an existing empty space in the city--and we know there are still so many of them.

B) Create energy in the city and inspire more building owners to allow more flexible uses.

C) Show off the incredible diversity of writers, self publishers, and Indie Press both inside and outside the region

D) Provide critical income to hard working but unrecognised authors, artists and poets

E) Allow for important interactions between local, regional and national writers, publishers and creators

F) Create opportunities for educational workshops, demonstrations, readings, film screenings and performances.


"In essence, Fleeting Pages consists of taking over (taking back??) one of the spaces, left empty by a failed big box bookstore (Borders) in Pittsburgh, for one month, starting May 7th, and filling it with independent & self-published work of all kinds, book arts, workshops, and events.

All revolving around various forms of written self-expression.

The idea is a result of a few things; a great appreciation for independent and self-published works of all kinds, as well as for those who create them, the toll taken on local booksellers by big box bookstores, a concern for the cultural effects of big box stores in both their existence and their failure, and a general frustration with the model of the publishing industry.

We felt compelled to do something. Fleeting Pages is what we came up with. It will test the theory that what is happening with “books” – creation, consumption, access – matters to many. And if given the opportunity to take over, or take back, one of these empty spaces they will. And in the most brilliant of ways.

The end result, what Fleeting Pages will ultimately become, is a beautiful unknown as it is dependent upon what others are willing to add. The framework is there – the space, the concept, and a few people volunteering to work their hardest in support of the project."


Please consider supporting Fleeting Pages on Kickstarter with a contribution of as little as a dollar