Mostly, I'm doing this post about a comedian performing @ The Carnegie Library in Homestead because it's an excuse to mention the venue.
Any list of "must see" places in the Pittsburgh region would have to include a few of Carnegie's libraries in places like Braddock and Homestead. The term, "library", doesn't describe most of them well. These were really "community centers", and almost always included a gym, a library collection and reading room and a music hall or auditorium of some kind,usually built with the finest workmanship and design. Often they included showers for workers who didn't have them at home.
The Libraries demonstrate Carnegie's somewhat contradictory views towards his workers. As a boy who pulled himself up from poverty by his own bootstraps and lacked a lot of formal schooling, he valued self education and continuing learning. Likely, he felt most of his employees were not interested or destined to be more than "manual laborers", who needed to watched to keep them from drink and vice. But, at the same time, Carnegie felt there were some who would take to books and opportunity if it was offered and knew that his mills and the future of his company depended on finding, nurturing and promoting them.
The Libraries embody these values, combining a place for kids to exercise, be entertained, stay "off the streets" and away from "vice", and perhaps read if they were so inclined. I say, kids because very few of his workers would have had the free time or energy to enjoy the Library and might visit once or twice a year.
She is number 88 on Comedy Central's list of the 100 greatest standups of all time,[citation needed] and number 7 on Maxim's list of "Worst Comedians of All Time".[4]
Here's a nice article about the Restoration of The Homestead Library Reading Room, with images that give some idea of it's beauty.
View Larger Map
Any discussion of the region's revival, (the Mon Valley is hardly there yet.) should give credit to the deluxe assets left here by folks like Carnegie.
Here's Patti Smith @ The Homestead Library
Showing posts sorted by relevance for query homestead. Sort by date Show all posts
Showing posts sorted by relevance for query homestead. Sort by date Show all posts
Saturday, September 19, 2009
Thursday, November 06, 2008
Homestead: The Glory and Tragedy of an American Steel Town
I had a long list of books related to the region's history and culture, I wanted to get around to reading. One of them that, I'm so glad I got around to was a book called Homestead: Tragedy of an American Steel Town written in 1992. It was written by a the former labour and workplace corespondent of the NY Times during the tragic and tumultuous years between 1979 and 1986 which saw the death and near death of much of industrial America. The writer's deep association with the industry and committed work talking to people in the town over many years really pays off.
The first few chapters and the last are in some sense, not that interesting to me---The massive pain of catastrophic job loss in all it's devastation are laid out in painful detail. Several other chapter's paint a vivid picture of the incredibly tough and insanely dangerous life in one of the world's largest steel mills-- a place where the author estimates more than 1000 workers lost their lives in the the works more than 100 year history.
The middle of the book holds a somewhat more dry but clear and concise history of both the massive Homestead works and the company of which it was a central part-- U.S. Steel as well as the birth of the American labour movement.
While, Pittsburgh had been a central part of the American iron, glass and industrial history almost from it's birth, the scale of the massive industrial complexes in the Mon Valley that kicked off with Carnegie's Edgar Thomson works in Braddock in 1873 were unprecedented. Carnegie copied the new Bessemer process used by a few new English mills, to build a company marked by an almost brutally competitive nature, quick to innovate in new technologies, aggressive in sales and driven to be the lowest cost producer. Soon other mills followed, opened by both Carnegie and a host small host of other operators. The business was very tough on everyone and required massive amounts of upfront investments in fixed capital. Miscalculations in projected demand or disruptive new innovations can and did bankrupt many, but the potential profits were huge. Workers in a Carnegie Mill and most competitors worked 12 hour shifts, six or seven days a week. Not surprisingly, both the managers, investors and workers dreamed of an easier way.
Carnegie bought the new Homestead mill across the river from Braddock from it's financially strapped competitor and and in a few years new mills were built by Carnegie in nearby towns on the Mon as many of the smaller competing mills were bought out and consolidated into companies controlled by JP Morgan. The stage was set for a tragedy that few saw coming. Carnegie was ready to retire from the brutally competitive industry he had worked so hard to dominate through pricing and relentless innovation and Morgan who never could take the strain. " Although he was regarded as the archetype of the American capitalist, Morgan was in many ways not a capitalist.... but as as Joseph Frazier Wall wrote: " He did not really believe in the free enterprise system.. Like most ardent socialists, he hated the waste, duplication and clutter of unrestricted competition". It was for this reason that he had been so intoxicated by Schwab's portrayal of a combined, efficient steel industry."
Morgan made Carnegie an offer of a massive payment in gold for Carnegie's mills to create a company controlling 65% of the existing industry and once and for all stop the unpredictable, competitive free for and replace it with a stable comfortable and reliable business that would run almost as a perpetual machine. The deal was done and most of the rest of the book deals with the results. The combined company seemed indestructible and the only central issue seemed to be one of dividing the profits among the owners and also increasingly with the workers. Problem solved-- capitalism was just too much work!
"By 1936, the stagnation at U.S. Steel was such that Fortune magazine "recalled that the Corporation's policy had once been summarized as 'No inventions: no innovations'" (p. 132) and Charles M. Schwab reported that "the chairman of US Steel admitted to him that the Corporation, in fact, had missed every 'new thing' in steel" (p. 132). Under Carnegie's reign, Pittsburgh-based steel facilities had competed successfully against growing location-based advantages of other regions by relying on innovation, efficiency, and superior management. U.S. Steel under Gary did participate in the geographic dispersion of American steel-making but its "Pittsburgh Plus" pricing (an artificial attempt to exercise industry price discipline by linking prices across America to steel prices in Pittsburgh plus freight from Pittsburgh) led to a hobbling of the corporation's growth into new markets and eventually shrank the region in which Pittsburgh-area steel was competitive. Even in its infancy, U.S. Steel was an illustration of inertia and captivation by sunk-cost investments."
A further quote from an industry expert was even more honest about the results.
"Actually the operation of basic processes has not changed significantly in either theory or fundamental design of equipment in the past 75 years. While automobiles were being made better and cheaper with ever newer processes.... tonnage steel as distinguished from the specialty or the alloy steels grew neither cheaper or better"
Charles Ramsayer 1935
Much of the rest of the book deals with the struggles of workers to attain a larger and larger share of company output. In fact-- it sort of looks as if distribution of profits was the primary thing people thought about more and more as the years went on. The post WWII period ushered in what seemed like a golden age, culminating in what were increasingly cosy relations between workers and management. There was more than enough money to go around, seemingly little prospect of competition from abroad and no need to sweat. The company spent big-- but rarely, if ever took the lead and often built new plants and expansions with equipment that was obsolete from the start.
Anyway, great book, well worth reading. I hope to get back with more thoughts about it.
