Tuesday, October 14, 2008

Lesson for who, now?

Got this in my email today. I've seen other hussles like this, yanno. I certainly don't need this lesson. How 'bout you?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

LESSON FOR MY SON


I have a new email address!

You can now email me at: proudprecious1@yahoo.com

FROM: Precious Garcia

- Hello,I am Precious Garcia,My son is coming for an holiday in your area,His name is Andre,14 years.I want him to be busy in the day. I have decided to let him attend your lesson for 1 hours in a day in the morning or time that you will be chance. i want you to calculate the cost of 1 hours each day for Mon, Wed & Fri for the whole 1 Month and send me the total cost,i will be paying you with Certified check ,so get back to me with your cost.I have someone that will always drive him down to your house or lesson venue.Kindly get back to me with.1.YOUR CHARGE FOR 1 HOUR. 2.TOTAL CHARGES FOR 1 MONTH THAT HE WILL BE TAUGHT 3 TIMES PER WEEK.3. FULL NAME AND ADDRESS WITH ZIP CODE.4.YOUR PHONE NUMBER.Don't hesitate to e-mail with your total charges.Thanks and looking to hearing from you soon. With Best Regards.Precious Garcia

Sunday, October 12, 2008

In the Making; 250 Years/250 Artists @Fe Gallery

This is a pretty enormous exhibit. The exhibit, as the title suggests, encompasses the work of 250 regional artists. While I have always considered the Fe Gallery to be a nice-sized space, it is certainly not large enough to comfortably hold this exhibit. Immediately below is an image of the back left of the gallery.

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The thumbnails below are, from left, the front-left, back-right and middle-right images. Clik on the thumbnails for a larger view.

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This was a pretty ambitious undertaking. Conducting the jurying process and installation were probably harrowing. I find these salon shows difficult to view as I get older. My eyes are not as sharp as they used to be and a lot of the show was hung outside of my visual range.

With that said, it was still very representative of Pittsburgh arts. Not every artist in Pittsburgh is in the exhibit, but no matter what type of art you produce, I can absolutely guarantee that you will find a familiar face in the crowd. As a survey show, it makes a good overview of the breadth of the local art scene.

As with any show of this nature, you come away with a few favorites, pieces that will make it worthwhile to go back and view the work again. Following are images of some of the works that I found had that draw for me. Given the length of the exhibit, there is still plenty of time to get back to Fe Gallery and visit with old and new friends.

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Crystala Aragost

I just really liked the layering in the above work.

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Michelle Browne


There were a few fiber works in the exhibit. Although this is mixed,I really liked its simplicity and the combining of the materials.

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Ruth Levine

I've been a fan of Ruth Levine's work for a few years now. There is always this austere beauty to her work. Also a nice touch with materials.

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Debra Tomson

Another mixed material fiber piece. This one is a little spooky-creepy, mainly because of the staples. Maybe I would feel differently if the piee were larger. The staples, in proportion to the substrate, are just a little threatening.

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Danielle Brannigan

The textures in this work are just wonderful. If it was a little lower on the wall, I probably would have been tempted to explore those textures. Good thing it was hung high!

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Terri Bradley

There is a terrible hot glare on the middle right of this work. Please, take the time to go to the exhibit to see some of these works. This one is well worth going in to see. It is eerie but beautiful.

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Akiko Kotani

I almost didn't catch this work. It was installed fairly low on the wall. I didn't catch it until I was on my way out of the door. Really nice small work.

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David Grim

I thought that this digital print was very striking. There is a certain controlled violence to the work.

Well, that's it. Try to make it in to the exhibit; you won't be disappointed. There is a special Catalog Launch Party coming up pretty quickly. The exhibit has a long run and will be in place until mid-January 2009

In the Making 250 Years/250 Artists
Exhibition Dates: September 12, 2008 – January 10, 2009
Catalog Launch Party
Saturday October 18, 2008
from 5-7:30 pm.
Catalogs can be purchased for $40 each.
Fe Gallery
4102 Butler Street, Lawrenceville
Pittsburgh PA 15201
412-860-6028
Gallery Hours: Wed-Sat 12 - 4

Thursday, October 09, 2008

Seductive Suggestions @ Wizard of Oddities

I was wandering around on Butler Street yesterday with my good friend Laurenty. It wasn't exactly aimless; we had coffee and then peeked in at a couple galleries along the street. One ofmy regular stops, Wizard of Oddities, was in the process of installing a new show. Mia Donna Maneer is the artist whose solo Seductive Suggestions opens this Friday.

