An Urbanist's View of The Penn State Scandal

The following opinion is my own and may not be shared by other posters to this blog.

Most likely you have heard of this.

From Sports Illustrated

"For a prominent university, Penn State is remarkably isolated, nestled in the hinterlands of Pennsylvania, six hours from the nearest conference rival and three hours from a major city. (As many learned last week, the impenetrability is heightened by a status that exempts PSU from meaningful state open-records laws. Many documents related to the Sandusky case, such as e-mails between university officials, are not subject to public disclosure.) Like Russian nesting dolls, there are levels of isolation within Penn State, the innermost of which is the football team, which has separate facilities from the rest of the athletic programs and a lavish training facility all its own."

Here, the co-writer, talks more about the impact of isolation on Penn State.

Further on in the same article.

Healing will be far less swift an hour down the Nittany Valley in State College. While the crisis was unprecedented in its severity, the Penn State management was -- again, evidence of the school's insularity -- staggeringly clumsy. Press conferences were scheduled and then abruptly canceled. Remarks were tone-deaf. Spanier all but ordered his own firing when he declared his "unconditional" support for Curley and Schultz. When various administrators expressed shock at last week's revelations, even though Sandusky had been suspected multiple times and The Patriot-News had reported in March on the grand jury investigation, it came across as more than a little disingenuous.

From a side article in the same issue: "A place apart".

"The idyllic physical setting and the familial spirit of Penn State cut another way: It is a deeply insular place with concentrated power. Every character in the tragedy seemed to be a longtime Penn Stater. Paterno was there 61 years; Sandusky's association with the school began in 1963; Curley grew up in State College and has served 18 years as AD; vice president Gary Schultz served the school for 40 years; Mike McQueary grew up in State College and has been on staff for 11 years; Bradley has been on staff for 33 years; Jay Paterno, Joe's son, has been on staff for 17 years; Spanier taught at Penn State as far back as 1973. Sandusky, Bradley, Curley, Schultz, McQueary and Jay Paterno all attended Penn State as undergraduates. That people returned to or stayed so long at Penn State spoke to its appeal and its small-town values."

Another article, quotes former sportscaster and writer Myron Cope, who made this comment about Penn State in his biography.

"I particularly irritated Penn Staters by accusing Joe [Paterno] of excessive piety. You see, for many years he seemed bent upon casting Penn State as an academic facsimile of Harvard and his football players as model citizens (when in fact some of them told me they received the benefits of rural isolation—no major newspaper there to snoop—and a friendly police force)".

Tragically, another legendary coach and sports program is implicated in a very similar situation and cover up in Syracuse. While Syracuse, was once a fairly major manufacturing center, it now seems as if the university is the major force in town.

By way of extreme contrast, let's look back at a huge scandal in college basketball in the early 1950's.

The earthshaking scandals of 1951, which eventually reached to seven schools and 32 players around the country, actually erupted on Jan. 17, 1951 when Henry Poppe and Jack Byrnes of the previous year's Manhattan team plus three fixers: Cornelious Kelleher and brothers Benjamin and Irving Schwartzberg, who were bookmakers and convicted felons, were booked on bribery and conspiracy charges. All were in violation of section 382 of the penal code, the bill passed by the New York State legislature in 1945, which established as illegal an attempt to bribe a participant in any sporting event, amateur or professional. Poppe and Byrnes actually "had done business" with Kelleher in the 1949-50 season and received $50 a week during the off season of that year plus $3,000 to insure Manhattan lost games by the point margin to Siena, Santa Clara and Bradley in Madison Square Garden.

Byrnes and Poppe also received an additional $2,000 each to go over the point margin in games with St. Francis College of Brooklyn and New York University.

Ever even heard of this- corruption case involving masses of players and fixed games? One reason it's forgotten is that college basketball at the time was far from the big time sport of today. The other reason is it centered around colleges in NYC, where life did not revolve around these schools.