Thursday, April 19, 2007
The Poetry of Homestead
You may have heard of John Edgar Wideman's trio of experimental novels, The Homewood Trilogy. Now comes the third in poet Robert Gibb's Homestead Trilogy. The Homestead native and former (third-generation) millworker reads and signs tonight from his latest poetry volume, World Over Water.
>>>>Thursday, April 19th, 7:00pm, Joseph-Beth Booksellers. 2705 E Carson Street, Southside. Free.
>>>>Read Bill O'Driscoll's write up here.
>>>>Thursday, April 19th, 7:00pm, Joseph-Beth Booksellers. 2705 E Carson Street, Southside. Free.
>>>>Read Bill O'Driscoll's write up here.
Sunday, August 13, 2006
Other Pittsburgh Alumni Shows
By total luck, the stars have aligned to have several other shows involving Pittsburgh Alumni in town at the same time as my gallery blitz.
Joyce Kozloff at the CMU Gallery Joyce is a legendary artist and activist, with a BFA from CMU
George Nama at Space 303 gallery in Homestead. George an Artist from Homestead who studied at CMU, taught at The Center For The Arts, and later taught for many years at Pratt Institute and has exhibited globally. Here's the story of how he reconnected with Homestead.
Pinch Hitters, which just closed at Space Gallery also included several people who have Pittsburgh links -- Elizabeth Deasy, Mario Marzan and Molly Schafer, as well a large group of l
local artists- some with work in my flat files.
In November, Jonathan Borofsky will doing a solo project at the Carnegie.
Joyce Kozloff at the CMU Gallery Joyce is a legendary artist and activist, with a BFA from CMU
George Nama at Space 303 gallery in Homestead. George an Artist from Homestead who studied at CMU, taught at The Center For The Arts, and later taught for many years at Pratt Institute and has exhibited globally. Here's the story of how he reconnected with Homestead.
Pinch Hitters, which just closed at Space Gallery also included several people who have Pittsburgh links -- Elizabeth Deasy, Mario Marzan and Molly Schafer, as well a large group of l
local artists- some with work in my flat files.
In November, Jonathan Borofsky will doing a solo project at the Carnegie.
Friday, June 13, 2014
Black Fives Exhibit @ NY Historical Society shines light on Pittsburgh Basketball History
Who knew there was a Homestead Grays- basketball team?
A small but tightly packed show I saw at the NY Historical Society shows off an era few people know about.
From The New Pittsburgh Courier
"Due to segregation in the early 1900s, Black athletes formed their own professional leagues. Because teams have five starting players, they were called “fives.” Some of the most famous Black Five teams were the New York Renaissance, or the Rens, the Washington Bears, and the most famous remnant of that era, the Harlem Globetrotters.
But Pittsburgh, and Duquesne University feature prominently in the exhibit because Cumberland Posey also starred for Duquesne during the Black Fives Era."Also prominent was the Monticello Athletic Association which played in the Hill District- defeating Howard University for the 2011-2012 World Colored basketball championship.
From The Black Fives history website
"The Monticello lineup featured Walter Clark, Sell Hall, Israel Lee, Jim Dorsey, Cum’s brother Seward, and Cum Posey himself.
Cum Posey and Sell Hall also played baseball for the professional Homestead Grays, a Negro Leagues team that Posey eventually owned. (Posey was inducted into the National Baseball Hall of Fame in Cooperstown in 2006.)"
Cumberland Posey, son of the Pittsburgh Courier owner- starred on Duquesne University's team under an assumed name- not because he was black but because he also played "pro ball" on the side. (Some players made $100 dollars a week!!)
The show is crammed with enough photos, clippings, ticket stubs and memorabilia to support several books.
The Black Fives Exhibit ends July 20th
New York Historical Society
170 Central Park West,
New York City, NY
| Tuesday – Thursday | 10 am – 6 pm |
| Friday | 10 am – 8 pm |
| Saturday | 10 am – 6 pm |
| Sunday | 11 am – 5 pm |
Thursday, August 27, 2009
Literary Pittsburgh: Readings Galore This Weekend

The next few days are packed with great readings: I’m exhausted just thinking about it!
Saturday afternoon, August 29th, 1:30pm: Autumn House at the Pump House. Pittsburgh’s own Autumn House Press will host one novelist and one poet at the historic
Pump House in Homestead: There’s a nice review of John Hoerr’s novel Monogahela Dusk in the City Paper this week; Hoerr is actually a long-time labor journalist, and this is his first work of fiction. I’m a big fan of Robert Gibb’s poetry, especially his Homestead Trilogy. Gibb will read at the Pump House from a new Autumn House volume of his work, What the Heart Can Bear: Selected and Uncollected Poems, 1979-1993.
Saturday night, August 29th: East End avant-garde publisher Six Gallery Press is holding their periodic Showcase (this one is called Hot August Night) with 14 readers from the Pittsburgh poetry underground. Digging Pitt blogger, videographer extraordinaire, talented poet, and charismatic reader Jessica Fenlon (pictured) will read from her new book of poetry, Spiritual Side Effects. Guest author Kevin Finn will read from his new chapbook, Exit Wounds (Ohio: Amsterdam Press), Six Galllery poet Michael S. Begnal is visiting from North Carolina, and all will share the stage with many other local talents: Renee Alberts, Nikki Allen, Jerome Crooks, Davka, Che Elias, Bill Hughes, Jonathan Loucks, Alexi Morrissey, Scott Silsbe, Ed Steck, Billie Steigerwald, Matt Wellins, and Don Wentworth of Lilliput Review fame. Local rock stars Colin Baxter and Julie Sokolow will provide the musical entertainment. ModernFormations at 4919 Penn Avenue, $5 at the door, 8:00pm, BYOB.
Late-night on August 29th (hey, you could make it to all 3 of Saturday's readings if you wanted to): KINETIX! (formerly Poetry…Yes!) is a new late-night poetry series that happens once a month and runs from 11:00pm-1:00am in the theater lobby at The New Hazlett Theater on the Northside. Featured Pittsburgh poets are followed by an Open Mic. $5 door charge; doors open at 10:30pm. (N.b.: the last 54C bus leaves Allegheny Center at 1:12 AM.)
Sunday August 30th at 2:00pm: The Carnegie Library of Pittsburgh (Main library in Oakland) holds its weekly Sunday Poetry and Reading Series, featuring Chuck Lanigan’s presentation of fiction and oral history: To Be of Use: Stories of Labor and Identity in Southwestern PA. Free.
Sunday night, August 30th: The fabulous Typewriter Girls Cabaret will feature the fabulous Gist Street hosts as readers: poet Nancy Krygowski and fictionist Sherrie Flick with her new novel, Reconsidering Happiness. Poet Sandra Beasley, musician Steve Pellegrino, burlesque act The Bridge City Bombshells, and much more will round out the show. Howler’s CafĂ© in Bloomfield. Doors at 7:00pm, show at 8:00pm, $5.00 cover. See more info here.