The works are very fun and of course extremely reasonably priced. They are quite a kicky little collection of photographs. The opening promises to be a multi-sensory affair, with body painting and music.

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So on Friday October 10, 7-11PM, hie you to:

Wizard of Oddities
4314 Butler Street
Pittsburgh PA 15201
412-325-4144

Wednesday, October 08, 2008

New curator position at CMoA



From the Carnegie Museum of Art Press Release --

Carnegie Museum of Art announced today the creation of a new curatorial department of photography and has appointed its first head, Linda Benedict-Jones. Benedict-Jones has been the executive director of Silver Eye Center for Photography on Pittsburgh’s south side since 1999 and will assume her position at Carnegie Museum of Art on December 15, 2008. ...

... Carnegie Museum of Art’s connection with photography dates to the early 20th century, when its annual exhibitions of the Pittsburgh Photographic Salon included the works of local and international photographers. At the heart of its collection are works by Pittsburgh and Southwestern Pennsylvania photographers from the 1860s to the present, bolstered by acquisitions of classic photography. Recent acquisitions include a gift of more than 150 vintage and contemporary photographs from the George H. Ebbs collection; the archive of the complete works of renowned photographer Duane Michals (a native of McKeesport, Pennsylvania); and the Pine Flat Portrait Studio collection of artist Sharon Lockhart, whose work is included in the 2008 Carnegie International.


Linda Benedict-Jones has been the Executive Director at Silver Eye Center for Photography since 1999. Silver Eye, located on E Carson St in Southside, is a wonderful, small venue. It packs quite punch for its size. The shows are consistently good. It is difficult to manage a venue whose exhibits have national appeal and yet still promotes local and regional artists. Ms. Benedict-Jones fills the post admirably. She is also very approachable. The CMoA has brought a real gem into their stff. I am looking forward to what the new curatorial efforts will bring to the museum.

Tuesday, October 07, 2008

New Transport Center Links Us to the Outside World



Saturday afternoon, Alina and I met at the new Grant Street Transportation Center (on Liberty and 12th) to check it out from both a city dweller’s and a tourist’s POV. Perhaps I mean a combination of both: as an armchair urban planner, I wanted to see what the facility (particularly the Greyhound Station) was offering the travelers, passers-through, potential tourists, and even potential future residents. Remember, this is not merely one more random downtown building or 1000 new parking spaces. This is the small, daily chance for Pittsburgh to meet and greet outsiders and either reinforce, or overhaul, its stereotype of being a has-been, isolated, post-industrial town.

Let me put that another way. In Pittsburgh, we hear a lot of boosterism about the city. We hear a lot about winning The Most Liveable City Poll. But what do people outside the city hear, and what do they absorb? When I still lived in New York and I told my boss that I would be quitting in a few months to move to Pittsburgh, he looked at me in utter disbelief and genuine disgust and said, “PITTSburgh?” He could not believe it. This is only to point out that many, many people outside Allegheny County have heard nothing about the reinvention of Pittsburgh, and if they’ve heard it, they don’t believe it. If they believe it, they don’t yet understand it. (I don’t want to get all Philosophy of Branding on us here, but I do have a headline from the Pitt News hanging on my office wall that says, “City Lacks a Reputation.”)

The first time I ever came to Pittsburgh was, in fact, as a long layover on a Greyhound bus trip in 2000; the old bus station stood where the new bus station now stands again. Looking out at the canyons of Downtown, and later, when we drove up to Mt Washington or Mt Oliver and I could look down at the fabulous view of the bridges, skyline, and rivers, I was fascinated with Pittsburgh—my imagination was piqued. But there was nothing, nothing, to connect me from the Greyhound station to the city. The only place I wandered to was the Amtrak station, which still lived in its original, grand building—since privatized for condos and offices. It was one of the most beautiful train stations I’d ever seen.