All of the CCNY schools de-emphasised sports and dropped into division III. Life went on. Could something like that even be considered in a place like State College?

Without, going into too much detail, I do think that there's something very unhealthy about major universities being so far removed from the world and I do think this was a major factor in both instances.

Penn State cannot shrink and or cut off it's major sports programs because there just isn't much else to do in State College. Incredibly, many students who were not athletes named it as the main reason for attending the school. Not surprisingly this put the program beyond critical review.

Liberty on The Border Exhibit in Cincinnati, Reviewed in Wall Street Journal

As online coverage of local history and culture has gotten better, I feel a greater obligation to keep one connected to a wider region. Cincinnati isn't exactly close, but it's not that far. Also, Pittsburgh's position in the Civil War's border region makes this show seem relevant.

From The Wall Street Journal

"The museum is well-positioned not only intellectually but physically to tell this complicated story, and it does it well. For the museum sits on the north shore of the Ohio River, the dividing line set forth by the Northwest Ordinance in 1787, which attempted to balance the entry of free and slave-holding states into the union. It was on this border separating Ohio from Indiana and Kentucky that the racial politics and policies of early America met reality.

The main theme of "Liberty's Trials" is Kentucky's efforts to remain neutral during the war. It is often thought of as a Southern state, but slavery was not widespread there. Lexington was an important slave-trading market because of the nearby horse farms and plantations. But much of the rest of Kentucky was against slavery and strongly pro-Union at the start of the war. We see this through maps, biographies and plaques retelling some of the key events that pushed Kentucky from a largely pro-union state at the start of the Civil War to one that was mostly pro-Confederacy toward the end of the war."

National Underground Railroad Freedom Center

Through Jan. 6

Michigan Focuses Economic Policy Around "Placemaking"

Rust Wire writes about the new broad consensus, developing in Michigan towards what urban planners now call, placemaking.

After reading a number of stories and blog posts about this, it's still not exactly certain what the term means-beyond respect for place and quality of life. Looking at Michigan's previous policies makes the change clear.

The earlier attitude, could be summed up as, anything for jobs. In 1981, The city of Detroit, evicted thousands of residents, destroyed the bulk of a neighborhood and handed the land over to GM for construction of a new car plant.

"At first glance the project seemed brilliant. In 1979, the old Dodge Main plant in Hamtramck had closed and that city lost $1.7 million in tax revenue. Hamtramck was happy to join in the deal. But there were obstacles in Detroit -- 1,300 homes, 140 businesses, six churches and one hospital lay in the path of the proposed plant.

The neighborhood adjacent to Hamtramck's southern border was, like Hamtramck, home to Poles as well as Albanians, Yugoslavs, Blacks, Yemenis and Filipinos. But some families had been there for generations, since the influx of Polish workers to the auto plants in the 1920s and '30s, and even before. Some of the first Polish settlements in the city in the 1870s had been in this area. It was the home of the original St. Mary's College and Polish Seminary at the corner of St. Aubin and Forest. It was the original location for the International Institute. St John the Evangelist Catholic Parish had been founded there in the 1890s, Immaculate Conception Parish in 1918."

The same attitude went for highway construction, where few power players cried when eggs needed to be cracked in the name of progress. People moving and endless new construction always was sold as growth, even though the state's population was in a long steady decline. The people who found where they lived, unpleasant would stay cause they had jobs-and the fancy pants, over educated, complainers could just leave.

The huge car companies these policies were built around proved less stable than expected and the new dynamic firms needed the over educated, creative types who found Michigan so gross. A depleted tax base, also meant that growth at any cost was no longer a financial option.

From Model D

The state of Michigan, for example, is focusing on placemaking initiatives as part of its economic development strategy. "Economic development and community development are two sides of the same coin," said Gov. Rick Snyder in a special message to the Michigan Legislature last winter. "A community without place amenities will have a difficult time attracting and retaining talented workers and entrepreneurs, or being attractive to business."