Tuesday evening, September 1st: Outrageous blogger Maddox will be in town signing his book of “fratire,” called The Alphabet of Manliness. 6:00pm at Borders Eastside on Centre Avenue near Highland (aka Penn Circle South).
Sunday, February 19, 2012
Pyrotopia Fire Arts Festival comes to Homestead: April 27th & 28th, 2012
Pyrotopia overview from Pyrotopia on Vimeo.
This now long awaited event got delayed a bit but now has finalised dates and location. It will now be held around The Pump house in Homestead.
Keep up with the details here.
It will be the East Coast’s first-ever festival dedicated entirely to fire arts, presenting fire’s diversity of use by artists and celebrating humankind’s primal fascination with fire.
Pyrotopia will entertain and enchant attendees with the use of fire and related media such as electricity and light in artistic ways. Activities at Pyrotopia will include
• fire dancing, spinning, hooping, swallowing and other performances
• interactive fire sculptures and games
• fire-related demonstrations
• a gallery show of fire-related and inspired imagery, sculpture, video and other media
• workshops and lectures on fire science, history, safety and other topics
• and more
Tuesday, June 18, 2013
George Nama: Fleeting Images: A Survey @ Shepherd W&K Galleries in NY
I know, this is a Pittsburgh art blog mostly but as usual on my last NY trip I came across several shows of local artists or people with strong ties to the city.
George Nama was my favorite teacher at Pratt Institute; I knew he was from Pittsburgh and attended Carnegie Tech. As great as he was as a teacher, the truth is he rarely showed us much of his own personal work, preferring that we find our own paths.
I had to pop in when I saw his name on an uptown, NY gallery not far from The Met. The show turned out to be a mini retrospective tilted towards very early works from his Homestead youth in the 1950's. Even the smallest and earliest works shown seen to have a quiet poetic power and often strangeness. He is very sensitive to nuance, texture and line.
Check out the catalog and if you are in NYC, check out the show which includes several large drawings and watercolors picturing Homestead in the late 1950's.
George Nama: Fleeting Images: A Survey
June 4th
through July 26th, 2013
Shepherd W & K Galleries
58 East 79th Street
New York, New York 10075 USA
Tel: (212) 861-4050
Tuesday through Saturday 10 am until 6 pm or by appointment.
George Nama was my favorite teacher at Pratt Institute; I knew he was from Pittsburgh and attended Carnegie Tech. As great as he was as a teacher, the truth is he rarely showed us much of his own personal work, preferring that we find our own paths.
I had to pop in when I saw his name on an uptown, NY gallery not far from The Met. The show turned out to be a mini retrospective tilted towards very early works from his Homestead youth in the 1950's. Even the smallest and earliest works shown seen to have a quiet poetic power and often strangeness. He is very sensitive to nuance, texture and line.
Check out the catalog and if you are in NYC, check out the show which includes several large drawings and watercolors picturing Homestead in the late 1950's.
George Nama: Fleeting Images: A Survey
June 4th
through July 26th, 2013
Shepherd W & K Galleries
58 East 79th Street
New York, New York 10075 USA
Tel: (212) 861-4050
Tuesday through Saturday 10 am until 6 pm or by appointment.
Thursday, November 29, 2012
Geek Alert: Alan Turing Film, Codebreaker to Screen @ Waterfront, December 6
Alan Turing, a math genius, who played an important roll in winning WWII, and called by many the founder of modern computer science is likely known by hard core geeks.
Thursday, December 6, 2012
@ 7:30 PM
WATERFRONT 22
300 WEST WATERFRONT DR.
WEST HOMESTEAD, PA 15120
To reserve tickets:
http://tickets.todpix.com/codebreaker/west-homestead/
300 WEST WATERFRONT DR.
WEST HOMESTEAD, PA 15120
To reserve tickets:
http://tickets.todpix.com/codebreaker/west-homestead/
Wednesday, January 10, 2007
ODE TO THE 53F
One of the Many Bus Routes in Pittsburgh Whose Service May Be Cut
One Saturday in early December I headed to a Christmas party in West Mifflin, from Squirrel Hill by way of Munhall. I knew I’d never been to West Mifflin, but I thought I’d been to Munhall before, and technically I had. My favorite donut shop is on 8th Avenue in Munhall; if you follow 8th Avenue from Homestead, the road makes a curve and somewhere after the curve you look up at the street signs and they say Borough of Munhall. The donut shop is pristine and many decades old, with display cases of glass and wood, a tiled floor, and a formica counter. It’s not big enough to have a U-shaped penisular counter like the donut shop on 8th Avenue and 23rd Street (Manhattan, not Homestead) or the one on Manhattan Avenue (Brooklyn, not Manhattan), although they’ll serve you coffee or Lipton tea in the same type of coffee cup, the two-piece kind with one paper cup inside a plastic holder complete with handle. No, Munhall has only two slabs of counter, at a right angle to each other. They have three kinds of cinnamon rolls, chocolate or coconut or blueberry cake or jelly-filled or any number of other kinds of donuts, nutrolls for which they are known, and pies for only $4.69 though at the holidays please order early. Day old goods are half price.
But I’d never been to the Munhall around the corner. At McClure Street, before you reach the bakery, the 53F turns up the hill and then turns parallel to 8th Avenue but turns up again at West Street and just keeps going up and up. Is it a small mountain or a big hill? I wouldn’t have predicted such a height from what I could see from the flats of 8th Avenue. The bus went up West Street and then turned onto Main, up past the gas station, up past the huge cemetery I didn’t know was there, up past Fran’s School of Dance, up past the Munhall Boro Fire Department, up past the Hair Cottage and Carmine’s Barber Shop, up past the pharmacy, up past the funeral home, up past the corner bars, up past lawns decorated with signs for Steelers Country or vinyl Santas or lights in the shape of Reindeer, up and up into the Western Pennsylvania sky which was cold and clear and blue.
I got off at the corner of C___ and M________ Avenues, now in West Mifflin and firmly inside a residential neighborhood of compact brick and cinder-block post-war homes. They were not at all identical, but the further I walked up the hill (for the end of the bus line was still a good ten minute walk from my destination), the more identical they felt. They had varying details, mostly in terms of the front porches--a porch or no porch, a porch that covered the whole width of the facade or half, if half which direction did it extend from the front door, right or left, was the porch glassed in or open.
There were no sidewalks here but there was no traffic, either. For a moment I noticed the emptiness of people and the complete silence. Then behind the silence I heard the noisy chatter of the birds, gathered in a laughing party in a tree in some backyard. I followed the noise, and peeked behind a house to see could I see them, but the birds eluded my view. I became briefly mesmerized trying to decide whether a backyard deer was real or a convincing statue, when a brown-haired lady came out onto her porch and said, “Did you want to cut through?” Her tone sounded kind of stern, but then she seemed really lonely to me. And I thought, if I saw a pedestrian in such a quiet neighborhood, I’d talk to them from my porch, too.