So, the point I want to make here is that it’s a shame to waste the chance to welcome and re-educate a newcomer or a passer-through: Let the transit stations be a gateway to a Pittsburgh of the imagination, at the very least; and at best, a smooth gateway into the physical city itself. That long layover I had between Chicago and New York back in 2000 lasted something like five hours. I could have gone to The Warhol, I could have wandered the Strip District, I could have gone to the downtown library branch. (This is a luxury, for example, that airplane riders don’t usually get—the airports being located so inconveniently on the outskirts of their cities.) But there was nothing to inform me, nothing inviting me in. And doesn’t that seem more like the Old Pittsburgh than the New Pittsburgh? In this age of revitalized downtowns and networked everything, don’t we, Pittsburgh, care about being physically networked as well? Under Mayor Tom Murphy, for example, this Transportation Center was to be a true hub, with a T station, the Amtrak Station, and city bus stops all under one roof.

So:
What’s right with the Pittsburgh Greyhound Station?

*It's right next to the Amtrak station, again after 3 years.

*Alina was the first to point out that they had installed bilingual signage, in Spanish and English. Impressive indeed.

*The signage is fairly well placed, though it’s slightly more visible walking through from the 11th street entrance than the 12th street side.

*Though it took us a long time, we finally found them: The last three pay phones in America. They were even installed at a low height, presumably to accommodate the wheelchair-bound. On the opposing wall, there’s a vending machine for phone cards.

*There's a Recharging Station for your laptops, cell phones, digital cameras, etc.

*There’s a modest snack shop that sells some hot food and some cold.

*There’s an office inside the station called Travelers Aid, or, Ayuda De los Viajeros.

*The interior is a pleasant blue and white tile, with a serpentine shape.

But:
What would we like David Onorato and friends to know, in terms of changes or improvements to the Grant Street Transportation Center?

*Change the name? As a BikePgh blogger posted (December 25), the station is surrounded by 4 streets, none of them Grant Street.

*Add bike racks. Alina had to cross two streets to tie up.

*Fix the broken crosswalk light (!!) at Liberty Avenue, the only “connection” to the Amtrak station. This was a dangerous guessing game, getting across this busy street. Imagine if you didn’t already know that Pittsburgh drivers like to gamble with your life.

*Add signage that announces Amtrak’s location and proximity. You wouldn’t know it was there if you didn’t know. Even the “You Are Here” map on the wall inside Greyhound doesn’t mark the train station.

*Ditto for some of the closest bus stops. I still have no idea where to pick up the East Busway, though I know it's very near.

*Hopefully, in the not too distant future the links between transportation modes will be even smoother—a skywalk to Amtrak? A T station inside the Transportation Center? A stop for city busses, including the 28X?

*Stock city bus schedules on an indoor rack. (To be fair, a brochure rack is there, it’s just blatantly empty.)

*Install signs with cab companies’ names and phone numbers above the pay phones.

*Stock more newspapers than just USA Today at the gift shop. At least the Post-Gazette, the Pittsburgh Tribune, and what about the City Paper and the Trib PM? Pittsburgh Quarterly?

Thursday, October 02, 2008

So Much Better Than eBay





I just found this website that can help everyone out. If you made a bad purchase, just list your stuff on this site at the price you would like to recieve for it and wammo, your saved. No questions will ever be asked about why you bought this shit who sold this shit or WHO PROTECTED THEM. That's what government is there for, kind of like a really huge rug to sweep messes under.

Wednesday, October 01, 2008

Christine @drink & draw

Christine was last night's model at drink & draw. It was a great session, naturally. Christine trained as an actor and she really develops great characters for these sessions. I liked the poses she did with the cleaver; very effective!

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Everbody seemed to get good stuff from last night's session --




We'll be back on the last Tuesday in October with a gesture intensive, something that we haven't done for a while.

>>>>>>>>>>>FLASH<<<<<<<<<<<<<<<

drink & draw is moving to once a month! We will be meeting on the last Tuesday of each month. Sessions will start at 6:30pm.

Drink and Draw
is an open studio live model drawing session that meets every other Tuesday on the second floor of brillobox, located at 4104 penn ave, pittsburgh, pa. This session is relaxed, surprising, and inspiring. amazing models dressed in various themes, old timey music, great company, and decor. All mediums, except oils, welcome.

Drink & Draw
Upstairs @ 6:30PM | $10
MySpace
brillobox

get on our mailing list. email us at brilloboxdrinkanddraw@yahoo.com
4104 penn ave
412.621.4900

Sunday, September 28, 2008

NYC Art On The Streets and In The Galleries

Art everywhere...the election campaign has been going on long enough that this Obama poster has become part of a street art collage.