Kent’s son, PPS Vice President Ethan Kent, said placemaking is striking a chord in the current economy because it’s resourceful and builds on a city’s existing assets. And the placemaking philosophy requires extensive public buy-in upfront, so officials can stand on safer ground politically. "Building convention centers and using tax incentives to attract big corporations or new business isn’t working," Ethan said.

Instead, placemaking emphasizes smaller, inexpensive improvements: Adirondack chairs to watch the sunset on the Buffalo waterfront, or temporary incubator retailers with lower overhead costs. At Gabriel’s Wharf in London, for example, a set design company created colorful facades on concrete garages, and then worked with artists to convert them into studios where they could sell their work. The fast-working set designers finished the job in three months. Rather than developers spending money on a costly master design, the tenants themselves provided the vibrancy to make the area compelling for visitors. The scheme was designed to pay for itself in four years.

Strangely, the new embrace of the small, incremental improvements and livable, walkable neighborhoods has attracted strong support from across the political spectrum, columnists, The Department of Transportation, Michigan State University and Michigan's Governor.

This widespread attitude is new, and pretty rare across the country. It will be interesting to see if it lasts and how things start to play out.

Article on The Project For Public Spaces Website

Wired Magazine Analyses A Call in The Bengals/Browns Game

Wired took a questionable penalty call in the Cleveland/ Cincinnati game and put it under some pretty in depth review.

Sorry, I just had to post this.

Night Of The Living Dead Fans Try To Rescue Cemetery Chapel Featured In The Film

The New York Times blog has a short piece about efforts to save the decaying chapel at the Evans City Cemetery. $50,000 is needed by next year, a very steep amount for a Butler county town with around 2000 residents. So far $7000 has been raised.

Ron Volz, the president of the cemetery association, praised the efforts of Gary Streiner and other like-minded “Living Dead” fans to keep the chapel standing.

“He’s come up with great ideas to raise money, but 50 grand is going to be tough to raise, I think,” Mr. Volz said. “But if he gets zombies from all over the United States to contribute … he can raise it.”

.

The Post has a more in depth article.

Mr. Streiner said that he hopes to restore the chapel just as it always was -- no running water, no electricity, no gas hookup, just a potbellied stove. He hopes that it can be rented out for use at events such as zombie-themed weddings or graduation parties and maybe even function as a mini-museum.

Mr. Streiner considers himself blown away by the response from fans and the fundraising success thus far. Fundraising efforts on the group's website, www.fixthechapel.com, are just getting under way.

Posters designed by one Facebook group member are already for sale online and Mr. Streiner expects T-shirts to be available soon -- in time for the holiday season. A movie screening and benefit will be held in San Francisco in early December; there will be appearances on Internet radio shows.

To help visit, Fixthechapel.com

Facebook Group

Open Studios, Holiday Concert and Many Other Events, December 9 @ CMU

Tour the Pittsburgh Biennial at the Miller Gallery in the Purnell Center for the Arts: Noon – 6 p.m., free admission

Attend the School of Music’s Annual Holiday Concert: Noon, Rangos Hall, University Center (free admission); 8 p.m., Carnegie Music Hall, Oakland ($5 in advance, $7 at the door)

See student projects in the School of Architecture: 1:30 – 6:30 p.m., Margaret Morrison Carnegie Hall (MMCH) and College of Fine Arts (CFA) building, free admission

Tour the School of Art Open Studio Day, “IDK, SRY”: 5 - 9 p.m., CFA third and fourth floors, free admission

The Open Studio features more than 40 senior artist studios with works in progress spanning sculpture, video and 2D, plus a Holiday Art Sale with everything from DIY fashion, paintings and prints to performances and predictions for mankind in 2012. A reception from 7 – 9 p.m. features WRCT 88.3FM DJs, food, drink and entertainment. For more information, call the School of Art at 412-268-2409.