A few more houses up the hill and the vista beyond started to command my attention. I realized that in between the houses I could see to rolling blue mountains stretching out wide when I looked either to the south or north. I felt like I was on the highest peak for miles around. Far below, I could see the hospital complexes of Oakland and U.S. Steel headquarters downtown, but from this height anything manmade looked very small and a little silly.
http://www.portauthority.org/PAAC/Portals/0/ServiceChange.pdf
One Saturday in early December I headed to a Christmas party in West Mifflin, from Squirrel Hill by way of Munhall. I knew I’d never been to West Mifflin, but I thought I’d been to Munhall before, and technically I had. My favorite donut shop is on 8th Avenue in Munhall; if you follow 8th Avenue from Homestead, the road makes a curve and somewhere after the curve you look up at the street signs and they say Borough of Munhall. The donut shop is pristine and many decades old, with display cases of glass and wood, a tiled floor, and a formica counter. It’s not big enough to have a U-shaped penisular counter like the donut shop on 8th Avenue and 23rd Street (Manhattan, not Homestead) or the one on Manhattan Avenue (Brooklyn, not Manhattan), although they’ll serve you coffee or Lipton tea in the same type of coffee cup, the two-piece kind with one paper cup inside a plastic holder complete with handle. No, Munhall has only two slabs of counter, at a right angle to each other. They have three kinds of cinnamon rolls, chocolate or coconut or blueberry cake or jelly-filled or any number of other kinds of donuts, nutrolls for which they are known, and pies for only $4.69 though at the holidays please order early. Day old goods are half price.
But I’d never been to the Munhall around the corner. At McClure Street, before you reach the bakery, the 53F turns up the hill and then turns parallel to 8th Avenue but turns up again at West Street and just keeps going up and up. Is it a small mountain or a big hill? I wouldn’t have predicted such a height from what I could see from the flats of 8th Avenue. The bus went up West Street and then turned onto Main, up past the gas station, up past the huge cemetery I didn’t know was there, up past Fran’s School of Dance, up past the Munhall Boro Fire Department, up past the Hair Cottage and Carmine’s Barber Shop, up past the pharmacy, up past the funeral home, up past the corner bars, up past lawns decorated with signs for Steelers Country or vinyl Santas or lights in the shape of Reindeer, up and up into the Western Pennsylvania sky which was cold and clear and blue.
I got off at the corner of C___ and M________ Avenues, now in West Mifflin and firmly inside a residential neighborhood of compact brick and cinder-block post-war homes. They were not at all identical, but the further I walked up the hill (for the end of the bus line was still a good ten minute walk from my destination), the more identical they felt. They had varying details, mostly in terms of the front porches--a porch or no porch, a porch that covered the whole width of the facade or half, if half which direction did it extend from the front door, right or left, was the porch glassed in or open.
There were no sidewalks here but there was no traffic, either. For a moment I noticed the emptiness of people and the complete silence. Then behind the silence I heard the noisy chatter of the birds, gathered in a laughing party in a tree in some backyard. I followed the noise, and peeked behind a house to see could I see them, but the birds eluded my view. I became briefly mesmerized trying to decide whether a backyard deer was real or a convincing statue, when a brown-haired lady came out onto her porch and said, “Did you want to cut through?” Her tone sounded kind of stern, but then she seemed really lonely to me. And I thought, if I saw a pedestrian in such a quiet neighborhood, I’d talk to them from my porch, too.
A few more houses up the hill and the vista beyond started to command my attention. I realized that in between the houses I could see to rolling blue mountains stretching out wide when I looked either to the south or north. I felt like I was on the highest peak for miles around. Far below, I could see the hospital complexes of Oakland and U.S. Steel headquarters downtown, but from this height anything manmade looked very small and a little silly.
http://www.portauthority.org/PAAC/Portals/0/ServiceChange.pdf
Sunday, October 25, 2009
Rhichard Thompson @ Carnegie Library Music Hall In Homestead Tonight
OK, as freaked out about the economy as I am, I am still springing for this.
Site indicates a few tickets left.
"RICHARD THOMPSON: Named by Rolling Stone Magazine as one of 2003's Top 20 Guitarists of all-time and the recent recipient of both an Ivor Novello Award for Songwriting and the 2006 BBC Lifetime Achievement Award, the iconic British folk rock legend is one of the world's most critically acclaimed and prolific songwriters."
Read more about the venue here.
View Larger Map
Site indicates a few tickets left.
"RICHARD THOMPSON: Named by Rolling Stone Magazine as one of 2003's Top 20 Guitarists of all-time and the recent recipient of both an Ivor Novello Award for Songwriting and the 2006 BBC Lifetime Achievement Award, the iconic British folk rock legend is one of the world's most critically acclaimed and prolific songwriters."
Read more about the venue here.
View Larger Map
Wednesday, March 10, 2010
Yinz Cleveburgh And Random Art Links
OK, I am going to try to bring back Yinz links on a weekly basis.
Not all the links will be from recent "up to date news", but will be more a sample of things I found online that could be of interest.
Pittsburgh:
CMU, will buy and convert building into student apartments for 93 students.
Came Across great Franktuary website and blog (via I Heart Pittsburgh)
Report and ideas from the midsize cities conference in Pittsburgh.
Active debate about "Hipsters in Pittsburgh" on Pittsblog.
New York Times looks @ East Liberty. Discussion on Pittsblog.
Brent Burket Looks @ his latest Pittsburgh Art Trip @ Heart As Arena. (really a link to a two part post on Hyperallergic)
Brent posts on Hyperallergic about trip.
Silliman's blog posts video about Gtech project in Pittsburgh.
Roberta Fallon of Art Blog rides Amtrak from Philly To Pittsburgh, visits Giant Eagle that sells beer in Homestead and other stuff.
City in Iowa thinks it can learn from Pittsburgh.
Cleveland
Cleveland thinks about downtown casino design.
Cleveland admires Penn Ave Arts Initiative(via Null Space)
Photography of Cleveland SGS on Rust Wire.
Youngstown
Month of huge positive economic development news in Youngstown on Defend Youngstown.
Akron
Talent retention expert,Joe Cortright talks in Akron.
Sorry, many more but burned out.
Not all the links will be from recent "up to date news", but will be more a sample of things I found online that could be of interest.
Pittsburgh:
CMU, will buy and convert building into student apartments for 93 students.
Came Across great Franktuary website and blog (via I Heart Pittsburgh)
Report and ideas from the midsize cities conference in Pittsburgh.
Active debate about "Hipsters in Pittsburgh" on Pittsblog.
New York Times looks @ East Liberty. Discussion on Pittsblog.
Brent Burket Looks @ his latest Pittsburgh Art Trip @ Heart As Arena. (really a link to a two part post on Hyperallergic)
Brent posts on Hyperallergic about trip.
