This weekend the art is jammed-packed into the evening hours of Friday. Apparently May 1st is such an auspicious date for openings that the galleries around town all seized the same moment to unveil their offerings. My advice to you? Pick-and-choose carefully, because you are bound to (once again) miss a lot of what there is to see.
Friday
I’ll get the vanity out of the way with the announcement that I will have a piece in a group show at the Pittsburgh Center for the Arts. It’s part of “SALIGLIA: A Seven Deadly Sins Exhibition”- which is juried and curated by Steven R. Mendelson, and presented by Pittsburgh Society of Artists. This is the first work that I’ve ever shown at this institution, so suffice it to say I am rather excited. Maybe I’ll even be nervous. Who knows? Meanwhile, there are seven additional exhibitions opening on Friday at PCA, including those featuring Christopher Kardambikis (of Encyclopedia Destructica fame) and Aasta Deth. This is an opportunity to see lots of diverse artwork while making just one stop. Come by 6300 Fifth Avenue, between 5:30 and 8PM.
While you’re in that part of town (from 6-8PM), you can jump into the Miller Gallery at CMU (5000 Forbes Avenue) for “From the Vault”- a selection of pieces by the 2009 BFA class, including Olga Brindar. These students are billing themselves as “panpsychists, selcouthists, paralogists, and strikhedonists.” Crack that code how and when you so choose.
Of course… since this happens to be First Friday, we have a full bill over in the Penn Avenue Corridor for the May Unblurred, Here’s the schedule. The presence of several unfamiliar venues is particularly conspicuous this month. There’s a new clothing store called Tweek (4913 Penn), tree photography at the storefront office of Friends of the Pittsburgh Urban Forest (5427 Penn), and three shutterbugs (including my friend Allison Pochapin) at 5131 Penn. There’s also a display of post-apocalyptic architecture down at EDGE studio (5411 Penn, drive there if you have the option) and shots from Route 66 by Scott Roller at Imagebox (4933 Penn). Be sure to visit the anchors as well- Garfield Artworks, Modern Formations, and Most Wanted Fine Art. Most of the stuff happens between the hours of 6 and 10PM. Can you handle all that?
And we’re not done yet, boys and girls. Because some local film industry people have collected some stuff for display at Mendelson Gallery (5874 Ellsworth Avenue) in Shadyside. Jolene Elyse Drylie, Mark L. Gualtieri, Smith Harper Hutchings, Shawn Watrous & Kevin Wenner are included in “The Scenics”, opening 6-9PM. Good stuff indeed.
At the risk of sounding like Ron Popeil, I feel some obligation to mention the fact that there’s EVEN MORE to see. Because the Society for Contemporary Craft is hosting their first reception (5:30-8PM) in more than half a year- “Beyond Shared Language: Contemporary Art & the Latin American Experience”. Don’t let the swanky atmosphere of this Strip District location (2100 Smallman Street) put you off- you are welcome to browse, and I have enjoyed my previous visits there. If they let a scumbag like me in… well…
Finally, Zombo Gallery (4900 Hatfield St.) is once again rolling out the art. This go ‘round they have works by Kill Taupe. The show is called “Imaginary Friends Club”. I have no idea what that’s all about. But the reception lasts from 6-11PM, making this a possible last stop for your meanderings on what should be a very busy night.
Saturday
We’ve got slim pickings after the whirlwind of activity on Friday. But Boxheart (on Liberty Ave. in Blooomfield) has the opening for Kim Curinga’s “Legacy: Digital Paintings Reception”. Check it after 5PM. Have fun.
Thursday, April 30, 2009
Wednesday, April 29, 2009
Fibers Expanded @ Luke & Eloy
What are you doing this Saturday afternoon? Why, you're going to Luke & Eloy for the Fibers Expanded exhibit. Seriously, that is where you are going. Me, I'll be at the day job.
I stopped in Luke & Eloy today, as Brigitte Martin was putting some touches on the installation. Even knowing that I didn't see the whole show in its entirety didn't mar an enjoyable visit. Ms. Martin is very knowledgeable about the artists seected for the exhibit. It is obvious that she has taken great care in selecting works of high quality.
Carol Milne (Seattle, Washington)
"Wake"
Knitted Wax Strands Kiln-cast in Lead Crystal
5.5 (H) x 13 (W) x 13 inches
The above work by Carol Milne is something that you really have to see. The process sounds amazing and involves knitting wax and using it for casting glass. Rellay, I am stunned by this artist's process. It is a beautiful work.
Alison Gates (Appleton, WI)
"Things from Home"
Stitched Silk and die cut Braille paper
Each house 6x6x6 inches
"Spirituality" (Wing), "Labor" (Hand), "Materialsm" (Tag)
Remember, now, I picked these works as representative of the quality of the exhibit. I would strongly recommend a visit to the gallery to pick the works that you respond to. I found Things From Home to be really beautiful, if somewhat ambiguos. The houses have die-cut icons, cut from pages of braile, suspended in them. Very mysterious, very ambiguous.
Islay Taylor (Providence, RI)
"Lace Collar Necklace"
Vinyl Tablecloth, pearls, silver, monofilament
14 x 12 x 5 inches
Islay Taylor's piece was just so lovely. Sometimes, that is enough, you know what I mean?
Norman Sherfield (Eureka, California)
"Sticks and Stones", "Beacon"
Knotted Waxed Lines Sculptures
13 x 4 inches (Sticks and Stones)
11.5 x 5 inches (Beacon)
These pieces by Norman Sherfield were so appealing. The structure of the dolls is reinforced with stones and twigs. Obviously, a lot of thought were put into these works. The coiled basket technique is a simple one, but so well executed in this work. An amazing integration of technique and concept.
Fibers Expanded is opening this Saturday and will run through June 6. Luke & Eloy is a terrific gallery, fast becoming one of my favorite places to view new works in Pittsburgh.
Fibers Expanded
Expanding the possibilities of fiber as an expressive, artistic medium using a wide range of traditional and modern techniques.
May 2, 2009 - June 6, 2009
Opening reception | May 2
LUKE & ELOY GALLERY
5169 Butler Street
Pittsburgh, PA 15201
412.784.1919
Participating Artists:
- Cheryl Eve Acosta
- Atticus Adams
- Alissa Alfonso
- Eileen Doughty
- Ashley Ernest
- Alison Gates
- Beverly Hertler
- Sarah Holden
- Suki Kwon
- Amy Long
- Sharon McCartney
- Carol Milne
- Jennifer Moss
- Matt Nelson
- Masako Onodera
- Ceres Rangos
- Norman Sherfield
- Islay Taylor
I stopped in Luke & Eloy today, as Brigitte Martin was putting some touches on the installation. Even knowing that I didn't see the whole show in its entirety didn't mar an enjoyable visit. Ms. Martin is very knowledgeable about the artists seected for the exhibit. It is obvious that she has taken great care in selecting works of high quality.
Carol Milne (Seattle, Washington)
"Wake"
Knitted Wax Strands Kiln-cast in Lead Crystal
5.5 (H) x 13 (W) x 13 inches
The above work by Carol Milne is something that you really have to see. The process sounds amazing and involves knitting wax and using it for casting glass. Rellay, I am stunned by this artist's process. It is a beautiful work.
Alison Gates (Appleton, WI)
"Things from Home"
Stitched Silk and die cut Braille paper
Each house 6x6x6 inches
"Spirituality" (Wing), "Labor" (Hand), "Materialsm" (Tag)
Remember, now, I picked these works as representative of the quality of the exhibit. I would strongly recommend a visit to the gallery to pick the works that you respond to. I found Things From Home to be really beautiful, if somewhat ambiguos. The houses have die-cut icons, cut from pages of braile, suspended in them. Very mysterious, very ambiguous.
Islay Taylor (Providence, RI)
"Lace Collar Necklace"
Vinyl Tablecloth, pearls, silver, monofilament
14 x 12 x 5 inches
Islay Taylor's piece was just so lovely. Sometimes, that is enough, you know what I mean?
Norman Sherfield (Eureka, California)
"Sticks and Stones", "Beacon"
Knotted Waxed Lines Sculptures
13 x 4 inches (Sticks and Stones)
11.5 x 5 inches (Beacon)
These pieces by Norman Sherfield were so appealing. The structure of the dolls is reinforced with stones and twigs. Obviously, a lot of thought were put into these works. The coiled basket technique is a simple one, but so well executed in this work. An amazing integration of technique and concept.