The STUDIO for Creative Inquiry hosts “Envisioning High Point Pittsburgh”: 5 – 7 p.m., CFA 111, free admission, RSVP appreciated by email: studio-info@cmu.edu

STUDIO Fellow David Bear and a team of CMU architecture and civil and environmental engineering students will present the possibilities for transforming the rooftop of the 64-story U. S. Steel Tower into a publicly-accessible green roof park — a “pinnacle of perspective.” For more, go to www.studioforcreativeinquiry.org

School of Drama presents “Mad Forest” by Caryl Churchill: 8 p.m. through Dec. 10, Philip Chosky Theater, Purnell Center for the Arts ($15 adults/general, $10 students, at the door or in advance)

Check out all the details here.

The Post Gazette Looks at Pittsburgh's Dirty Dozen Bike Race

I want to see this in person next year. For better or worse, I'm not alone jumping on the bandwagon. WQED filmmaker, Rick Sebak filmed last years race, which drew more than 300 racers.

While, Pittsburgh has fewer casual bikers than some other places, many who do ride take it very seriously. This is the best known of of a large number of unsanctioned races and events.

From the Post Gazette

"Many of those people who have helped support the race and spread the word of its insane beauty over the years believe that popularity means it will soon have to change. The hills they race up are narrow streets designed two centuries ago, and it was already getting tight with 185 racers. And with 300 cyclists, the peloton is that much longer and unwieldy on even the main roads.

"It's getting to the point where now it really needs a title sponsor and some formal organization," said Mr. Gottlieb, who owns a scrap metal plant on Neville Island. "Because, eventually, something is going to happen as it gets bigger."

Glenn Pawlak, owner of Big Bank Bikes in West Mifflin and a sponsor of the race for the last two years, agreed that having 300-plus cyclists in one race could be a tipping point "or a breaking point."

The Geography Of Stuck in The Atlantic: The Rust Belt's Unrecocognized Weakness Is Mobility

I've mostly given up on trying to counter all the myths that pass for truth in these parts-many of which have to do with losing people, brain drain etc...

Richard Florida has a good post and map at The Atlantic showing the percent of people living in the state they were born in. Surprise, Pennsylvania, Ohio, Michigan, West Virginia and several other "rust belt" states lead the nation.

Is that a good thing? 70% or more of the people in these states were born in state, yet this is mostly a list of the nation's economic laggards. What should be pretty obvious, is that fairly high numbers of people moving both in and out, correlates pretty strongly with economic growth, with most of the states with healthy economies falling closer to the middle in this category.

Florida guesses that the recent dramatic declines in mobility, don't bode well for the economy. What's so disturbing is that in 80% of the region this isn't even widely recognised as a problem.

Several good reads on this subject.

The Geography of Stuck

America The Stuck

Burgh Diaspora is a blog that mostly focuses on the general subject.

The Tides of Provincetown: Pivotal Years in America's Oldest Continuous Art Colony (1899-2011) @ Westmoreland Museum

If you live anywhere in the main region this blog covers and have never been to The Westmoreland, you are really missing out; if you don't it's just one reason to swing by. I myself miss way to many shows there.

Put together, by New Britain Museum of American Art in Connecticut, this is the first major museum survey of the most important single artist colony in America. Included in the show are works by Milton Avery, Adolph Gottlieb, Hans Hofmann, and Charles Hawthorne, Charles Demuth, Marsden Hartley, Edward Hopper, Jackson Pollock, Robert Motherwell, Lee Krasner, William Zorach, Michael Mazur, Robert DeNiro, Sr., and no doubt many other artists spanning the entire life of the colony up till today.