While shooting photos for a project in the oldest part of Manhattan's Chinatown, I happened to come upon one of The New York City Waterfalls by Olafur Eliasson. This is one of 4 in the city, the works are monumental in scale, and stunning. For more images see http://www.nycwaterfalls.org/#/about_the_waterfalls/Waterfall_Images


And of course this experience sums up what is so great about NYC...you never know what interesting thing you will find. It's one gigantic visual treasure hunt.
While the bloated and extravagant feel of the Chelsea Galleries can sometimes remind one of the excesses of Wall Street.......there are plenty of interesting exhibits there. My personal favorites (of those I saw...missed many) starting with those closing soonest.
Collages made out of money. Sounds trite. Isn't. Unfortunately, the photos don't really give a sense of the 3 dimensional quality of the work.
Again, I'm afraid, the 3 dimensional aspect of the work doesn't come through. These pieces were really breathtaking....most of them are quite large. They have an all encompassing you are there in the work quality.....like "The Falls" pieces above, or the wonderful JMW Turner paintings that were on view until recently at the Met.
Jay Kelly: Sculptures & Drawings Sep 13 - Oct 25, 2008
Beautiful, small and intense works.
Cecily Brown at Gagosian: 9/28/08
Abstract expressionism, this time mixed with images from lanscapes.
Jean McClung
(occasional contributor)




Pittsburgh Neighborhood Narratives ...






You missed the opening screening, but had you gone, you'd have been SOL. The Regent was packed last Thursday for the first viewing of Pittsburgh Neighborhood Narratives film festival.

Showing again tonight at the Brillobox, and in other venues throughout the city through early November, the 90-minute film is a composite of short narrative films created by filmmakers for distinct neighborhoods within the city. Its well worth the measly $5 door at each show, if you can get in.

Project coordinators Andrew Halasz and Kristen Lauth Shaeffer solicited filmmakers from all over Pittsburgh to make the film shorts they stitched into one piece. "Inspired by the way the neighborhoods of Paris were celebrated in the film Paris Je T'Aime, we thought it would be really cool to see the diverse neighborhoods of Pittsburgh celebrated in the same way."

Nine films quilted together. My favorite was the short produced for The Hill District by Timothy Hall & Marc Neison. Breaking away from the narrative storytelling style of most of the other films, Mr. Hall's photographs were presented photo-roman style. His narrative, an intimate story told like he was sitting on my porch telling me himself, puts the viewer squarely into the protagonists experience growing up in the Hill, departing for greener suburbs, and being called back to the home he grew up in later in life.

Themes of departure, return, reunion, and reconciliation spread across many of the pieces. Justin Crimone's piece for Downtown, Bus Stop, weaves together narratives of 'never left' with 'coming back to care for family'. Downtown becomes the seductive backdrop inviting change into the storyline.

Means of production even echoed the neighborhood identities. The hippest of genres (the zombie flick) was applied to our hip Lawrenceville, wisely poking fun at the fear of a future mommy-hood with Mombie.

Catch it if you can, screening in the neighborhoods they were made in through mid-November. But get there early. Judging from the packed house's enthusiastic response, this show should be standing room every night it screens.

http://www.pghneighborhoodnarratives.com for a nicely-dressed flash website with screening schedule.

Wednesday, September 17, 2008

Voyeuristic Intentions by Sam Thorp at the Wizard of Oddities



Works from Sam Thorp'sVoyeuristic Intentions series are on exhibit at Wixard of Oddities. The gallery does short shows, so try to get there soon!

Several of the pieces are framed with reclaimed windows, playing up the sense of watching a private moment. The palette that Ms. Thorp uses is sweet and pale. The subject matter addresses starkly intimate moments, which creates enough tension to intrigue.

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Wizard of Oddities
4314 Butler Street
Pittsburgh PA 15201
412-325-4144

Monday, September 15, 2008

Sunday, September 14, 2008

"Tikkun" means "to mend" : Suzanne Slavic at the PCA

Star lilies often decorate viewings of bodies before funerals, as their heavy sweet scent covers that of the body. I didn't notice the bouquet of star lilies gracing Suzanne Slavic (PCA's Artist of the Year) opening Friday night until I was making my second tour of the work.



It is a mixed symbol, a gorgeous flower that hides the smell of death. How appropriate to artwork in which Slavic applies a screen of beauty to photographs of human-wrought destruction.

I may be able to describe the physicality of the work with that single sentence, but the complexity and depth of experience provided by viewing it shows the artist's genius in her exploration of that single decision's possibility.