Fibers Expanded is opening this Saturday and will run through June 6. Luke & Eloy is a terrific gallery, fast becoming one of my favorite places to view new works in Pittsburgh.
Fibers Expanded
Expanding the possibilities of fiber as an expressive, artistic medium using a wide range of traditional and modern techniques.
May 2, 2009 - June 6, 2009
Opening reception | May 2
LUKE & ELOY GALLERY
5169 Butler Street
Pittsburgh, PA 15201
412.784.1919
Participating Artists:
- Cheryl Eve Acosta
- Atticus Adams
- Alissa Alfonso
- Eileen Doughty
- Ashley Ernest
- Alison Gates
- Beverly Hertler
- Sarah Holden
- Suki Kwon
- Amy Long
- Sharon McCartney
- Carol Milne
- Jennifer Moss
- Matt Nelson
- Masako Onodera
- Ceres Rangos
- Norman Sherfield
- Islay Taylor
Sunday, April 26, 2009
Cinderella : Pittsburgh Ballet Theatre bids Maribel Modrono adieu
There is a decidedly American suspicion of any private labor involved in mastery of a skill, unless it's for athletics, or a lot of money or fame (or best, both). I hate the backward compliment men will pay ballet, when they comment on how this or that football player learned ballet before putting on the pads.
I braved the acres of mothers and daughters to see the Prokofiev-scored Cinderella at the Benedum last night. Little did I know this was Maribel Modrono's farewell performance. Unmentioned in the program, I figured it out listening to the buzz of the audience around me.
They praised her roles over the last 15 years dancing in Pittsburgh. One matron in black and white sequins told her friend how she would make sure she got tickets to see the Maribel-danced stagings of any production, haranguing the ticket office for Maribel nights.
The house at 90+ percent capacity, we got a confection of glitter and tulle that barely bested the ribbons and curls on the girls of every age in the audience. A scrim of forest invited us into the fairy tale.
Ballet presents narrative as a series of gestures. It predates film in ways that theater does not. Plot is presented as a series of images. Broad strokes of costume mark out characters territory quickly. The audience 'gets' the drag queen stepsisters immediately, the weak father, Cinderella's delicate beauty, in the opening scene.
The audience knows the backstory. Minimal set pieces and costuming allow each dancer to quickly enter the narrative's archetypal spaces. Then the audience can focus on the dancing, wonder at the the complicated series of gestures presented by each dancer's particular architecture.
The set describes narrative turning points. Cinderella's chair at the foot of the hearth, the announcement of the supernatural with dried ice, the clock motif. This allows the audience to bask in Maribel's grace and emotive power, at the Jester's endurance of the Stepsisters' haranguing, at the amazing Corps du Ballet's dancing in all that blue and white lace. Oh, and those unfortunate firefly costumes.
Gestures between dancers articulate their relationships. Cinderella's courtship of the Prince presented with a particular order of gestured language between the pair at every meeting, underlined by Prokofiev's motifs.
Ballet implies. It operates in a particular vocabulary of nonverbal communication, like the best film.
The plot serves only to provide a framework for extraordinary presentations of embodied language, allowing the dancers their moments of rest, their necessary clothing changes.
Aside - How did Maribel switch out to her Cinderella frock, so quickly, once she fled the ball? I don't know. But the love she shared with her audience at her extended curtain - and the flowers flung at her from the foot of the stage - told me an audience lost their beloved last night.
Best wishes for her on her journey.
Pittsburgh Ballet Theater
I braved the acres of mothers and daughters to see the Prokofiev-scored Cinderella at the Benedum last night. Little did I know this was Maribel Modrono's farewell performance. Unmentioned in the program, I figured it out listening to the buzz of the audience around me.
They praised her roles over the last 15 years dancing in Pittsburgh. One matron in black and white sequins told her friend how she would make sure she got tickets to see the Maribel-danced stagings of any production, haranguing the ticket office for Maribel nights.
The house at 90+ percent capacity, we got a confection of glitter and tulle that barely bested the ribbons and curls on the girls of every age in the audience. A scrim of forest invited us into the fairy tale.
Ballet presents narrative as a series of gestures. It predates film in ways that theater does not. Plot is presented as a series of images. Broad strokes of costume mark out characters territory quickly. The audience 'gets' the drag queen stepsisters immediately, the weak father, Cinderella's delicate beauty, in the opening scene.
The audience knows the backstory. Minimal set pieces and costuming allow each dancer to quickly enter the narrative's archetypal spaces. Then the audience can focus on the dancing, wonder at the the complicated series of gestures presented by each dancer's particular architecture.
The set describes narrative turning points. Cinderella's chair at the foot of the hearth, the announcement of the supernatural with dried ice, the clock motif. This allows the audience to bask in Maribel's grace and emotive power, at the Jester's endurance of the Stepsisters' haranguing, at the amazing Corps du Ballet's dancing in all that blue and white lace. Oh, and those unfortunate firefly costumes.
Gestures between dancers articulate their relationships. Cinderella's courtship of the Prince presented with a particular order of gestured language between the pair at every meeting, underlined by Prokofiev's motifs.
Ballet implies. It operates in a particular vocabulary of nonverbal communication, like the best film.
The plot serves only to provide a framework for extraordinary presentations of embodied language, allowing the dancers their moments of rest, their necessary clothing changes.
Aside - How did Maribel switch out to her Cinderella frock, so quickly, once she fled the ball? I don't know. But the love she shared with her audience at her extended curtain - and the flowers flung at her from the foot of the stage - told me an audience lost their beloved last night.
Best wishes for her on her journey.
Pittsburgh Ballet Theater
Saturday, April 25, 2009
My "Right Wing Blog" Is Up
I actually started another blog for my personal,political and economic opinions a long time ago but never kept up with it.
It's called John Morris: Unmedicated, and in the last few days. I've been trying to organise many of the posts I put on other blogs and forums into a more coherent form in one place. This is still a work in progress.
I will try to add it to the blog role here. I will still add some political posts on here once in a while, mostly related to issues related to free speech, religious liberty and the press.
It's called John Morris: Unmedicated, and in the last few days. I've been trying to organise many of the posts I put on other blogs and forums into a more coherent form in one place. This is still a work in progress.
I will try to add it to the blog role here. I will still add some political posts on here once in a while, mostly related to issues related to free speech, religious liberty and the press.
Thursday, April 23, 2009
Pittsburgh Art Events: 4/24-27/09.
This weekend there’s a time management workshop on offer down at Duquesne. I’m not going to offer you the details, but I will have you know that this talk would have been useful for fitting in all of the great events happening over the next several days. There’s so much to do that you probably won’t have time to listen to a lecture about scheduling. But if you find yourself amenable to the suggestion, have a quick scan over my picks…
Friday
To be honest, I have no idea whether or not the seasonal Downtown Gallery Crawl has morphed into this thing called “One Night Stand”… but it sure seems like the Cultural Trust is in the mood for a makeover. Several galleries in the Golden Triangle are hosting receptions with live entertainment on Friday, and it might be an efficient use of your time to drive around for 45 minutes or so and look for a proper parking spot. Mary Mack will be spinning to a backdrop of Czech photos at SPACE, Netherlands-based Telcosystems will appear to support the “at times visually violent, sonically extreme and physically intimidating” art displayed at Wood Street, and there will be spoken word by Brian Francis at Future Tenant. Apparently there’s an after party at Remedy in Larryville. It all (and more) gets underway at 7:30PM.
Perhaps you missed Tim Kerr’s opening at Zombo Gallery (4900 Hatfield Street) a few weeks ago? The closing is Friday from 6PM to around 10PM (or so). Take your time and read the words on his paintings. It seems like a bit of a risky choice to write directly on your visual work. But in this case, I found it rather inspiring.
The Brew House Distillery program annually offers emerging artists six-month residencies at their facility on 2100 Mary Street in the South Side. Stop by at Space 101 (from 7-11PM) for the opening reception starring the latest batch of home-grown creators. Just get out of that hood before the suburban tools start to flood in with their cheap beer piss and whiskey-muscles.
Friday/Saturday
My buddy Tom Henry is performing his wryly wacky form of comedy at the Improv in Homestead for a three night stretch (starting Thursday @ 8PM, with shows @ 8PM and 10PM on Fri and 7PM and 9PM on Sat), opening for national comic T.J. Miller. It’s $15 per show, plus money enough for the two drink minimum. Drop in and show support for the local jokester. If you don’t laugh at least once, then… well, um… then you’re a douchebag?!