Silliman's blog posts video about Gtech project in Pittsburgh.
Roberta Fallon of Art Blog rides Amtrak from Philly To Pittsburgh, visits Giant Eagle that sells beer in Homestead and other stuff.
City in Iowa thinks it can learn from Pittsburgh.
Cleveland
Cleveland thinks about downtown casino design.
Cleveland admires Penn Ave Arts Initiative(via Null Space)
Photography of Cleveland SGS on Rust Wire.
Youngstown
Month of huge positive economic development news in Youngstown on Defend Youngstown.
Akron
Talent retention expert,Joe Cortright talks in Akron.
Sorry, many more but burned out.
Wednesday, July 10, 2013
Pittsburgh's Fire Arts Festival, Pyrotopia returns in October with paid admission charge.
I had lots of hopes for this event, which is the brain child of CMU robotics geek, performance artist and musician Eric Singer. Eric himself told me, his goal was to create the largest east coast festival of all things fire and light related- ala- "Burning-Man."
The reality, I saw a few years ago at the Pump House grounds in Homestead was pretty amazing, but far short of that goal. Most contributors, Phat Man Dee, local fire dancers and CMU artists like Singer were local. The logistics of the free festival were daunting with traffic backed up and people walking a mile or more to the site. While the site was inspiring, large crowds, small spaces and fire breathing robots don't always mix well.
This time they are trying a different site and a fairly steep $25 admission charge. ($35 at the gate)
On Saturday afternoon, free make-and-take activities for children will be led by Assemble, a community space for arts and technology based in Garfield’s Penn Avenue arts district.
I am very glad they are trying to continue with this difficult, ambitious festival.
The reality, I saw a few years ago at the Pump House grounds in Homestead was pretty amazing, but far short of that goal. Most contributors, Phat Man Dee, local fire dancers and CMU artists like Singer were local. The logistics of the free festival were daunting with traffic backed up and people walking a mile or more to the site. While the site was inspiring, large crowds, small spaces and fire breathing robots don't always mix well.
This time they are trying a different site and a fairly steep $25 admission charge. ($35 at the gate)
The second annual PYROTOPIA Festival of Fire Arts will be held on Saturday, October 12 at Westfield Park in Munhall Borough. The one-day event includes children’s activities and artist demonstrations in the afternoon, and fire performances, art installations and other fire and light acts after dark.
PYROTOPIA showcases the majesty of fire, light and electricity in the arts, bringing together such diverse practices as fire dancing, blacksmithing, glass art, and LED installations.
Over 4000 people attended the first festival in April 2012. This year, the event moves to a larger venue with bleacher seating near the Waterfront. “Westfield Park is a great space that will offer festival patrons an amazing experience,” said PYROTOPIA founder Eric Singer. “The large field offers plenty of room for a variety of acts and spectacles which attendees will be able to experience up close.”
Festival installations will include Flaming Simon, a fire-driven version of the electronic game "Simon" created by Singer that was the hit of last year’s festival. Stage performers include local talents Apex (fire hooping) and Steel Town Fire (fire dancing). Phoenix Fire Productions from Indianapolis will also return.
The evening will be co-hosted by jazz chanteuse Phat Man Dee and performance artist Andrew the Impaled. DJ Zombo will play special sets of fire-themed music throughout the night.
On Saturday afternoon, free make-and-take activities for children will be led by Assemble, a community space for arts and technology based in Garfield’s Penn Avenue arts district.
I am very glad they are trying to continue with this difficult, ambitious festival.
Thursday, December 09, 2010
Pittsburgh Weekend Art Events: 12/10-11/10.
Friday
The Pittsburgh Glass Center seems to be making the effort to build a bigger profile for its brand. Tonight they are hosting a reception at Future Tenant for a group show of 8 glass artists. It's called "Futilitarian" and starts at 6PM.
The Pretty Things Peepshow is in town, and appearing at the Rex Theater in the South Side. They are a premiere touring burlesque outfit from northern NJ, and several of its members have done time at the justly renowned Coney Island Circus Sideshow (including Heather Holliday and Danny Vomit). That fact alone should compel you to see this! The doors open at 8PM and the show starts at 10PM. Bring $15 to get in.
Saturday
This week's must-see art show is "Big Love" at the Panza Gallery (and that's not just because I'll have work there). Curated by Lawrenceville resident Cleo Zell, it features the work of approximately 40 artists, conveniently priced at $100 or less. Some of the creators involved include Kathleen Lolley, Mascha Vereshchenko, Gabe Felice, Heidi Tucker, Ryder Henry, Mario Zucca, Laura Jean McGlaughlin, Bob Ziller, Sid Kweller, Carley Parrish, Paul Leroy, etc. It runs from 6-9PM, but if you get a late start on the evening and think you have to skip it, stop in anyway. Events at Panza (115 Sedgwick Street, Millvale) invariably run past their scheduled times.
Apparently there's a new gallery space opening in Edgewood. It's called Verde Art Space (113 Edgewood Avenue), and it plans to be fully in business in the Spring. But if you are of the mind to, you can catch a preview today from 11AM-8PM.
And in Homestead, Artspace 105 (105 E. Eighth Ave.) is having a silent auction from 7-9PM. Robert Qualters, George Nama, and Paula Bland are just a few of the participating artists.
Thursday, January 06, 2011
Pittsburgh Weekend Art Events: 1/7-8/11.
c. David Grim (taken 1/1/11)
Friday
Technically, Unblurred lies dormant during January. But this "First Friday" is far enough away from New Year's Eve to leave room for a few events along the Penn Avenue corridor. Garfield Artworks (4931 Penn) features the work of photographer Lexi Shapiro, who concerns herself with images inspired by some of the greatest cults of all time. This content is right up my alley, so I have some amount of expectations for this, even if I've never seen Shapiro's work. Like most Unblurred events it runs from 7PM to about 10PM.
Meanwhile Most Wanted Fine Art (5015 Penn Ave) offers up a selection of stuff from artists it plans to show throughout 2011. Some might call it a "preview" (7-10PM). Grand Snafu is providing musical accompaniment. Come out and show your gratitude for this gallery's year-round commitment to the arts.
In Lawrenceville, Wild Card is hosting an exhibition of rock show promotional art with the work of sixteen different artists- Andre Costello, Andy Scott, Ben Stewart, Christian Breitkreutz, David Pokrivnak, Gian Romagnoli, Jes Lavecchia, Jon Hemmis, Katie Gould, Maggie Negrete, Matt Ketchum, Megan Herwig, Nate McDonough, Ron Copeland, Seth Ledonne, Steph Neary. It runs from 7-9PM. Appropriately, there will be live music from Trash Knight and Means To An End (if you're into that sort of thing).