She has appropriated the visual language of disaster photography (the illusion of a represented reality) and applied another language, that of Islamic painting techniques to both the physical and illusive surface of the image.

Each still image contains competing narratives, the photographed 'reality' of destruction underneath the painted image. At times the photograph was printed in a way that points to it having been manipulated in some way, a manipulation that further indicates the illusion-atop-illusion parameters set up by Slavic.

Her painting technique echoes Islamic miniaturist tradition, and speaks to a vocabulary of inner reality referenced in Sufi poetry. I walked room to room recognizing scenes and passages from a variety of Arabic story-sources and comparing them to the contents in the photography. I considered the tension between 'real' and 'imagined' - photo referencing our belief in 'reality', and painting speaking to our 'imagined' re-creation of reality ...

And in the images wherein she overlays imagined repairs to a 'reality' destroyed by war or natural disaster? While in this room, the phrase "tikkun" means "to mend" insistantly ran through my mind. It made sense to me, looking at images of the middle east reconstructed with a Western hand in an Islamic gesture, that I would think of a phrase that comes from Kabbalah (another Middle-Eastern practice, although Jewish) - that the highest calling of a spiritual practitioner is to work to repair reality and the connections we have to, in, and with reality.

Slavic's work may not pull at those strings of those viewers who are not interested in those ideas, but instead it will challenge those who have a hard time looking at the consequences of human misbehavior. Its one of our oldest problems: Humans destroy things, nature destroys things, how do we look at the brokenness we make? How do we respond? Do we numb ourselves in order to tend to life's mundane necesseties? How can we maintain awareness of our ruined world?

My favorite response from a viewer was, "I feel guilty liking this work, because it gives me that silly childlike hope that we can deal with things." Perhaps it invokes the child's wish to bandage the world's wounds so the sounds of those wounds festering do not intrude on the child's experience of the world.

Suzanne Slavic has provided us with complex art for a complex time, the best food for thought. Check out the second floor of the PCA until the show comes down.

Wednesday, September 10, 2008

Sacred Art @BoxHeart

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Sherry Rusinack - Keeper of Sacred Things

This is the thirteenth edition of the Sacred Art exhibit at BoxHeart Gallery. As in shows in the past, it represents a range of expressions not only in medium but also in interpretation. The gallery's statement for the exhibit is admirable --

The Sacred Art Exhibition is an Annual Event in the Bloomfield Community. The arts enable contact with The Sacred on an intimate level. By creating, The Sacred is manifested by the hands and a new life is brought into existence. Selection for this exhibition requires that artists submit pieces that explore their personal interpretation of The Sacred. All interpretations, both traditional and nontraditional, are considered. This exhibition does not recognize any difference of authority between the traditions of the God-knowing and the artistic cultures that surround them.

This year, I was particularly struck by the starkness of several of the works. It is almost a reflection on how spirituality has ceased to be a comfort in this day and age. Not all of the works, really. But enough of them that I was left with a sense of mourning. It is, I think, a fitting statement for the times in which we find ourselves. Definitely a show the offers more questions than answers.

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Diane Fleisch Hughes - Incubus

The exhibit continues through September 12. Please make an effort to get there.

Box Heart Gallery
Exhibition Dates: August 18 - September 12, 2009
4523 Liberty Avenue
Pittsburgh, PA 15224
P. 412 687 8858

Tuesday, September 09, 2008

It's (still) the economy, stupid*

Oh man.

Recently, the Pittsburgh art scene lost yet another gallery. LaVie was in operation for about two years. Their emphasis was on young and emerging artists. LaVie built a lot of credibility on its exhibits but it was also a lifestyle shop that offered arty products and graphic as well as event design services. Even with the wide range of endeavors that they were covering they still weren't able to keep the boat floating. It hasn't been that long, less than nine months, since Digging Pitt closed its doors; another monumental effort that fell by the wayside. But there are always others to take up the gauntlet, as was pointed out by Kurt Shaw in the Pittsburgh Tribune Review --
Still, there seems to be no end to new galleries opening up in Lawrenceville, with the latest, Luke & Eloy Gallery, planning to open Sept. 27 at 5169 Butler St. (Details: www.lukeandeloy.ning.com) ...