Saturday
Ok, I haven’t really ridden a bike in years. But I do appreciate it when I see others doing so. That’s why I’m mentioning the pancake breakfast at the East Liberty Whole Foods on Saturday morning (8 AM). It’s $7, sponsored by the Community Design Center, and offers guests a chance to register for Pedal Pittsburgh. I can only speculate, but I imagine there’s nothing more pleasant than having a stomach full of griddle cakes expanding in your belly as you two-wheel up-and-down the hills of the ‘Burgh.
If you need to sit after your ride, stop by (11AM) at Fe Gallery in the L-Ville and find out “how art stuff happens” @ the Workshop for the Working Artist. It’s $5 (which should give you an essential clue in solving the thematic problem posed herein), and features local scenesters including Jennifer Baron, Susan Blackman, Eric Shiner, and T Foley. Then at 2PM you can check out the Ralph Munn Creative Writing Workshop, led by photo-essayist and memoirist Sandra Gould Ford, @ the Carnegie Library in Oakland. That one’s free.
Permit me to say that one of the major highlights this weekend should be the reception for the one-week run of CMU –grad Olga Brindar’s “Sketchbook Release: Moments and Minutiae” at the Panza gallery in Millvale (115 Sedgwick Street). I’ve been checking out her drawings for a few years now, and I’m excited for her first solo exhibition. Olga is a young artist who’s not afraid to put herself on display, and we are all the better off for it. It is imperative that you fit this into your Saturday agenda (6-9PM).
The aforementioned Remedy (5121 Butler St) is hosting an opening/reception (from 11PM-1AM) for their in-house muralist Emmeric Konrad. The theme is “Drawings Done in Bars & the Paintings They've Inspired”. Make sure to visit the dining room and learn what his art does for your appetite(s). Have their fine cooks make you somethin’ good while you are at it. I recommend most everything.
Saturday/Sunday
Art all Night, Pittsburgh’s premiere non-juried visual and auditory extravaganza starts at 6PM on Saturday night and runs until Sunday @ 2PM. It’s a Lawrenceville annual tradition, and takes place at the Red Warehouse (3510 Smallman Street) this year. According to the “official” numbers, last year saw 810 participating artists and attracted over 10,000 guests. Get there early for parking and refreshments. And if you want to display your work, drop off is Saturday afternoon (Noon-4PM). See the website for all the details you need. And yes… it’s all free.
Friday
To be honest, I have no idea whether or not the seasonal Downtown Gallery Crawl has morphed into this thing called “One Night Stand”… but it sure seems like the Cultural Trust is in the mood for a makeover. Several galleries in the Golden Triangle are hosting receptions with live entertainment on Friday, and it might be an efficient use of your time to drive around for 45 minutes or so and look for a proper parking spot. Mary Mack will be spinning to a backdrop of Czech photos at SPACE, Netherlands-based Telcosystems will appear to support the “at times visually violent, sonically extreme and physically intimidating” art displayed at Wood Street, and there will be spoken word by Brian Francis at Future Tenant. Apparently there’s an after party at Remedy in Larryville. It all (and more) gets underway at 7:30PM.
Perhaps you missed Tim Kerr’s opening at Zombo Gallery (4900 Hatfield Street) a few weeks ago? The closing is Friday from 6PM to around 10PM (or so). Take your time and read the words on his paintings. It seems like a bit of a risky choice to write directly on your visual work. But in this case, I found it rather inspiring.
The Brew House Distillery program annually offers emerging artists six-month residencies at their facility on 2100 Mary Street in the South Side. Stop by at Space 101 (from 7-11PM) for the opening reception starring the latest batch of home-grown creators. Just get out of that hood before the suburban tools start to flood in with their cheap beer piss and whiskey-muscles.
Friday/Saturday
My buddy Tom Henry is performing his wryly wacky form of comedy at the Improv in Homestead for a three night stretch (starting Thursday @ 8PM, with shows @ 8PM and 10PM on Fri and 7PM and 9PM on Sat), opening for national comic T.J. Miller. It’s $15 per show, plus money enough for the two drink minimum. Drop in and show support for the local jokester. If you don’t laugh at least once, then… well, um… then you’re a douchebag?!
Saturday
Ok, I haven’t really ridden a bike in years. But I do appreciate it when I see others doing so. That’s why I’m mentioning the pancake breakfast at the East Liberty Whole Foods on Saturday morning (8 AM). It’s $7, sponsored by the Community Design Center, and offers guests a chance to register for Pedal Pittsburgh. I can only speculate, but I imagine there’s nothing more pleasant than having a stomach full of griddle cakes expanding in your belly as you two-wheel up-and-down the hills of the ‘Burgh.
If you need to sit after your ride, stop by (11AM) at Fe Gallery in the L-Ville and find out “how art stuff happens” @ the Workshop for the Working Artist. It’s $5 (which should give you an essential clue in solving the thematic problem posed herein), and features local scenesters including Jennifer Baron, Susan Blackman, Eric Shiner, and T Foley. Then at 2PM you can check out the Ralph Munn Creative Writing Workshop, led by photo-essayist and memoirist Sandra Gould Ford, @ the Carnegie Library in Oakland. That one’s free.
Permit me to say that one of the major highlights this weekend should be the reception for the one-week run of CMU –grad Olga Brindar’s “Sketchbook Release: Moments and Minutiae” at the Panza gallery in Millvale (115 Sedgwick Street). I’ve been checking out her drawings for a few years now, and I’m excited for her first solo exhibition. Olga is a young artist who’s not afraid to put herself on display, and we are all the better off for it. It is imperative that you fit this into your Saturday agenda (6-9PM).
The aforementioned Remedy (5121 Butler St) is hosting an opening/reception (from 11PM-1AM) for their in-house muralist Emmeric Konrad. The theme is “Drawings Done in Bars & the Paintings They've Inspired”. Make sure to visit the dining room and learn what his art does for your appetite(s). Have their fine cooks make you somethin’ good while you are at it. I recommend most everything.
Saturday/Sunday
Art all Night, Pittsburgh’s premiere non-juried visual and auditory extravaganza starts at 6PM on Saturday night and runs until Sunday @ 2PM. It’s a Lawrenceville annual tradition, and takes place at the Red Warehouse (3510 Smallman Street) this year. According to the “official” numbers, last year saw 810 participating artists and attracted over 10,000 guests. Get there early for parking and refreshments. And if you want to display your work, drop off is Saturday afternoon (Noon-4PM). See the website for all the details you need. And yes… it’s all free.
Thursday, April 16, 2009
Pittsburgh Weekend Events: 4/17-18
Now that the unseasonably cold weather and grey skies have passed, it’s time to get outside and enjoy April. ‘He” has risen indeed and you Christians need not abstain from vice anymore (after all, didn’t he die for your sins?!) - take lots of showers and you know what will happen in a couple of weeks…
There are a lot of options this weekend… many of which are not specifically “art-related”, so what the hell- check ‘em out.
Friday
Did you know that The CMU activities board annually brings to Pittsburgh some of the best indie rock bands on the national scene? Did you know that you can show up on the CFA lawn and see super-group The New Pornographers and Ted Leo’s band for FREE? You can if you get there several hours before the 8PM scheduled show time. Bring plenty of liquids and whatever else you might require for the wait.
If happiness isn’t your bag, you can stop at the Warhol for a Depression double feature (including John Ford’s Grapes of Wrath and a Busby Berkely film). That’ll cost you $10. Check the listings for the times.
You could also consider taking an evening walk through Pittsburgh’s best neighborhood- the Lawrenceville Blossom Tour is here once again. There are 25 establishments giving out free seeds in honor of Earth Day. Get in touch with Maya Haptas of the Lawrenceville Corporation at (412) 782-5100 ext 103 for more details.
Maybe you want to continue spending time in the great outdoors? Consider checking out the Public Star Party at Mingo Creek Park Observatory. The Amateur Astronomers Association Of Pittsburgh supplies the telescopes. It gets underway just before sunset. I’ve never tried it, but I’m pretty sure I’d see a UFO.
There are also a couple of openings downtown at 707/709 Penn Gallery. Apparently Joe DeFerrari’s keeping tabs on Isabella Rossellini. He’s put together an exhibit (Ritual Decadence) examining animal mating rituals at Future Tenant, and the opening starts at 6PM. Over at 707/709 you can see Michael Ninehouser’s meditations (On This, The Land) on early man, familiar fables and gospel myths. That reception runs from 5-7PM.