"The Provincetown Art Colony was largely established by Charles Hawthorne and quickly rose in importance as a major haven for the arts in the early 20th century. Hawthorne and the early students of Provincetown made significant contributions to American art through their exploration of movement and light. These small departures heralded the beginning of a new and modern approach to art. Later, the art colony, particularly under the direction of Hans Hofmann, broke from traditional European formats of study to create a system of learning that was uniquely American. The symbiotic relationship between Hofmann and Provincetown resulted in what is considered the best work of his career and the development of Provincetown as a world-class center for modern art. An esteemed string of abstract artists followed in his footsteps, finding inspiration in the famous "light" and environment of Provincetown. To this day, Provincetown remains a thriving arts colony with an impressive legacy of abstract artists. Contemporary artists still flock to this small seaside town for inspiration from the masters who worked there long ago as well as the indescribable energy that Provincetown exudes."

The Tides of Provincetown: Pivotal Years in America's Oldest Continuous Art Colony (1899-2011)

Saturday October 29, 2011 - Sunday January 22, 2012

A pop up tour

Project Pop Up had a soft launch of several spaces during Pittsburgh's Light Up celebration on November 18. I took a little time on Saturday to tour the spaces, which are all in different stages of readiness. It appears that the Pop Ups cover a lot of ground, from retail to art projects.



I was not able to get into most of the locations, but did make it a point to get at least outdoors images. There is a map available for download, along with a brief description of each of the projects. Below are links to each of the projects, along with address and some descriptions.

The Sweet Lounge
They are billing themselves as a "sober bar" on their website, which is under heavy construction. I got an outdoors shot, but the lounge won't be open until mid December. The pictures on the site look scrumptious.
901 Penn Ave.

Robot Repairs
Falling under the category of art project, the Robot Repairs shop is an installation work by artist Toby Atticus Fraley. You can read more about it on the project's website. There are no open hours, what you see is what you get.
210 Sixth St.

Burgheoisie (Listed as Steel Town Craft Co-Lab)
There are several Artist/Designer/Crafter represented at Burgheoisie, with home and personal accessories in abundance. By Suz hats and accessories, beautiful ceramic wares by Robyn's Nest Pottery, and crafty adornments by Spyral Eyed Studios and Dollz-n-Skullz are sharing the space.
208 Sixth St.

Summer Sky Eternal
The idea of perpetual summer is rather nice. I gather that this project will be offering respite from Pittsburgh's gloomy weather. It wasn't up and running when I went by the space.
604 Liberty Ave.

Society for the Advancement of Miniature Curiosa
Aside from the map's description, I can't find a single thing on the intertubes about this project. From the map: "A gallery, toy theater parlor, performance space, & workshop that seeks to spark the resurgence of curiosity and wonderment in Downtown Pittsburgh."
929 Liberty Ave.
2nd Floor

Awesome Books
Awesome Books, headquartered in Garfield, has taken over a space on Liberty Avenue. Bob Ziller was there, greeting the curious, on Saturday. He has a lot of plans for his space. His selection includes small and independent press, collectibles, and memorabilia. Watch for readings and other special events.
929 Liberty Ave.
1st Floor

Community
As with the Society for the Advancement of Miniature Curiosa, the only thing I can find on this project is the description from the map, although it appears that the monitor display is pretty much the project. From the map: "A photographic installation comprised of morphing photographic portraiture, analog televisions, and a wall of personalities and identities, representing the importance of community."
422 Wood St.

The Pop Up projects is evenly divided into retail and installation concepts. I've included a slideshow of the spaces, each carefully captioned. Enjoy! You can read more about the Pop Up project on their site and blog.

Great Shots Of Braddock Benefit Concerts in Rolling Stone

Still kickin myself for missing Titus Andronicus and The Hold Steady play at the Carnegie Library. I stayed in NYC, to catch the Transformazium folks do a talk at The Queens Museum--and then somehow got the date wrong, missing both events!

Anyway, here are some nice shots from the three nights of concerts from Rolling Stone.

Jean, went and loved the show. Sadly and amazingly, she saw some empty seats.

Shots From This Year's NY Halloween Parade: Why Doesn't Pittsburgh Do This?