For whatever reason, opening an art gallery seems to be an attractive idea for many, regardless of the outcome; even in a place that clearly doesn't have a public that will support it. Such is life, or should I say c'est la vie? Read the article

In addition to the opening of Luke and Eloy Gallery, Zombo Gallery opened fairly recently in Larryville. So, for every closure, another gallery crops up to take its place. There is also the revolving venues along Penn Avenue, but with only one night each month to view the exhibits, it is difficult to build a meaningful presence. It's no wonder that so many of the visual arts venues in Pittsburgh resort to non-profit status, even though that isn't a guarantee of keeping the doors open.

Oh man, it just gets worse. It was announced today that the Carnegie Museum is taking over the day to day operations of the Three Rivers Arts Festival. The festival budget, even with its shrinking and scattered footprint, is over $1million for the seventeen-day festival. CMoA has already released the festival's executive and associate directors. I am sure that there are other things in the works as they prioritize the budget. From the Pittsburgh Post Gazette --
"By taking this step now, we have an opportunity to not only better assess the organization's finances, but also re-evaluate its operations and its mission. An important first step -- and the responsible thing to do -- was to put a halt on most expenses until we complete that assessment," David Hillenbrand, president of Carnegie Museums of Pittsburgh, said in a prepared statement yesterday. Read the article

So, what will happen to the 2009 festival is anyone's guess. There is some question about whether or not the festival will ever regain its home in Point Park or if it will be relegated to scrambling for exhibit space as it has done for the last few years.

Finally, the trend that has been making itself felt in the rest of the country is making itself felt here. I'm not talking about short pants for men, I'm talking about falling home prices. Do you realize how bad things have to be to impact an already depressed market? Western Pennsylvania home prices have been well below the national median for a long time. Currently prices here aren't falling at the same rate as they are in the rest of the world, but really, if they were any lower you could put them on your credit card.

Of course, if you are coming in from outside of the region, Pittsburgh is a property buyer's wet dream. But the low purchase prices are still out of reach for a lot of the residents. The region is also below the national and state average median income. The following figures are from 2005. What's really scary is the 23% living below the poverty level.
Estimated median household income in 2005: $30,278 (it was $28,588 in 2000)
Pittsburgh $30,278
Pennsylvania: $44,537

Estimated median house/condo value in 2005: $74,000 (it was $59,700 in 2000)
Pittsburgh $74,000
Pennsylvania: $131,900

Median gross rent in 2005: $648.
Percentage of residents living in poverty in 2005: 23.2%
(16.3% for White Non-Hispanic residents, 38.6% for Black residents)

Ah, that explains so much. Purchasing art is something that you do when you have a generous amount of disposable income. In this region, the collectors suffer right alongside the artists.

*Attributed to Bill Clinton

Saturday, September 06, 2008

September Unblurred

Another Unblurred has come and gone. Penn Avenue was sparsely attend last night. I admit, I had a truncated evening myself, leaving at about 8:30. At any rate, I went to just a couple venues. First up was a new venue, as yet unnamed, at 5110 Penn Ave. It is the brainchild of Passports, those wonderful folks that brought us Artinin just a few months ago. The venue has a lot to offer, combining art and collectibles. Last night was their first official exhibit.

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Lots of appealing stuff, here! Passports is in the process of finalizing the name of the venue. They will be establishing hours shortly, too. So stay-tuned! more to follow.

Across the street at the Clay Penn, you can see that Laura Jean McLaughlin has been very busy! Some new works were on display and the space has been re-organized and freshened over the summer months. I didn't get the title of these pieces, I'm afraid. But aren't they wonderful?

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Schedules for events and exhibits taking place for Unblurred are available here. Just remember to block First Fridays on your calendar!

Thursday, September 04, 2008

Pittsburgh Art Events: 9/5-6/08

We've officially entered into the election season, and people all over the nation are amped up about their favorite candidates. I can definitely be accused of being a bit obsessed myself, but I'm finally starting to run out of steam. So this weeekend should be a good opportunity for me to relax and take in some decent art and conversation with friends. Sorry this is coming a bit late; I just couldn't keep myself from being distracted.

Friday:

September Unblurred is here. The leaves on the few trees along Penn Avenue will begin to carpet the sidewalks, and it should be comfortable both inside and out. This month sees the re-opening of the Clay Penn (5111 Penn Avenue) after an extended hiatus. Laura Jean will be presenting Mish Mash A Go Go, with the work of various artists including ceramics by Tom Binger and Louise Radochonski. Modern Formations (4919 Penn Ave.) will also be featuring several creators in a show called Of Beasts. "Jason Rosemeyer, Christian Breitkreutz, Bethany Chiarizio, and Michael Ninehouser collectively convey a sense of warning while maintaining a subtle sense of wit as they visually dictate the daunting pleasures and splendid anxieties of modern day living. " Hey, who doesn't have a penchant for modern beasts?