Saturday
If you don’t stay out too late partying, you can take advantage of several events this morning. There are flea markets at St. Louise DeMarillac's LeGras Parish Center (320 McMurray Road, Pittsburgh), St Aloysius (3614 Mount Troy Road, Reserve Township), and Saint Gabriel Of The Sorrowful Virgin (5200 Greenridge Drive). Do a bit of hunting for the details if you are interested. If you can’t prepare yourself, then there’s no way you are going anywhere early enough to make the trip worthwhile.
Alternatively, you could nerd out with two other destinations. Grab your caped crusader costume and head out to North Park for the Superhero 5K Run/Walk. No, I am not kidding. It starts at 9AM and fittingly benefits the Parental Stress Center. The Superhero Foundation (which operates a similar event in Austin, TX) seeks to raise awareness about child abuse prevention. If you move quickly (like you should in a leotard) you can meet the regional "Star Wars" fan group Garrison Carida at the Warhol. They will be hanging out (apparently dressed as stormtroopers and such) to support the museum’s “Vader Project” exhibit). Show up at 1PM and they won’t sic the Death Star on you.
So yeah… geek out. But make sure you don’t beat yourself up over it. If you have that tendency (and you are a writer), you should take a minute (10AM) with psychotherapist Don Laird at the Greentree Public Library. Presented by the Pittsburgh Writers Project, Laird is hosting a discussion about the anxiety-ridden prospect of facing down your “inner critic”. That may be a debilitating thought, but what’s your alternative? (loser)
Once you get through with your daytime activities, ya might want to think about seeing the Squonk Opera at the Hillman Center for Performing Arts (7:20PM, $17-20). The expense might give you pause, but I assure you that this group is well worth seeing. I’ve done so myself on occasion.
Or if you’re feeling frisky… splurge on a ticket ($50 general, $100 Velvet Lounge, $250 Dirty Donor) for the Attack Theater’s Dirty Ball (8 pm - midnight 135 51st Street, Lawrenceville). You’ll be contributing to the dance troupe’s cause, and you might even get (un)lucky with a partner of your own choosing. Who says you gotta settle for free internet porn? The organizers promise that it will be luscious, flirty and salacious. And I believe that drinks and food are covered in the admission price. Damn, that’s tempting.
At the end of the night, I understand if you want to dance. You have a choice at 10PM. The Shadow Lounge has Classic Material #24-"These Are The Breaks" Edition, with the “Breakbeats that have shaped many classic hip-hop tracks.” And the New Amsterdam is offering the ultimate after-party with the production teams of Hijack and Humanaut, “teaming up for night of solid house and minimal”. Dress in layers, yo.
There are a lot of options this weekend… many of which are not specifically “art-related”, so what the hell- check ‘em out.
Friday
Did you know that The CMU activities board annually brings to Pittsburgh some of the best indie rock bands on the national scene? Did you know that you can show up on the CFA lawn and see super-group The New Pornographers and Ted Leo’s band for FREE? You can if you get there several hours before the 8PM scheduled show time. Bring plenty of liquids and whatever else you might require for the wait.
If happiness isn’t your bag, you can stop at the Warhol for a Depression double feature (including John Ford’s Grapes of Wrath and a Busby Berkely film). That’ll cost you $10. Check the listings for the times.
You could also consider taking an evening walk through Pittsburgh’s best neighborhood- the Lawrenceville Blossom Tour is here once again. There are 25 establishments giving out free seeds in honor of Earth Day. Get in touch with Maya Haptas of the Lawrenceville Corporation at (412) 782-5100 ext 103 for more details.
Maybe you want to continue spending time in the great outdoors? Consider checking out the Public Star Party at Mingo Creek Park Observatory. The Amateur Astronomers Association Of Pittsburgh supplies the telescopes. It gets underway just before sunset. I’ve never tried it, but I’m pretty sure I’d see a UFO.
There are also a couple of openings downtown at 707/709 Penn Gallery. Apparently Joe DeFerrari’s keeping tabs on Isabella Rossellini. He’s put together an exhibit (Ritual Decadence) examining animal mating rituals at Future Tenant, and the opening starts at 6PM. Over at 707/709 you can see Michael Ninehouser’s meditations (On This, The Land) on early man, familiar fables and gospel myths. That reception runs from 5-7PM.
Saturday
If you don’t stay out too late partying, you can take advantage of several events this morning. There are flea markets at St. Louise DeMarillac's LeGras Parish Center (320 McMurray Road, Pittsburgh), St Aloysius (3614 Mount Troy Road, Reserve Township), and Saint Gabriel Of The Sorrowful Virgin (5200 Greenridge Drive). Do a bit of hunting for the details if you are interested. If you can’t prepare yourself, then there’s no way you are going anywhere early enough to make the trip worthwhile.
Alternatively, you could nerd out with two other destinations. Grab your caped crusader costume and head out to North Park for the Superhero 5K Run/Walk. No, I am not kidding. It starts at 9AM and fittingly benefits the Parental Stress Center. The Superhero Foundation (which operates a similar event in Austin, TX) seeks to raise awareness about child abuse prevention. If you move quickly (like you should in a leotard) you can meet the regional "Star Wars" fan group Garrison Carida at the Warhol. They will be hanging out (apparently dressed as stormtroopers and such) to support the museum’s “Vader Project” exhibit). Show up at 1PM and they won’t sic the Death Star on you.
So yeah… geek out. But make sure you don’t beat yourself up over it. If you have that tendency (and you are a writer), you should take a minute (10AM) with psychotherapist Don Laird at the Greentree Public Library. Presented by the Pittsburgh Writers Project, Laird is hosting a discussion about the anxiety-ridden prospect of facing down your “inner critic”. That may be a debilitating thought, but what’s your alternative? (loser)
Once you get through with your daytime activities, ya might want to think about seeing the Squonk Opera at the Hillman Center for Performing Arts (7:20PM, $17-20). The expense might give you pause, but I assure you that this group is well worth seeing. I’ve done so myself on occasion.
Or if you’re feeling frisky… splurge on a ticket ($50 general, $100 Velvet Lounge, $250 Dirty Donor) for the Attack Theater’s Dirty Ball (8 pm - midnight 135 51st Street, Lawrenceville). You’ll be contributing to the dance troupe’s cause, and you might even get (un)lucky with a partner of your own choosing. Who says you gotta settle for free internet porn? The organizers promise that it will be luscious, flirty and salacious. And I believe that drinks and food are covered in the admission price. Damn, that’s tempting.
At the end of the night, I understand if you want to dance. You have a choice at 10PM. The Shadow Lounge has Classic Material #24-"These Are The Breaks" Edition, with the “Breakbeats that have shaped many classic hip-hop tracks.” And the New Amsterdam is offering the ultimate after-party with the production teams of Hijack and Humanaut, “teaming up for night of solid house and minimal”. Dress in layers, yo.
Quilts, Art and Other Women's Work: An Exhibition and Artonomic Stimulus Sale @ Unblurred on Penn Avenue, May 1, 2009 @ ARTica
As a nod to mothers, and working women everywhere, Passports: the Art of Diversity will be showcasing a collection of beautiful handmade quilts, and also the work of three of Pittsburgh's best-known "Graces," Susan Constanse, Christiane D and Amy Kerlin, who will be selling selections from their cache of original work. Their art will be priced "to go," an attempt by the ladies to spur their own "artonomics" stimulus plan, so plan to be there to buy ( before they get too famous)! PLUS... come out and learn how to submit work for the "ART OF CAN" competition sponsored by Red Bull Energy Drinks, see one of last year's art pieces from the exhibition in Philadelphia, and enjoy snacks and FREE samples of Red Bull products. It's all happening Friday, May 1st @ ARTica Gallery and Antiques 5110 Penn Avenue from 7-10 p.m. Questions? Passports.art@gmail.com
Wednesday, April 15, 2009
Kyle Ethan Fischer @ Box Heart
Kyle Ethan Fischer, Get Rhythm, 24" X 24" X 3", Mixed Media on Wood
One really good reason for following Kyle Ethan Fischer's work: it evolves. I will say that I was surprised when I walked in the gallery to see that Mr. Fischer had moved his work even further to the non-narrative. His work has always had some references to the figurative. It was a good surprise.
The works on display include paintings and works on paper. The paintings are highly textured, in some cases embellished with gold leaf. The works seem to explore multiple techniques without becoming muddied. There is a decided focus to the works, even while they maintain their painterly, loose qualities.
meta consciousness is open through April 25. Please make a point in stopping in Box eart to see this fine exhibit.
