The Bright Existence and The Lamentable End of The Tom Museum.

This past Saturday I had the honor to be one of the very last official visitors at the Tom Museum over on the North Side. It was the closing reception, and local artist Tom Sarver was saying goodbye in preparation to move on to other things. If you're not familiar with this project, it originally started with a grant, and the support of the Mattress Factory. Tom had envisioned building an environment for his art, and keeping it open to the public. It was always a work in progress, and there was a large element of improvisation allowed by the concept. The building itself was simply a row house- a residence owned and rented out by the Mattress Factory's co-director, Barbara Luderowski. The initial plan called for the residency to last about a year, but it was extended for an extra 12 months, with Tom and the Mattress Factory becoming loose partners.

The facility itself was intimately-scaled, and filled to bursting with (often interactive) artwork. Sarver completed a mural on the front of the house that depicted a whimsical landscape of Pittsburgh itself. It was meant to capture the interest of passersby, and designed to be especially inviting. All along Sarver has tried to make the world of art more accessible to those with little familiarity or knowledge of it, and the Tom Museum served this purpose in an exemplary manner. Upon entering the front door the visitor made his way through an ever-evolving foyer called the "Universe Room", up-and-down some makeshift steps, and through another door into what would be considered the main gallery in an ordinary museum.

This "multi-purpose" room was the reception area for people who chose to kick up their feet and stay awhile. It also housed many of the numerous temporary exhibitions that Tom hosted throughout the last couple years- which included the cardboard contraptions of Doug Hill and "visionary" outsider Steve Smith. Some of the shows Sarver put together featured Small Works, Artist Made Books, and Mix Tapes. There was even a permanent installation by Jeremiah Johnson in the attic. At the other extreme, Sarver constructed his "Earth Pond" in the basement. This was meant to describe the various states of humanity's interaction with the environment, and included such pieces as the Island of Barren Wasteland and the Island of Pristine Wilderness.

Rounding out the offerings was the second floor, which included the Puppetry Archives Room and a mini-stage for the periodic performances Sarver would produce and share. This was in many ways the spiritual center of the Tom Museum, as its proprietor first gained notoriety in the 'burgh by co-founding and organizing the Black Sheep Puppet Festival. This annual event has brought significant joy to an ever-growing group of adults and children for nearly a decade. The Puppetry Archives shared the modest space with MIMA (The Miniature Museum of Modern Art) which (of course) was exactly what it sounded like, with little dioramas sunk into the wall. Alberto J. Almarza was responsible for that extended exhibit.

Sarver's one-room living quarters, and the facility's only bathroom were also on the second floor. The former was the only space that was not open to prying eyes. This was no doubt a boon for Tom, as he realized just how difficult it was to live within the extremely accessible environs of the Tom Museum. Nevertheless Sarver was upbeat and gracious as I spoke with him in his back courtyard last weekend. His greatest joy has been exposing a lot of people to a lot of art. The month of June will be dedicated to dismantling the innards of his Museum (keep an eye open for a possible closing sale), and the rest of his Summer is scheduled as a transition period of relative inaccessibility. Sarver has received a scholarship from SUNY-Purchase in Yonkers, NY to earn his MFA. He will receive many Western PA wishes of good luck upon his exit.

Doug Hill's Cardboard Gears

One of the great aspects of organically curated "Tom Museum" was the exhibitions he staged of little known artists from around the town. One of my favorites is Doug Hill who used the space as a studio from time to time.

"I met East Pittsburgher Doug Hill around 2001 when I was working on Craig Street in Oakland. Back then he was making a lot of colored pencil drawings and watercolors of places that were changing in Oakland. (Views that would no longer exist after new buildings were constructed)

A few years back, Doug started making a wide variety of gears and gadgets out of cardboard. I kept in touch with him as I transitioned into The Tom Museum. Not long after I opened, Doug became a regular at the museum, appearing at least once a month to conduct demonstrations for visitors. Doug’s work has caught the attention of people from around the world."



I found this video on Tom's new Blog.

The Tom Museum's final hours

Only a few days remain for the Tom Museum. Tom Sarver has concentrated on very little else over the last two years. The Tom Museum, located a few doors away from the Mattress Factory, provides an intimate counterpoint to its grandiosity. The Tom Museum is only open for a matter of hours over the next week. He has hosted several exhibits and events out of the museum and has contributed greatly to Pittsburgh's cultural scene over the last two years. I don't know what his plans are after he closes, but I wish him luck.