IMAGEBOX (4933 Penn Ave.) is exhibiting the work of a group of emerging photographers from Pittsburgh Filmmakers (Sally Bozzuto, Matthew Robison, and Vanna Weaver) and Jason Sauer is celebrating the one-year anniversary of his Most Wanted Fine Art Gallery with help from Jon Howe from the United Kingdom. Howe is inspired by Picasso's Cubist period, and Sauer calls his assemblages "Neo Classical appropriation with Rauschenberg assemblage".

Unblurred events generally run from 7-10PM.

Friday and Saturday

If you find the time to break away from Penn Avenue between 6 and 11 PM on Friday, you'll be able to see a performance by Andrew the Impaled at the Zombo Gallery (4900 Hatfield Street) in Lawrenceville. I've known him long before his days in real estate, and I can assure you that he is well worth seeing. Have you ever seen a man sew his own mouth shut? This trick would have been especially appropriate for some of the speakers in Minneapolis last night, but they are much more adept at putting their collective foot in their mouth. We'll just have to leave it for the expert. Andrew's appearing in conjunction with Nat the Signgrrrl's exhibition of paintings. Zombo himself promises "Tikis! HotRods! Pinups! and handpainted car hoods!"

In the event that you can't make it, the show will be up for viewing on Saturday as well (sans Andrew, I'm afraid). Michael Devine (aka Zombo) is filling out his monthly schedule with a series of two-night shows on the first weekend of every month. Apparently there are just that many folks around town who would like to show their "lowbrow" work. That's what I'll be doing in December, as it's a nice oportrunity to try and sell art without any commission. And that means that stuff is priced cheap!

Saturday

Moxie Dada (1416 Arch Street in the North Side) has a reception (6-9PM) for Philadelphia-born painter Maria Napoli. Pieces of the Puzzle draws on the artist's "emotional journey and allows us to see glimpses of her spiritual awakenings and understandings." But I'll probably go anyway. I like the gallery and its curators.

Back in Lawrenceville, The Framery (4735 Butler) offers up There are No Birthdays in Hell (5-8PM), by Satan's Camaro (apparently a collaboration between Justin Strom and Lenore Thomas). The artists themselves claim that their nom de plume represents "the lovechild of eighties rocker Nikki Sixx and teen pop star Tiffany." You can hold them responsible for this at their blog. And while you're at it, drop by the Trinity Gallery (4747 Hatfield St.- right down the block from Zombo) for Anne Lee's paintings of the neighborhood (reception starts at 7PM).

Thursday, August 28, 2008

Pittsburgh Art Events: 8/29-31/08.

With Rick over at Pittsburgh Art and Gallery Blog following his bliss in the great outdoors (and therefore on official hiatus until the end of September), I'm sure to miss out on a few of the wonderful art events happening around the 'Burgh this weekend. But I do know of several things worth attending, and if I have any sort of energy by tomorrow I should be able to get out to enjoy them.

Friday

If you have been meaning to check out the La Vie Gallery in Lawrenceville (3609 Butler Street), but have never made it a priority- tomorrow night (7-10PM) is your last chance... forever! That's right kids, yet another great gallery has come to its unfortunate end. Thommy Conroy and Bronwyn Loughren have made a mark on the local scene that will leave its afterimage for years. Somehow they have been able to corral some of the best young artists in town, and show their best work consistently, month-after-month. The receptions have been well attended and elegantly provisioned, and the prices have always been affordable. Often the best art venues come and go quickly in this town, and leave folks reminiscing about them for a long time afterwards. Don't you want to say that you were there?

Fortunately this weekend isn't just about "farewells". It appears that Syracuse's loss is our gain. Maverick art curator Astria Suparak has hit town. She's rolling out her first locally-curated show at the Regina Miller Gallery at CMU. The NYC Pratt-institute grad has made a lot of waves over the last few years (read Bill O'Driscoll's City Paper profile of her here). Anyway, for her inaugural exhibition she has chosen to bring us Julie Christensen's Your Town, Inc. It will include 80 photos from an upcoming book documenting the reuse of properties once housing "Big Box" stores. While you can officially see the work on Friday during normal gallery hours (12-6PM), the big reception (apparently a "Hometown BBQ") isn't until September 19th.