Laurie Mancuso's The Shop (4314 Main St., Bloomfield) will be having a reception for the photographic work of Brooklyn-based artist Akil Harris from 7-11PM. He's apparently obsessed with trees and leaves.
Saturday
Is it really THAT difficult to make it over to Homestead for an art opening? Well, it has been for me. Will this weekend be marked by my inaugural trip to Artspace 105 (105 East 8th St.) for the opening (7PM) of "Manufacturing Identity"? The work of Chris McGinnis, Aaron Miller and Daniel Kuhn "reveals the interrelated nature of mechanized society through industrial petroglyphs and images of popular culture, raw materials and assembly line production." Or so their press kit suggests.
If you did plan on staying on the East End, you could still see art at Boxheart's 10th Annual Inter/National Exhibition from 5-8PM. The gallery is located at 4523 Liberty Avenue in Bloomfield.
And because I personally like the venue and the people involved in running it- I think you should check out the paintings of John Frevyogel & Johnny Fry at Artforum Gallery and Tattoo in Lower Burrell (2603 Leechburg Rd.). I know it's a lot to ask to suggest you go see the work of some guys I'm not even familiar with... but really, it's not that far and you are BOUND to have a good time (6-9PM). Besides, there is a drive-through espresso joint right down the road to get you fortified for your drive back to the city.
Thursday, April 23, 2009
Pittsburgh Art Events: 4/24-27/09.
This weekend there’s a time management workshop on offer down at Duquesne. I’m not going to offer you the details, but I will have you know that this talk would have been useful for fitting in all of the great events happening over the next several days. There’s so much to do that you probably won’t have time to listen to a lecture about scheduling. But if you find yourself amenable to the suggestion, have a quick scan over my picks…
Friday
To be honest, I have no idea whether or not the seasonal Downtown Gallery Crawl has morphed into this thing called “One Night Stand”… but it sure seems like the Cultural Trust is in the mood for a makeover. Several galleries in the Golden Triangle are hosting receptions with live entertainment on Friday, and it might be an efficient use of your time to drive around for 45 minutes or so and look for a proper parking spot. Mary Mack will be spinning to a backdrop of Czech photos at SPACE, Netherlands-based Telcosystems will appear to support the “at times visually violent, sonically extreme and physically intimidating” art displayed at Wood Street, and there will be spoken word by Brian Francis at Future Tenant. Apparently there’s an after party at Remedy in Larryville. It all (and more) gets underway at 7:30PM.
Perhaps you missed Tim Kerr’s opening at Zombo Gallery (4900 Hatfield Street) a few weeks ago? The closing is Friday from 6PM to around 10PM (or so). Take your time and read the words on his paintings. It seems like a bit of a risky choice to write directly on your visual work. But in this case, I found it rather inspiring.
The Brew House Distillery program annually offers emerging artists six-month residencies at their facility on 2100 Mary Street in the South Side. Stop by at Space 101 (from 7-11PM) for the opening reception starring the latest batch of home-grown creators. Just get out of that hood before the suburban tools start to flood in with their cheap beer piss and whiskey-muscles.
Friday/Saturday
My buddy Tom Henry is performing his wryly wacky form of comedy at the Improv in Homestead for a three night stretch (starting Thursday @ 8PM, with shows @ 8PM and 10PM on Fri and 7PM and 9PM on Sat), opening for national comic T.J. Miller. It’s $15 per show, plus money enough for the two drink minimum. Drop in and show support for the local jokester. If you don’t laugh at least once, then… well, um… then you’re a douchebag?!
Saturday
Ok, I haven’t really ridden a bike in years. But I do appreciate it when I see others doing so. That’s why I’m mentioning the pancake breakfast at the East Liberty Whole Foods on Saturday morning (8 AM). It’s $7, sponsored by the Community Design Center, and offers guests a chance to register for Pedal Pittsburgh. I can only speculate, but I imagine there’s nothing more pleasant than having a stomach full of griddle cakes expanding in your belly as you two-wheel up-and-down the hills of the ‘Burgh.
If you need to sit after your ride, stop by (11AM) at Fe Gallery in the L-Ville and find out “how art stuff happens” @ the Workshop for the Working Artist. It’s $5 (which should give you an essential clue in solving the thematic problem posed herein), and features local scenesters including Jennifer Baron, Susan Blackman, Eric Shiner, and T Foley. Then at 2PM you can check out the Ralph Munn Creative Writing Workshop, led by photo-essayist and memoirist Sandra Gould Ford, @ the Carnegie Library in Oakland. That one’s free.
Permit me to say that one of the major highlights this weekend should be the reception for the one-week run of CMU –grad Olga Brindar’s “Sketchbook Release: Moments and Minutiae” at the Panza gallery in Millvale (115 Sedgwick Street). I’ve been checking out her drawings for a few years now, and I’m excited for her first solo exhibition. Olga is a young artist who’s not afraid to put herself on display, and we are all the better off for it. It is imperative that you fit this into your Saturday agenda (6-9PM).
The aforementioned Remedy (5121 Butler St) is hosting an opening/reception (from 11PM-1AM) for their in-house muralist Emmeric Konrad. The theme is “Drawings Done in Bars & the Paintings They've Inspired”. Make sure to visit the dining room and learn what his art does for your appetite(s). Have their fine cooks make you somethin’ good while you are at it. I recommend most everything.
Saturday/Sunday
Art all Night, Pittsburgh’s premiere non-juried visual and auditory extravaganza starts at 6PM on Saturday night and runs until Sunday @ 2PM. It’s a Lawrenceville annual tradition, and takes place at the Red Warehouse (3510 Smallman Street) this year. According to the “official” numbers, last year saw 810 participating artists and attracted over 10,000 guests. Get there early for parking and refreshments. And if you want to display your work, drop off is Saturday afternoon (Noon-4PM). See the website for all the details you need. And yes… it’s all free.
Friday
To be honest, I have no idea whether or not the seasonal Downtown Gallery Crawl has morphed into this thing called “One Night Stand”… but it sure seems like the Cultural Trust is in the mood for a makeover. Several galleries in the Golden Triangle are hosting receptions with live entertainment on Friday, and it might be an efficient use of your time to drive around for 45 minutes or so and look for a proper parking spot. Mary Mack will be spinning to a backdrop of Czech photos at SPACE, Netherlands-based Telcosystems will appear to support the “at times visually violent, sonically extreme and physically intimidating” art displayed at Wood Street, and there will be spoken word by Brian Francis at Future Tenant. Apparently there’s an after party at Remedy in Larryville. It all (and more) gets underway at 7:30PM.
Perhaps you missed Tim Kerr’s opening at Zombo Gallery (4900 Hatfield Street) a few weeks ago? The closing is Friday from 6PM to around 10PM (or so). Take your time and read the words on his paintings. It seems like a bit of a risky choice to write directly on your visual work. But in this case, I found it rather inspiring.