After nearly two action packed years, The Tom Museum will officially close on May 31st. Below are final dates and times for public hours. THE FINAL CLOSING PARTY will take place on Saturday, May 31st from 7 PM to 10 PM.

FINAL HOURS:
Saturday, May 24th Noon to 5 PM
Sunday, May 25th 1 PM to 4 PM
Saturday, May 31st Noon to 5 PM and CLOSING PARTY 7 PM to 10 PM

MY First Visit To the Tom Museum

These are some shots from my first visit to the Tom Museum which happened only last month. I knew Tom's work pretty well and had visited his studio before, but I was still stunned by the fun, cute, creative and powerfully subversive world he is creating in the little house near the Mattress Factory.

Tom Museum Opening Sept 9th & 10th

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The North Side will be buzzing with a bunch of events in the next week, a lot of them are loosely connected to the Mattress Factory. Sept 9th has the members preview for the Tom Museum and for the Mattress Factory's new "Factory Installed" show.

The Tom Museum

"The Tom Museum is both an irreverent commentary on the museum experience, and a view into an artist's creative process. Tom blends everyday activities and pastimes, such as cooking, fishing and gardening, with the arts of puppetry, painting and sculpture to engage visitors on many levels. His projects within the museum are inspired by everyday observations and experiences, including the weather, current events, and people he meets through visits, phone and e-mail. Visitors passing through the museum may get to take part in a puppet show, appear on a talk show, enjoy breakfast with the artist or critique his tomato plants. Audience interaction and feedback are encouraged. "

See the City Paper preview. Here's a Tom quote from the article

“It’s almost a commentary,” Sarver says. “I’m trying to reinvent how a regular museum would do things. I’m kind of running this whole thing myself, trying to make it a really accessible thing to your everyday person on the North Side or Pittsburgh or wherever."

See the piece in Pittsburgh Dish.

Factory Installed

A new Factory Installed exhibition will feature five artists who have come to Pittsburgh from across the country and lived at the museum while they created four new installations. This Factory Installed, features Nick Cave, Dan Steinhilber, Deborah Aschheim and Jesse Bercowetz & Matt Bua will be on view through January 28, 2007. Jesse and Matt will be rushing in from thier Solo opening at Derek Eller on Sept 7th.

Here is some stuff of of the Derek Eller website that relates to that show, but from what I know of thier work it will likely apply here as well.

"Bercowetz and Bua pursue their narratives down every digression, diversion, false start and dead end that presents itself. The work can never be complete, because the stories never end: a bowling ball sits undisturbed on top of a rickety seven-foot-tall model of a World Trade Center tower made from cheap wooden shish kebob skewers; audio interviews with authors of books on the supernatural and the sub-rosa, spinning tales of ransacked apartments, Charles Manson and the Virgin Mary; a room memorializing missing children topped by an outsized milk carton, while a bookshelf beneath is stuffed with dozens of CD jewel boxes labeled with the names of countries invaded by the US military or infiltrated by the CIA.

Cities Of Asylum Sept: 9th

Also, on the north side that day will be the dedication of Pittsburgh's second "cities of asylum" house.

"City of Asylum/Pittsburgh provides sanctuary to writers exiled under threat of death, imprisonment, or persecution in their native countries.
We enable the writers to continue to write, while transitioning to a potentially permanent exile. The current writer hosted by us is the Chinese poet Huang Xiang, who was imprisoned and brutally tortured in his native China.
City of Asylum/Pittsburgh is a nonprofit that was started by local Pittsburghers. It is funded by concerned individuals and foundations and receives no government money for its writer-support programs."

Patricia Villalobos Echeverria at AIR - Sept 9th

Also, AIR will be opening it's new anex with a solo exhhibit by Patricia called Afujo. Aflux.
AIR rarely has much info on thier site, but here it is. This is all wthin walking distance of the Mattress Factory.

I apologize, for the thinness of some of the info. I got what I could online in the time I had. I am trying very hard. There is a strong sense that a lot of things here seem intended for some inside and in the know crowd.