If you are downtown, you can stop by Future Tenant for an installation by "street artist" Danny Devine. Ain't too Proud to Beg will have a "Kickass opening with food, drinks, movies, art for sale & more" from 6-9pm (or so the website says).

Saturday

I'm really not in the business of making music suggestions, but I'm going to make an exception for this weekend. David Berman's Silver Jews are making their very first appearance (ever) in Pittsburgh, at the William Pitt Union Assembly Hall at 8PM. Berman is a poet and songwriter who attended college with former Pavement front-man Stephen Malkmus. For awhile he enlisted his more famous friend to play in his band. Together they made American Water, which I consider one of the best and most literate rock albums ever. For years you couldn't see the Silver Jews live because Berman's social anxiety wouldn't allow him to perform on-stage. But a few years ago he met the love of his life, and has since experienced a vivid resurgence. Don't miss this performance.

ETC

I know that I've already mentioned the Zombo events that are happening this weekend. Still I feel that they are worth another mention. "Lucky the Painproof Man" will be at the Gallery on 49th and Hatfield on Saturday from 6-9PM. He's actually looking to sell off some of his memorabilia this time around. And on Monday (September 1st) you can celebrate Labor Day at Arsenal Lanes. Art Goes Bowling is having its closing party from 6-11PM. Local band The Whips will be making their debut. If you can't make it, have a look here to see what you are missing.

Sunday, August 24, 2008

Naming Rights

The ideas presented here are loosely organized, to say the least. Consider them reference points to ideas about place names and their connection to history, regional trauma, and Pittsburgh's public identity.



UPMC became the largest employer in the greater Pittsburgh region. With such a large economic footprint comes the right to buy naming rights, and UPMC went for the tower that historically represents economic power in Pittsburgh: the former US Steel Building.

Steel's symbology, steel's branding of the region. So common & familiar, we tune them out, these symbols, place-names, and people connected to a lost industry. I wonder, are they just names to the college kids streaming to CMU and Pitt from out of state this fall?

The Carnegie Library system. Fricke Park. Place-names resonant with the past direct traffic all over the city. The Hot Metal Bridge was once part of the steelmaking process itself.

Do I really need to reiterate this obviousness?

Those familiar place names may be integrated into our inner maps of Pittsburgh, but there is a necessary silence between past and present.

There's long slow loss of the steel industry, there's the population's attrition. The silence a friend of mine refers to as 'the puffy silence', the holding patterns she sees amongst men and women in their 40's and older on the bus, at her job.

The community-endured pain of family after family split by economic opportunity elsewhere, of grandparents stuck in devalued houses while the grandkids grow up in Oregon or Chicago.

Under those place names I see the long slow bruising that the region walked through during the ongoing 'layoff & rehire' patterns engaged in by US Steel and other companies. Millworkers waiting for rehire phone calls that never came.

Men and women in their fifties and sixties have whispered to me what they think needs to be said: the details of exactly how the steel industry beat the shit out of this town as it left. They say, "Nobody will come out and say it."

This industry so totally cleaved to in public symbols, in cult of personality, in cult of masculinity. It was an industry built on the bodies of the workers -- and now, UPMC makes its money "caring for" those bodies, the eldest of that generation of workers in this, one of the oldest communities in America.

People think that hospitals are a place to go to get well. They forget that it is also the place to go when one is preparing for death. Why do you think UPMC is so successful? We are an old, old county. And the eldest among us, many of them worked for US Steel. Now they go to the hospital for the last leg of their journey, and say goodbye to their (visiting) families from UPMC hospital beds.

Their bodies built the old industry, the one we lost. Their bodies build the new industry. It is oddly appropriate, isn't it, that we have the UPMC Tower.

Disconnect. Reconnect. What else won't be talked about?

Saturday, August 23, 2008

Salon Des Refuses @ Mendelson Gallery

Steve Mendelson is giving a number of works rejected from this years Associated Artists Of Pittsburgh another shot with a provocatively named show called Salon Des Refuses. The title evokes a legendary show in 1863 of all the works turned down by the Paris Salon which included a who's who of future impressionist masters like Manet, Degas and Renoir. The show will include 20 works from artists like Robert Villamagna, Mark Panza, Laura Marins and Ben Matthews.

Here's Kurt Shaw's review.