Kyle Ethan Fischer
meta-consciousness
March 31 - April 25, 2009
Box Heart Gallery
4523 Liberty Avenue
Pittsburgh, PA 15224
P. 412 687 8858
boxheartexpress@earthlink.net
Gallery Hours:
Tuesday - Saturday: 10 AM - 6 PM
Sunday: 1 PM - 5 PM
Tuesday, April 14, 2009
The Distillery Program @ The Brew House
The Distillery Program has reached its third year. There is definitely a need for this type of program in Pittsburgh; a mentoring program that assists artists, through an immersive program, to reach progressive levels in their career development. Unfortunately, the Brew House site is under construction, so I pulled the following statement from their MySpace page. Yes, I did edit it a little. It hasn't been updated since its inception three years ago --
The Distillery Program at the Brew House Association, in its third year, is a program that acts as a stepping-stone for participants as they move towards new phases of artistic production and career development. The program addresses the current need for relevant career/professional development opportunities related to the arts as well as exhibition opportunities, and support for working artists by providing individuals with a supportive and dynamic arena in which to pursue studio practice, career development, and an exhibition opportunity in the SPACE 101 gallery.
The artists in this edition of the Distillery program have been very dynamic, seeking out and procuring additional exhibit opportunities. Last fall, the group put together an exhibit at 937 Liberty that was really consistent. It was a prelude to what could be an excellent culminating exhibit at Space 101. From the Facebook event page --
QUESTION / What happens when five artists at different ages and stages in their art making processes come together for a six month residency that provides shared affordable studio space, guest speakers from different domains of the art world and mentoring support?
ANSWER / Wiser artists emerge with new works of art that are ready to be unveiled and shared with the community at large.
The exhibit should be worth seeing. However, gallery hours are a little limited so plan accordingly.
The Distillery Program Season 3 Exhibition
2008-2009 Resident Artists
· Stephanie Armbruster
· Rose Clancy
· Matthew Liam Conboy
· Anna E. Mikolay
· Aubrie Sell
Space 101
The Brew House
2100 Mary St.
Pittsburgh PA 15203
EXHIBIT DURATION / April 24th through May 22.
GALLERY HOURS / Wed. & Thurs. 6-9pm, Sat. 12-6 pm
ARTIST TALK /Saturday, May 16, 5-7 PM
412-381-7767
Tuesday, April 07, 2009
First Annual Art What You Got
Remember the Art What You Got festival last year? It was a blast, even with the rain and wind. Well, this year, Art What You Got is having its Frist Annual on July 19th! The applications for this year's Art What You Got are now available! This year, we will be accepting applications from performers, too. I have included a brief description of the event at the end of this email. You can also follow us on Facebook and MySpace.
Please go to --
http://www.phcapgh.org/awyg.
for details and to download applications. Applications must be received by the Polish Hill Civic Association by April 30, 2009 (this is an actual, not a postmark deadline) So get them sent in soon!
Art What You Got is Polish Hill’s art festival, the second summer street fair in this small neighborhood. The main intersection of Polish Hill, Brereton and Dobson streets, is closed for an entire weekend each July when the Immaculate Heart of Mary Church holds a church community festival. The church event is on Saturday only, but tents, tables, chairs and lighting would stay in place until Monday morning. The Polish Hill Civic Association saw an opportunity to create a new tradition for the neighborhood and utilize the second day of the street closing. With the assistance and cooperation of the church, the West Penn Recreation Center, and a squad of volunteers, the PHCA presented the first Art What You Got in July of 2008. Despite a fierce storm that blew through in the afternoon, the bands kept playing, people kept eating pierogis and kielbasa, the sun eventually came out again, and the festival was counted as a rousing success.
Please go to --
http://www.phcapgh.org/awyg.
for details and to download applications. Applications must be received by the Polish Hill Civic Association by April 30, 2009 (this is an actual, not a postmark deadline) So get them sent in soon!
Art What You Got is Polish Hill’s art festival, the second summer street fair in this small neighborhood. The main intersection of Polish Hill, Brereton and Dobson streets, is closed for an entire weekend each July when the Immaculate Heart of Mary Church holds a church community festival. The church event is on Saturday only, but tents, tables, chairs and lighting would stay in place until Monday morning. The Polish Hill Civic Association saw an opportunity to create a new tradition for the neighborhood and utilize the second day of the street closing. With the assistance and cooperation of the church, the West Penn Recreation Center, and a squad of volunteers, the PHCA presented the first Art What You Got in July of 2008. Despite a fierce storm that blew through in the afternoon, the bands kept playing, people kept eating pierogis and kielbasa, the sun eventually came out again, and the festival was counted as a rousing success.
Thursday, April 02, 2009
Pittsburgh Art Events: 4/3-4/09
So what’s it going to be like this weekend? Will this Thursday foretaste of the weekend reflect its flavors? Hell if I know. But I do know this… there are plenty of options tomorrow and Saturday. Take a minute or two to scan this post and you just might find something to make your mouth moist.
Friday
I could almost be forgiven for believing the Pittsburgh Arts scene was in hibernation for virtually the entire winter (with a few notable exceptions, of course). So this First Friday represents a wake-up call for those of you who stayed tucked in through the long, cold season.
Unblurred features the return of the Modern Formations Spring Salon Annual Juried Exhibition. This is often a highlight on Penn Avenue (4919 PENN AVE), and through the years I’ve been exposed to more than a few exciting young artists there- Andy and Ben Kehoe, Katherine Young, Gabe Felice, and Jairan Sadeghi among them. Naturally there are no guarantees, but you could certainly find more futile ways to spend your time. Have at it.
Elsewhere you might run into some throat singers from the steppes of Central Asia (Garfield Artworks- 10 PM, $10 @ 4931 PENN AVE), or be offered an opportunity to take a free hour-long Argentine Tango crash course (5020 PENN AVE 3RD FLOOR,7-8PM, Free). If that ain’t your bag, you can check out the MOXBOX Fine Art Party (5014 PENN AVE) or see an opening for a mosaic down the street at the Pittsburgh Glass Center (5472 PENN AVE, 6-9PM). Carol Speranza has her hand-cut paintings at the International Children’s Art Gallery (5020 PENN AVE) and Dawn Hartman is displaying photos from Ghana at ImageBox (4933 PENN AVE).
After you’ve rambled along the Penn Avenue Corridor, make at least a quick digression to the Zombo Gallery for a look at the Folk Art of Tim Kerr. Apparently dude plays in a band… which wouldn’t ordinarily impress me, but I saw the image on the hot card, and it does look good. I sure do like to look at drawings. See ‘em here.
Likewise there is at least one opening downtown (@SPACE), and of course the competing first Friday over on Ellsworth in Shadyside. Maybe that’s where you belong instead?
Saturday
Moxie Dada (1416 Arch Street on the North Side) returns this month with a show of sculptures curated by Shannon Kuhns. Participating artists include the aforementioned Kuhns, Thomas Brunger, and Elizabeth Ashe Douglas. I find it hard to believe that despite the longstanding efforts of the proprietors, there are still a lot of otherwise savvy scenesters that have yet to visit the old firehouse that the gallery now inhabits. Perhaps you ought to do something about that…
Ok, so I guess I can quit scolding you. I’ll just drop one more suggestion before I leave off. The David Lawrence Convention Center (downtown PGH) is hosting Tekkoshocon- a celebration of Anime and Japanese Culture. It runs from Friday until Sunday, and they seem to have a full schedule planned. I don’t know if I can slip in for a couple of hours or not, but I sure do feel like trying. Cosplay, vendors, fan art… who wouldn’t want to go?
Friday
I could almost be forgiven for believing the Pittsburgh Arts scene was in hibernation for virtually the entire winter (with a few notable exceptions, of course). So this First Friday represents a wake-up call for those of you who stayed tucked in through the long, cold season.
Unblurred features the return of the Modern Formations Spring Salon Annual Juried Exhibition. This is often a highlight on Penn Avenue (4919 PENN AVE), and through the years I’ve been exposed to more than a few exciting young artists there- Andy and Ben Kehoe, Katherine Young, Gabe Felice, and Jairan Sadeghi among them. Naturally there are no guarantees, but you could certainly find more futile ways to spend your time. Have at it.
Elsewhere you might run into some throat singers from the steppes of Central Asia (Garfield Artworks- 10 PM, $10 @ 4931 PENN AVE), or be offered an opportunity to take a free hour-long Argentine Tango crash course (5020 PENN AVE 3RD FLOOR,7-8PM, Free). If that ain’t your bag, you can check out the MOXBOX Fine Art Party (5014 PENN AVE) or see an opening for a mosaic down the street at the Pittsburgh Glass Center (5472 PENN AVE, 6-9PM). Carol Speranza has her hand-cut paintings at the International Children’s Art Gallery (5020 PENN AVE) and Dawn Hartman is displaying photos from Ghana at ImageBox (4933 PENN AVE).