The Brew House Distillery program annually offers emerging artists six-month residencies at their facility on 2100 Mary Street in the South Side. Stop by at Space 101 (from 7-11PM) for the opening reception starring the latest batch of home-grown creators. Just get out of that hood before the suburban tools start to flood in with their cheap beer piss and whiskey-muscles.
Friday/Saturday
My buddy Tom Henry is performing his wryly wacky form of comedy at the Improv in Homestead for a three night stretch (starting Thursday @ 8PM, with shows @ 8PM and 10PM on Fri and 7PM and 9PM on Sat), opening for national comic T.J. Miller. It’s $15 per show, plus money enough for the two drink minimum. Drop in and show support for the local jokester. If you don’t laugh at least once, then… well, um… then you’re a douchebag?!
Saturday
Ok, I haven’t really ridden a bike in years. But I do appreciate it when I see others doing so. That’s why I’m mentioning the pancake breakfast at the East Liberty Whole Foods on Saturday morning (8 AM). It’s $7, sponsored by the Community Design Center, and offers guests a chance to register for Pedal Pittsburgh. I can only speculate, but I imagine there’s nothing more pleasant than having a stomach full of griddle cakes expanding in your belly as you two-wheel up-and-down the hills of the ‘Burgh.
If you need to sit after your ride, stop by (11AM) at Fe Gallery in the L-Ville and find out “how art stuff happens” @ the Workshop for the Working Artist. It’s $5 (which should give you an essential clue in solving the thematic problem posed herein), and features local scenesters including Jennifer Baron, Susan Blackman, Eric Shiner, and T Foley. Then at 2PM you can check out the Ralph Munn Creative Writing Workshop, led by photo-essayist and memoirist Sandra Gould Ford, @ the Carnegie Library in Oakland. That one’s free.
Permit me to say that one of the major highlights this weekend should be the reception for the one-week run of CMU –grad Olga Brindar’s “Sketchbook Release: Moments and Minutiae” at the Panza gallery in Millvale (115 Sedgwick Street). I’ve been checking out her drawings for a few years now, and I’m excited for her first solo exhibition. Olga is a young artist who’s not afraid to put herself on display, and we are all the better off for it. It is imperative that you fit this into your Saturday agenda (6-9PM).
The aforementioned Remedy (5121 Butler St) is hosting an opening/reception (from 11PM-1AM) for their in-house muralist Emmeric Konrad. The theme is “Drawings Done in Bars & the Paintings They've Inspired”. Make sure to visit the dining room and learn what his art does for your appetite(s). Have their fine cooks make you somethin’ good while you are at it. I recommend most everything.
Saturday/Sunday
Art all Night, Pittsburgh’s premiere non-juried visual and auditory extravaganza starts at 6PM on Saturday night and runs until Sunday @ 2PM. It’s a Lawrenceville annual tradition, and takes place at the Red Warehouse (3510 Smallman Street) this year. According to the “official” numbers, last year saw 810 participating artists and attracted over 10,000 guests. Get there early for parking and refreshments. And if you want to display your work, drop off is Saturday afternoon (Noon-4PM). See the website for all the details you need. And yes… it’s all free.
Thursday, November 27, 2008
Pittsburgh Steel's Lessons For Detroit
A Times story, believe it or not suggests that the auto industry take a lesson from the Steel industry collapse of the eighties, whose vital restructuring and ultimate, at least partial revival came in part through the pain of bankruptcy.
"Yet steel’s savior was not the government bailouts it ardently sought but exactly what it so long tried to avoid: bankruptcy. Only when the companies failed were they successfully slimmed down and retooled into smaller but profitable ventures. As debate continues over what, if anything, should be done for G.M., Ford and Chrysler, the steel industry may offer a model.
The steel and auto industries are both capital-intensive enterprises that peaked a half-century ago and have been intermittently embattled ever since. Both secured peace with their unions by vastly expanding benefits, a bargain that eventually hobbled them. Both had entrenched layers of management that believed — despite all evidence — they could wish away change."
One should always remember to distinguish between the disease of bloat, legacy costs, toxic business culture and failure to satisfy customer demand is the problem and that as long as it lasts-- death is inevitable. My post about Homestead talked about the diseased culture that had grown in the mills and management by the 1960's and 70's. This was the problem as was the chain letter of unrealistic entitlements which sapped the companies of the capital. Most doctors don't tell patients who are obese, smoke or do heroine to keep it up cause the pain of withdrawal is to great. But this is what politicians do every day.
"The failures also allowed for the renegotiation of labor contracts, something Wilbur L. Ross Jr., a specialist in distressed assets, realized when he began looking at the moribund industry. The only bidder for the bankrupt LTV Steel, he proceeded to buy Bethlehem and other old-line companies, putting them together as International Steel Group. He cut more employees and revamped work rules, taking Bethlehem, for example, from eight layers of management to three."
Ross, today thinks the pain and impact of the free fall bankruptcies impact on the economy would be too great to bear and recommends that the government make near term loan guaranties and force a tough restructuring on them, something to my knowledge there is no record of the government ever doing.
Please feel free to argue with me but come to the table with more than a tale of how painful and devastating the death of these companies will be. Death is usually a drag.
"Yet steel’s savior was not the government bailouts it ardently sought but exactly what it so long tried to avoid: bankruptcy. Only when the companies failed were they successfully slimmed down and retooled into smaller but profitable ventures. As debate continues over what, if anything, should be done for G.M., Ford and Chrysler, the steel industry may offer a model.
The steel and auto industries are both capital-intensive enterprises that peaked a half-century ago and have been intermittently embattled ever since. Both secured peace with their unions by vastly expanding benefits, a bargain that eventually hobbled them. Both had entrenched layers of management that believed — despite all evidence — they could wish away change."
One should always remember to distinguish between the disease of bloat, legacy costs, toxic business culture and failure to satisfy customer demand is the problem and that as long as it lasts-- death is inevitable. My post about Homestead talked about the diseased culture that had grown in the mills and management by the 1960's and 70's. This was the problem as was the chain letter of unrealistic entitlements which sapped the companies of the capital. Most doctors don't tell patients who are obese, smoke or do heroine to keep it up cause the pain of withdrawal is to great. But this is what politicians do every day.
"The failures also allowed for the renegotiation of labor contracts, something Wilbur L. Ross Jr., a specialist in distressed assets, realized when he began looking at the moribund industry. The only bidder for the bankrupt LTV Steel, he proceeded to buy Bethlehem and other old-line companies, putting them together as International Steel Group. He cut more employees and revamped work rules, taking Bethlehem, for example, from eight layers of management to three."
Ross, today thinks the pain and impact of the free fall bankruptcies impact on the economy would be too great to bear and recommends that the government make near term loan guaranties and force a tough restructuring on them, something to my knowledge there is no record of the government ever doing.