Sorry this post is so late, I'm still getting stuff off my camera from more than a month ago.

The Halloween Parade, now is close to being one of it's biggest single, one day events in NYC. The Parade itself must draw about 2-3 million onlookers and perhaps 50-100 thousand participants. This alone, might not make it that unusual in a very dense, transit oriented city where several parades draw huge crowds, but it's only part of a vast night of reveling and madness that overtakes almost all of downtown Manhattan. My guess is that 5 million people or so may be partaking in some way.

I stopped taking pictures pretty early and many are blurry, but I think they capture the spirit. We also didn't stay out late, when some of the more extreme insanity happens.









Unlike most, this parade lacks single large sponsors or much of a formal organizing committee. Started sometime in the late 70's or early 80's, it originally went through the narrow streets of The West Village, graduating to 6th ave around 1989.

As near as we can tell, anyone in a costume can march, but procession is semi organised in a staging area, and the major floats, large scale puppets and dance groups have an assigned sequence.

I wonder, why Pittsburgh has never gotten together a free form Halloween Parade like this? Bloomfield's does look like something just for small kids.

Bill Radawec Retrospective @ Shaheen Modern and Contemporary in Cleveland

I've come across the late Cleveland artist, Bill Radawec's work a few times in Pittsburgh, most memorably as part of a four person show at FE Gallery where he showed his strange little boxes.

From The Cleveland Plain Dealer

A collection of small, wooden boxes mounted on the walls at oddly differing levels might escape notice entirely. But if you get close and peek inside, you’ll be treated to bizarre miniature tableaux, including one in which a woman strips naked at what appears to be an open-air tea party, while a construction worker stands nearby with a coil of cable in his hands and another fellow guzzles a bottle of wine.

The show is an eclectic mix of objects and images resembling the visual equivalents of Zen Buddhist koans, or riddles, that could produce effervescent moments of intellectual bliss if understood properly. Taken as a whole, the show is a fitting introduction, and tribute, to an artist known for having an odd, quirky and eccentric sensibility, liberally spiced with a well-developed sense of whimsy.

Seems like it was a very sad day for Cleveland when he died, since he played an active role in creating and running alternative art spaces in both LA and promoting artists in both LA and Cleveland.

The show at Shaheen, assembled and installed with the assistance of his widow and friends, is characteristically oddball, with works hung high or low on walls or stuck in corners, as if to require extra effort and to encourage the viewer to take nothing for granted.

The cumulative effect is that of a quiet sense of joy and delight. Radawec never swings for the fences in any individual work but seeks instead to prick the conscience and tickle the funny bone.

Bill Radewec: A Retrospective
November 12, 2011 - January 20, 2012

Shaheen Modern and Contemporary Art
740 West Superior Avenue, Suite 101
Cleveland, Ohio 44113
Phone: (216) 830-8888

Harvey Pekar Tribute Drive on Kickstarter Blows Past $30,000 Goal

Looks like the amount needed to install a desk and statue memorial to Harvey Pekar at the Cleveland Height-University Heights Public Library will be well funded. It proves that projects with large amounts of latent support and good will can raise fairly large amounts of money on Kickstarter.

"Joyce Brabner, Pekar's widow, said in early November that $30,000 had to be raised by Dec. 5, for his tribute.

The campaign, started online at Kickstarter, had already raised $30,787 through Monday with 669 backers, according to Carole Wallencheck, a reference associate with the library.

With 13 days to go before the deadline, Wallencheck said any surplus donations will be given to the library to buy graphic novels."

Harvey spent a lot of time at that library.

"The desk and statue will be mounted next to the library's Harvey & Friends Used Bookstore and face the library's ever-growing comic shelves."

Who did this Work, Outside The Children's Museum of Pittsburgh?

It's not my favorite thing ever, but I like this satellite made of welded auto parts. I suppose I could find this out by googling but I'd like to get the answer on here.