After you’ve rambled along the Penn Avenue Corridor, make at least a quick digression to the Zombo Gallery for a look at the Folk Art of Tim Kerr. Apparently dude plays in a band… which wouldn’t ordinarily impress me, but I saw the image on the hot card, and it does look good. I sure do like to look at drawings. See ‘em here.
Likewise there is at least one opening downtown (@SPACE), and of course the competing first Friday over on Ellsworth in Shadyside. Maybe that’s where you belong instead?
Saturday
Moxie Dada (1416 Arch Street on the North Side) returns this month with a show of sculptures curated by Shannon Kuhns. Participating artists include the aforementioned Kuhns, Thomas Brunger, and Elizabeth Ashe Douglas. I find it hard to believe that despite the longstanding efforts of the proprietors, there are still a lot of otherwise savvy scenesters that have yet to visit the old firehouse that the gallery now inhabits. Perhaps you ought to do something about that…
Ok, so I guess I can quit scolding you. I’ll just drop one more suggestion before I leave off. The David Lawrence Convention Center (downtown PGH) is hosting Tekkoshocon- a celebration of Anime and Japanese Culture. It runs from Friday until Sunday, and they seem to have a full schedule planned. I don’t know if I can slip in for a couple of hours or not, but I sure do feel like trying. Cosplay, vendors, fan art… who wouldn’t want to go?
Friday, March 27, 2009
Big Urban Photography Project @ Rust Wire
Hopefully more printed and online projects will develop to fill the emerging gaps in news coverage, and community linkages opening up as traditional newspapers struggle and fold. One new blog with ambitions to connect the Rust Belt is called Rust Wire which seems to be cooking up some kind of online photography project.
"Rustwire is recruiting photographers across the Midwest to take part in a photo project attempting to capture the unique essence of individual Rust Belt cities.
We want shots of Cleveland, when the fog rolls in from the lake and blankets downtown. We want the vacant storefront in the old Polish neighborhood in Buffalo. We want children playing in the streets in St. Louis. We want street construction projects, old warehouses, snowstorms and street festivals.
We need photographers with an interest in urban landscapes and knowledge and love for their cities. Email us at rustbeltnews@gmail.com to participate."
"Rustwire is recruiting photographers across the Midwest to take part in a photo project attempting to capture the unique essence of individual Rust Belt cities.
We want shots of Cleveland, when the fog rolls in from the lake and blankets downtown. We want the vacant storefront in the old Polish neighborhood in Buffalo. We want children playing in the streets in St. Louis. We want street construction projects, old warehouses, snowstorms and street festivals.
We need photographers with an interest in urban landscapes and knowledge and love for their cities. Email us at rustbeltnews@gmail.com to participate."
Pittsburgh Art Events: 3/27-28/09.
Years ago, when Pavement was still together playing vital music, frontman Stephen Malkmus used to wear a shirt that said, "Fuck Art. Let's Dance!". While I certainly understand the sentiment (and there are plenty of options to dance now that Spring is upon us), I'd rather not see y'all get zombified by the pollen clouds. Remember that there's nothing better to get you moving later in the night than looking at original art live in person. And there are some opportunities this weekend. Take advantage of them.
Friday
You could go downtown. Really, you could if you were of such a mind. No, it's not a crawl per se, but there are a couple of openings that seem like they might be worth checking out. With Potato/Tomato: The Cover Project, Future Tenant has organized a show around a potentially interesting concept- they've asked artists to riff on other creators' work. Those folks are always so adorably post-modern, and this presentation might just cause me to venture downtown early Friday evening (6-9PM). Or then again, it might not. If you do think you might be interested, check out their page here...
But perhaps you don't want to do too much driving. Maybe the idea of fighting the Friday Rush Hour snarl is too daunting to penetrate the Golden Triangle. If so, then I got sumptin' for ya. Go to the Zombo Gallery. It's your last chance to see Breitkreutz and Copeland in March- two up-and-comers worth keeping an eye on. Did you go to the opening? Was there too much going on that night (at 6-freakin' PM?!)? Don't just do a drive-by this time. Put your poison on hold and have a look at some paintings. There will be lots of time to go out later.
Saturday
This might just be some sort of freakin' typo... but is LUPEC (Ladies United for the Preservation of Exotic Cocktails) really hosting their Annual Women's History Month Closing Party at 7-ever lovin'-AM on Saturday morning? That's hardcore. I wonder what kind of strange rituals they will be perpetrating Friday night. Regardless of when it really happens, it's reported that they will be talking about cosmetics. That's even more appropriate at such an ungodly hour.
If you do get drunk that early in the morning, you might as well schlep your wares over to the Pittsburgh Center for the Arts' Simmons Hall for the New Member Screening of the Pittsburgh Society of Artists. Bring three gallery-ready pieces and $35. Meet some ah-tists. Buck the trends.
As far as the night is concerned, I didn't find any gallery openings on Saturday. Of course there's the possibility that some swell space somewhere is having their special people over for drinks and show-and-tell, but I'm not privy to such rarefied society. So I'm considering taking my sass over to Pittsburgh Filmmakers for the Black Maria Film Festival (7:30PM- $7). For years I've made it a habit not to see films in theaters, and I've rarely challenged that resolve. But with this event there should be lots of breaks, which are essential to my viewing pleasure. I don't know what you'll see if you go, but the press release explains:
"Since 1981, the annual Black Maria Film & Video Festival, an international juried competition & award tour, has been fulfilling its mission to advocate, exhibit and reward cutting edge works from independent film and videomakers. The festival is known for its national public exhibition program, which features a variety of bold contemporary works drawn from the annual collection of 50 award winning films & videos."
Then again, maybe your tastes run more toward the lowbrow. In that case, I don't think you can afford to miss Tromatic Movie Night at the Obey House (1337 Steuben St.). That's in Crafton Heights. Where the f'n hell is Crafton Heights? It just might be real cannibals and toxic freaks that you encounter out that way. Sound like an adventure? It's $5, it starts at 6PM, and it features "Magic Hat Beer Specials And Troma Vendor". Alrite then...
Friday
You could go downtown. Really, you could if you were of such a mind. No, it's not a crawl per se, but there are a couple of openings that seem like they might be worth checking out. With Potato/Tomato: The Cover Project, Future Tenant has organized a show around a potentially interesting concept- they've asked artists to riff on other creators' work. Those folks are always so adorably post-modern, and this presentation might just cause me to venture downtown early Friday evening (6-9PM). Or then again, it might not. If you do think you might be interested, check out their page here...
But perhaps you don't want to do too much driving. Maybe the idea of fighting the Friday Rush Hour snarl is too daunting to penetrate the Golden Triangle. If so, then I got sumptin' for ya. Go to the Zombo Gallery. It's your last chance to see Breitkreutz and Copeland in March- two up-and-comers worth keeping an eye on. Did you go to the opening? Was there too much going on that night (at 6-freakin' PM?!)? Don't just do a drive-by this time. Put your poison on hold and have a look at some paintings. There will be lots of time to go out later.
Saturday
This might just be some sort of freakin' typo... but is LUPEC (Ladies United for the Preservation of Exotic Cocktails) really hosting their Annual Women's History Month Closing Party at 7-ever lovin'-AM on Saturday morning? That's hardcore. I wonder what kind of strange rituals they will be perpetrating Friday night. Regardless of when it really happens, it's reported that they will be talking about cosmetics. That's even more appropriate at such an ungodly hour.
If you do get drunk that early in the morning, you might as well schlep your wares over to the Pittsburgh Center for the Arts' Simmons Hall for the New Member Screening of the Pittsburgh Society of Artists. Bring three gallery-ready pieces and $35. Meet some ah-tists. Buck the trends.
As far as the night is concerned, I didn't find any gallery openings on Saturday. Of course there's the possibility that some swell space somewhere is having their special people over for drinks and show-and-tell, but I'm not privy to such rarefied society. So I'm considering taking my sass over to Pittsburgh Filmmakers for the Black Maria Film Festival (7:30PM- $7). For years I've made it a habit not to see films in theaters, and I've rarely challenged that resolve. But with this event there should be lots of breaks, which are essential to my viewing pleasure. I don't know what you'll see if you go, but the press release explains:
"Since 1981, the annual Black Maria Film & Video Festival, an international juried competition & award tour, has been fulfilling its mission to advocate, exhibit and reward cutting edge works from independent film and videomakers. The festival is known for its national public exhibition program, which features a variety of bold contemporary works drawn from the annual collection of 50 award winning films & videos."