Please feel free to argue with me but come to the table with more than a tale of how painful and devastating the death of these companies will be. Death is usually a drag.
Wednesday, March 12, 2014
Carnegie International 2013 (Part 2)
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| Phyllida Barlow TIP |
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| Zoe Strauss |
Special care was taken to involve community groups in and around Pittsburgh with the curators and artists involved in the current exhibit. An apartment was rented in Lawrenceville, where curators and CI!# artists met with selected members of the Pittsburgh arts community. Zoe Strauss (above) set up a portrait studio in Homestead. Transformazium has instigated an Art Lending Collection in Braddock.
Survey shows really are meant to expose trends and not necessarily an individual vision. This survey exhibit covered a lot of ground, showcasing work in several mediums. The artists are from as close as Philadelphia and as far away as China. Some are steeped in the nuances of current art trends while others can easily be categorized as outsider artists. Figurative, abstract, time-based; whatever your preferred form, has their own trends within the larger sphere. A few years go, the term pluralism was used to try to tame the tangle of directions. But it seems now like that term was just a way to make it seem like a fractitious period of art-making had a unifying purpose.
Over the last week, reviews began to roll out for the Whitney Biennial. I was very interested to read what Jerry Saltz had to say. The Whitney Biennial, like CI13, was curated by a team, but included a producing artist along with the professional curators. It made me wonder if CI13 would have been better served if the curatorial team had included somebody whose career wasn't dependent on curating.
CI13 was self-referential, with art and artists chosen that furthered the dialog of the art sphere rather than the expressive value of the art itself. It would have been a pleasure beyond belief to discover a masterwork among the works in the exhibit; something that compelled to action or contemplation. But I think that the art sphere isn't really meant to support that level of work.
Tuesday, February 02, 2010
Porky Chedwick : 92nd Birthday Party
As an outsider, I still have a lot to learn about Yinz history.
The Post's Brian O' Neill, interviewed 92 year old, local radio legend,
Porky Chedwick, the "Daddio of the Raddio" after a call from Pat McArdle.
Seems Pittsburgh played a big but little known (outside of Pittsburgh) role in Rock and Roll history. From the Wikipedia.
"He began his career at WHOD in Homestead (which took the call letters, WAMO--an acronym for the rivers Allegheny, Monongehela and Ohio--in 1956), when the low-power AM signed on, August 1, 1948. When he responded to an ad in a local paper, advertising for on-air talent at the new radio station, his popularity as a play-by-play announcer won him a 10-minute Saturday sports and music show. The music portion was gradually exapanded, in response to the public's reaction. WHOD, known as "The Station of Nations," was created to serve the diverse European and eastern bloc immigrant population that worked the Pittsburgh area mills."
There he became one of the first DJ's in America to play R&B and Gospel, by both white and mostly black artists. Known at the time as "Race Records", but today as early rock and roll. At the time WHOD competed against stations like the 50,000 watt KDKA, with only a 1000 watts in power, yet soon drew a strong audience.
"Chedwick is given credit by numerous R&B/rock and roll legends, including Bo Diddley, Smokey Robinson, Little Anthony and myriad others, for giving their recordings their first airplay. Porky Chedwick is responsible for making Pittsburgh, Pennsylvania "The Oldies Capitol of the World", and for making the city a testing ground for new R&B from the early 50s through the 70s. The impact of Porky Chedwick's contributions far transcend the boundaries of the Steel City. He never received the notoriety-- or the paycheck-- of many DJs who followed in his footsteps, however his accomplishments are an indelible part of the local and national music and culture."
In 2008, Porky and his wife planned a move to Florida. In 2009, they were back.
"She told how they moved to Tarpon Springs near Florida's Gulf Coast in the summer of 2008, figuring they'd stay. But they went to the pool one day and he turned to her and said, "Did we just walk into the cemetery?"
She tried to shush him but he said, "These people are old." So when they came back to Pittsburgh that December, and he had to deal with some health issues, they decided to stay put. It's hard to leave a place where, as his wife puts it, "Porky walks in and the waters part."
From what I can tell Porky, didn't have the knack for either becoming rich or nationally famous. But he is the only Pittsburgh DJ in the Rock and Roll Hall of Fame. I found this quote.
“Any entertainer of my era who say they don’t know who Porky Chedwick is— they’re damn lyin’! That’s the cat that played the records. I know.”
-- Bo Diddley
92nd Birthday Party For Porky Chedwick @
Spencers Down Under
West Miflin
From 7-11
No cover charge
Saturday, June 26, 2010
New Levi's Ad Campaign Focuses Cash and Attention On Braddock

Image of Levi's ad as seen on New York Times Website
Regular television viewers have seen plenty of the tough dedicated mayor of with the local zip code tattooed on his arm. So far I've been sort of ambivalent about the effects of all this. Often, Fetterman is photographed at Carrie Furnace, which isn't even in Braddock or really all that close while the actively working clanking, belching ET Works is rarely shown (actually I've never seen it in a national story about Braddock)
If one was going to shoot the mayor at nearby landmarks not in Braddock, why not Kennywood? Why not the busy, if ugly Homestead Waterfront mall? Even worse, most stories skip over the positive wonderful assets Braddock does have, like the Landmark Carnegie Library, or Unsmoke Systems or the thriving urban farm, the mayor helped start. Or that it's just a few short miles outside of Pittsburgh. The media is clearly portraying Braddock as a hopeless dying place, and Fetterman ("he went to Harvard") as saintly (white) hero for being there. The rest of the town's residents, are hardly seen.
This long PBS interview is pretty typical.
Of course, some positive press in the art world has followed Swoon, the famous, talented and attractive, young (white) street artist, helping to launch the Transformazium in North Braddock. This isn't to say the mayor and folks like Swoon, are not playing critical, interesting and likely leading roles, but this is clearly a team game. Anyone comparing the town they see today with what was there five years ago can see the sweat and care of lot's of people.
Now, a new Ad Campaign by Levi's will both bring more than a million dollars in cash for projects in Braddock, and hopefully put a more realistic spotlight on the town and the people working everyday to make it better.
"The town will also be featured in video clips and an hourlong show, sponsored by Levi's, to appear online and on the IFC and Sundance cable channels.
The idea to use the residents of a real community, shown trying to overcome tough times, was prompted by the introduction of a line of Levi's work wear, which includes jeans, corduroys, shirts and jackets. The print ads and billboards will carry headlines like "Ready to work," "Everybody's work is equally important" and "We are all workers."
"We wanted to engage consumers in a conversation about real work," said Doug Sweeny, vice president for Levi's brand marketing for the Americas at Levi Strauss headquarters in San Francisco.
"The apparel category can be about posing, about being somebody you're not," he added, whereas the Levi's brand promise is that "you always feel your true, authentic self when you put on a pair of Levi's jeans."
Pending further info, I give this a big thumbs up. The ads will begin appearing on TV next next week.
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