Art @ The Pittsburgh Children's Museum: Tim Kaulen, One Great Blue

Since I don't have kids, I feel a little weird going to the Pittsburgh Children's Museum. Don't let that stop you, the museum is filled with all kinds art and large scale creative projects that might appeal to all ages.

We finally got there for the Pittsburgh Mini Maker Faire and didn't scope the whole place out.



You may have seen this large Tim Kaulen work at Space Gallery a number of years ago. It's found a permanent home in the Museum's entrance lobby.

Magic Trip at Hollywood Theater in Dormont Tonight....The Merry Pranksters Landmark Trip Across Country

I am very happy that I can go to this movie and "experience" the wild LSD fueled trip that is a landmark in American socio-cultural history...........without having to actually go on such a wild ride. This movie is pieced together from footage someone shot during the trip of Ken Kesey (author of One Flew Over the Cuckoos Nest, Neil Cassaday and the Pranksters trip across the U.S. in 1964. It has had great reviews!
The Post Gazette notes: "At 29, Ken Kesey, "one of America's greatest writers," led a scruffy band on "a bus trip across America that changed everything," declares narrator Stanley Tucci. Their search for themselves and America was largely conducted on LSD."
To read more go here
NOTE The movie is at the Hollywood Cinema in Dormont tonight at 7 NOT at the Melwood Cinema. The latter is an error in the Post Gazette story.

Pittsburgh's Mac Miller Boosts Into Big Time with Free Music and Internet buzz

Caveat--I have never listened to Mac Miller's music and know very little about this.

The Times has a good article about new artists breaking into the scene without the help of major record labels as Mac Miller joins Wiz Khalifa as a recent chart topping artist from Pittsburgh.

First, the good news: A new generation of rappers is actively trying to build a new business model in which releasing oodles of free material online builds a fan base that paves the way for revenue streams: touring, merchandise, even something as old-fashioned as a record deal.

“Blue Slide Park” (Rostrum) is the first independently released album to top the chart since Tha Dogg Pound’s “Dogg Food” (Death Row), in 1995. But Tha Dogg Pound was affiliated with Dr. Dre and Snoop Doggy Dogg, the heavy hitters of the day.

Later, the article, points out the importance conventional radio play still holds in giving careers staying power.

But once the loyalists have spent their money, then what? Be mindful of the drop in sales from Week 1 to Week 2 — these artists have so far had only moderate success on radio, which is where albums go to not die. In their second week on sale, Wale and Mr. Cole’s albums each sold just a quarter of their first-week numbers. Without the singles to guarantee them consistent exposure and, by extension, consistent sales, these first-week figures will be a historical blip, a trivia question 20 years from now.

Good read. Please share your thoughts.

Children's Science Center in Youngstown gets 1 Million Dollar Anonymous Gift

While Youngstown is showing some progress, money is still pretty hard to come by.
This sure sounds like great news for a new kids science center there.

Teenie Harris @ Carnegie Museum of Art

My first impression of the Carnegie's Teenie Harris show was anger, over the tiny number of 12 framed prints. Slowly, I've spent more time with the show and am gathering in the wisdom of what was done.

More than most photographers, Harris's work has a dual identity as both potentially fine art and clear journalistic, documentation. Harris himself, never considered himself an artist. When late in life, he said he felt his pictures belonged at the Carnegie, my guess is that he was making more of a statement about his subject matter than anything else. Clearly, he felt that Pittsburgh's African American community and the Hill District was deeply worthy of recognition and he was proud of doing that. We now largely know this community through his work.

I think, the curator said the museum has about 80,000 Harris negatives, of which only about 30,000 have been well researched. The format, built around a large room of projected images and a larger one showing small postcard sized photos in a huge grid, makes one aware of the huge output, and the immense richness of his subject. Of course, the high consistent quality reveals that Harris rarely took a bad photo.

Be back with more thoughts about this show, which requires and rewards spending time looking.