Then again, maybe your tastes run more toward the lowbrow. In that case, I don't think you can afford to miss Tromatic Movie Night at the Obey House (1337 Steuben St.). That's in Crafton Heights. Where the f'n hell is Crafton Heights? It just might be real cannibals and toxic freaks that you encounter out that way. Sound like an adventure? It's $5, it starts at 6PM, and it features "Magic Hat Beer Specials And Troma Vendor". Alrite then...
for closed #1, 2, 3
The odd synchronicity about this house, that I considered while I was photographing it -- on Law & Order, if the criminal goes to a hotel, he ends up it room 213. Every time.
There is something oddly criminal, or connected to the criminal, about the fallout of the financial misbehaviors of those rotten banks. It makes it easier to look away from the actual loss being suffered by people if one chooses to argue over the semantics of "how this is going to be solved" (or not). That argument becomes a rabbit trail to a garbage dump of language and legality that stops us from paying attention to the length of lines at soup kitchens, the risks of personal losses, the threat to our own financial lives.
There are a few reasons why I ignore the current merry-go-round of finger-pointing and blame. First, I don't think money, or economic systems, or systems of government, answer to the problem of suffering.
Second, the act of blaming is its own curse. The arguments about the past help us ignore the present. Our "news" media and its chronic search for "answers" fuel arguments about "how 'we' could have allowed ________ to violate our ______ " with something about the public trust thrown in. That long argument, the attention paid to a few people being held responsible for a system's failure (a system we all participate in on one level or another) helps us ignore the fact that actual people are losing their homes.
What are we doing to help them?
These photos were shot in Bloomfield, near the Crazy Mocha on Liberty.
Happening in Pittsburgh this weekend
Hello everybody,
Following is a guest post from Serendipity. Enjoy!
Years ago, when Pavement was still together playing vital music, frontman Stephen Malkmus used to wear a shirt that said, "Fuck Art. Let's Dance!". While I certainly understand the sentiment (and there are plenty of options to dance now that Spring is upon us), I'd rather not see y'all get zombified by the pollen clouds. Remember that there's nothing better to get you moving later in the night than looking at original art live in person. And there are some opportunities this weekend. Take advantage of them.
Friday
You could go downtown. Really, you could if you were of such a mind. No, it's not a crawl per se, but there are a couple of openings that seem like they might be worth checking out. With Potato/Tomato: The Cover Project, Future Tenant has organized a show around a potentially interesting concept- they've asked artists to riff on other creators' work. Those folks are always so adorably post-modern, and this presentation might just cause me to venture downtown early Friday evening (6-9PM). Or then again, it might not. If you do think you might be interested, check out their page here...
But perhaps you don't want to do too much driving. Maybe the idea of fighting the Friday Rush Hour snarl is too daunting to penetrate the Golden Triangle. If so, then I got sumptin' for ya. Go to the Zombo Gallery. It's your last chance to see Breitkreutz and Copeland in March- two up-and-comers worth keeping an eye on. Did you go to the opening? Was there too much going on that night (at 6-freakin' PM?!)? Don't just do a drive-by this time. Put your poison on hold and have a look at some paintings. There will be lots of time to go out later.
Saturday
This might just be some sort of freakin' typo... but is LUPEC (Ladies United for the Preservation of Exotic Cocktails) really hosting their Annual Women's History Month Closing Party at 7-ever lovin'-AM on Saturday morning? That's hardcore. I wonder what kind of strange rituals they will be perpetrating Friday night. Regardless of when it really happens, it's reported that they will be talking about cosmetics. That's even more appropriate at such an ungodly hour.
If you do get drunk that early in the morning, you might as well schlep your wares over to the Pittsburgh Center for the Arts' Simmons Hall for the New Member Screening of the Pittsburgh Society of Artists. Bring three gallery-ready pieces and $35. Meet some ah-tists. Buck the trends.
As far as the night is concerned, I didn't find any gallery openings on Saturday. Of course there's the possibility that some swell space somewhere is having their special people over for drinks and show-and-tell, but I'm not privy to such rarefied society. So I'm considering taking my sass over to Pittsburgh Filmmakers for the Black Maria Film Festival (7:30PM- $7). For years I've made it a habit not to see films in theaters, and I've rarely challenged that resolve. But with this event there should be lots of breaks, which are essential to my viewing pleasure. I don't know what you'll see if you go, but the press release explains:
"Since 1981, the annual Black Maria Film & Video Festival, an international juried competition & award tour, has been fulfilling its mission to advocate, exhibit and reward cutting edge works from independent film and videomakers. The festival is known for its national public exhibition program, which features a variety of bold contemporary works drawn from the annual collection of 50 award winning films & videos."
Then again, maybe your tastes run more toward the lowbrow. In that case, I don't think you can afford to miss Tromatic Movie Night at the Obey House (1337 Steuben St.). That's in Crafton Heights. Where the f'n hell is Crafton Heights? It just might be real cannibals and toxic freaks that you encounter out that way. Sound like an adventure? It's $5, it starts at 6PM, and it features "Magic Hat Beer Specials And Troma Vendor". Alrite then...
Following is a guest post from Serendipity. Enjoy!
Years ago, when Pavement was still together playing vital music, frontman Stephen Malkmus used to wear a shirt that said, "Fuck Art. Let's Dance!". While I certainly understand the sentiment (and there are plenty of options to dance now that Spring is upon us), I'd rather not see y'all get zombified by the pollen clouds. Remember that there's nothing better to get you moving later in the night than looking at original art live in person. And there are some opportunities this weekend. Take advantage of them.
Friday
You could go downtown. Really, you could if you were of such a mind. No, it's not a crawl per se, but there are a couple of openings that seem like they might be worth checking out. With Potato/Tomato: The Cover Project, Future Tenant has organized a show around a potentially interesting concept- they've asked artists to riff on other creators' work. Those folks are always so adorably post-modern, and this presentation might just cause me to venture downtown early Friday evening (6-9PM). Or then again, it might not. If you do think you might be interested, check out their page here...
But perhaps you don't want to do too much driving. Maybe the idea of fighting the Friday Rush Hour snarl is too daunting to penetrate the Golden Triangle. If so, then I got sumptin' for ya. Go to the Zombo Gallery. It's your last chance to see Breitkreutz and Copeland in March- two up-and-comers worth keeping an eye on. Did you go to the opening? Was there too much going on that night (at 6-freakin' PM?!)? Don't just do a drive-by this time. Put your poison on hold and have a look at some paintings. There will be lots of time to go out later.
Saturday
This might just be some sort of freakin' typo... but is LUPEC (Ladies United for the Preservation of Exotic Cocktails) really hosting their Annual Women's History Month Closing Party at 7-ever lovin'-AM on Saturday morning? That's hardcore. I wonder what kind of strange rituals they will be perpetrating Friday night. Regardless of when it really happens, it's reported that they will be talking about cosmetics. That's even more appropriate at such an ungodly hour.
If you do get drunk that early in the morning, you might as well schlep your wares over to the Pittsburgh Center for the Arts' Simmons Hall for the New Member Screening of the Pittsburgh Society of Artists. Bring three gallery-ready pieces and $35. Meet some ah-tists. Buck the trends.
As far as the night is concerned, I didn't find any gallery openings on Saturday. Of course there's the possibility that some swell space somewhere is having their special people over for drinks and show-and-tell, but I'm not privy to such rarefied society. So I'm considering taking my sass over to Pittsburgh Filmmakers for the Black Maria Film Festival (7:30PM- $7). For years I've made it a habit not to see films in theaters, and I've rarely challenged that resolve. But with this event there should be lots of breaks, which are essential to my viewing pleasure. I don't know what you'll see if you go, but the press release explains:
"Since 1981, the annual Black Maria Film & Video Festival, an international juried competition & award tour, has been fulfilling its mission to advocate, exhibit and reward cutting edge works from independent film and videomakers. The festival is known for its national public exhibition program, which features a variety of bold contemporary works drawn from the annual collection of 50 award winning films & videos."
Then again, maybe your tastes run more toward the lowbrow. In that case, I don't think you can afford to miss Tromatic Movie Night at the Obey House (1337 Steuben St.). That's in Crafton Heights. Where the f'n hell is Crafton Heights? It just might be real cannibals and toxic freaks that you encounter out that way. Sound like an adventure? It's $5, it starts at 6PM, and it features "Magic Hat Beer Specials And Troma Vendor". Alrite then...
Thursday, March 26, 2009
The bearded lady is never behind the curtain ...
As the internet turns the world into short attention span theater I find myself juggling multiple outlets for short attention span creating. I have a livejournal, for the most part blocked off from the rest of the world and connected to nonlocal friends. I've puzzled over the 'artist's blog' and kept one since 2003; now I've rolled it into my own website.
Started playing with Twitter, which is turning out to be a heck of a lot of fun. I'm more of a conceptwitter person than telling the (illusion of) the world where I am all the time. My vox blog, the remnant of an artist blog, has become snippets or clippings of flickr photos, tweets, and links. mySpace? Yeah, its nice to go down to that dive bar once a week for the noise and sleaze, strange bands coming up and humping my leg for attention.
With its recent redesigns, Facebook became a combination of mySpace and Twitter. Much noisier, visually, but, its popularity means i've gotten back in touch with some people who I wanted to reconnect with.
Now, to the point of this post.
I can't stand the people who use social networks to pimp themselves constantly. Every tweet or every FB status post is a link to something they've done, or something they are doing.
Granted I'll post a link to this thing on Facebook. Its about proportion. You gotta give something, not be that hand out there begging for clickthroughs.
When people do this, they are being a non-profit organization that only talks to its members to sqeeze them for more money. This becomes very easy to ignore.
Be a beacon of content.
Don't be a series of promises that the content will somehow be there behind another door that you want me to open. I know you want me to click there. The constant stream of tiny URLs tells me you value the clickthrough more than giving me content - you value what I have to give you (my attention) more than what you have to give me (your content).
Maybe you want the control of making me look at your content on your terms. Not interested.
The internet means tolerating hucksters, viruses, popups. The carnival inside my computer, the cost of a click is only my time. You shout and beckon with empty invitations. The bearded lady is never there.
Don't be surprised if I unfriend you, or stop following.
Started playing with Twitter, which is turning out to be a heck of a lot of fun. I'm more of a conceptwitter person than telling the (illusion of) the world where I am all the time. My vox blog, the remnant of an artist blog, has become snippets or clippings of flickr photos, tweets, and links. mySpace? Yeah, its nice to go down to that dive bar once a week for the noise and sleaze, strange bands coming up and humping my leg for attention.
With its recent redesigns, Facebook became a combination of mySpace and Twitter. Much noisier, visually, but, its popularity means i've gotten back in touch with some people who I wanted to reconnect with.
Now, to the point of this post.
I can't stand the people who use social networks to pimp themselves constantly. Every tweet or every FB status post is a link to something they've done, or something they are doing.
Granted I'll post a link to this thing on Facebook. Its about proportion. You gotta give something, not be that hand out there begging for clickthroughs.
When people do this, they are being a non-profit organization that only talks to its members to sqeeze them for more money. This becomes very easy to ignore.
Be a beacon of content.
Don't be a series of promises that the content will somehow be there behind another door that you want me to open. I know you want me to click there. The constant stream of tiny URLs tells me you value the clickthrough more than giving me content - you value what I have to give you (my attention) more than what you have to give me (your content).
Maybe you want the control of making me look at your content on your terms. Not interested.
The internet means tolerating hucksters, viruses, popups. The carnival inside my computer, the cost of a click is only my time. You shout and beckon with empty invitations. The bearded lady is never there.
Don't be surprised if I unfriend you, or stop following.
Right Wing Video Of The Week
This may become a series of at least monthly posts of favorite videos, I find on line that support libery, financial rationality and Constitutional Government.
This particular one is of a Brittish, Conservative MP, delivering a brutal tongue lashing to Prime Minister Gordon Brown. England, might be one of the few major nations in worse financial shape than we are, but most of this could be said about Barak Obama.
Wednesday, March 25, 2009
Wheeling Tries To Bring Back The Jamboree
On a regular visit a new blog called Rust Wire, I found this story about Wheeling West Virginia's efforts to revive an important part of country music history and give the city a boost by bringing back Jamboree USA.
"For 72 years this Rust Belt city was widely known for something besides the steel and glass that was its economic foundation. It was home to Jamboree USA, the nation’s second-longest-running live country music show, beamed from WWVA’s powerful 50,000-watt AM radio station primarily to the northeastern United States and Canada."
The article has a lot of sad and hopefull thoughts about why Wheeling never fully capitalized on this huge event's potential to become a center for country music. The convention bureau recently bought the theater which housed the event to take a second shot.
"Like virtually every other city that has lost its industry, Wheeling, with a population of 29,000, has experienced many efforts to rejuvenate its downtown. One, in the early 1970s, would have turned much of downtown into a mall, but voters turned it down; another, five years ago, would have turned it into an outlet mall.
So can an old factory city find the key to revitalizing its downtown?
“I think so,” said Luis Rico-Gutierrez, director of the Remaking Cities Institute at Carnegie Mellon University in Pittsburgh. “But it is more a matter of attitudes than a matter of scales or money. They need to understand that culture is as important as steel was.”"
The original Jamboree was always known as not just a gathering of major stars, like Johnny Cash and Merle Haggard, but also a launching point for lesser known acts. The promoters hope to get back to those roots. They have a strong, loved brand to start with.
I Am A Right Wing Blogger Now
People who followed this blog for a while would have seen more than a few "political type" posts, most of which had a libertarian spin. Anyway, I didn't feel I should keep on loading up this blog with posts with little relation to Art.
I may be in the future setting up a personal blog as an outlet for these views or even participating in a group blog with like minded folks.
For now, I have been posting a lot on Rust Belt Bloggers.
I will still put many political posts on here, particulary those that relate to free speach and other issues that touch on culture.
I may be in the future setting up a personal blog as an outlet for these views or even participating in a group blog with like minded folks.
For now, I have been posting a lot on Rust Belt Bloggers.
I will still put many political posts on here, particulary those that relate to free speach and other issues that touch on culture.
Robert Qualters @Borelli Edwards Gallery
Bob Qualter's work has always been a favorite of mine. His solo exhibit at Borelli Edwards is no exception. The work is highly detailed and layered, a real treat for the eye.
The exhibit is well documented on the gallery site. Hopefully, that will entice you to take a trip to the Larryville neighborhood.
Robert Qualters: Autobiographical Mythologies; A Life in Art
March 13-April 25, 2009
3583 Butler Street,
Pittsburgh, PA 15201
412.687.2606 or begalleries@mac.com
Tuesday - Friday 11 - 6 / Saturday 11 - 5
Tuesday, March 24, 2009
Director: Nick Nolte, Seeking 1500 Extras For Film In Pittsburgh
Actor/director, Nolte will be filming, Warrior about a Vietnam Vet training his son in ultimate fighting, will need 1500 extras to play student fans who crowd Pitt's Petersen Event Center to watch the climactic battle.
"Extras must be 18 years or older and will be paid $100 for 12 hours of work. Lisa Brennan, extras casting director, said there is no set schedule of how many extras are needed for any given day. Some days of shooting call for five to 10 extras and others call for 1,500.
Extras do not need to have prior experience or fulfill any set requirements. However, Brennan is looking for students and those who can pass for students.
“One of the scenes takes place in a high school classroom,” said Brennan. “We will need people to fit the bill.”
The Petersen Events Center is also a major character in the film “Warrior.” Brennan said that the Pete will be a gym and will possibly be transformed in to a Las Vegas set. The Pete will also be the setting during the film’s climatic scene, where the star battles opponents in a series of choreographed mixed martial arts tournaments. On that day of filming, more than 1,500 extras are needed to fill the Petersen gymnasium."
Seems like a few other extras may be needed for other scenes and that the bulk of the film will be shot in and around Pittsburgh
"Extras must be 18 years or older and will be paid $100 for 12 hours of work. Lisa Brennan, extras casting director, said there is no set schedule of how many extras are needed for any given day. Some days of shooting call for five to 10 extras and others call for 1,500.
Extras do not need to have prior experience or fulfill any set requirements. However, Brennan is looking for students and those who can pass for students.
“One of the scenes takes place in a high school classroom,” said Brennan. “We will need people to fit the bill.”
The Petersen Events Center is also a major character in the film “Warrior.” Brennan said that the Pete will be a gym and will possibly be transformed in to a Las Vegas set. The Pete will also be the setting during the film’s climatic scene, where the star battles opponents in a series of choreographed mixed martial arts tournaments. On that day of filming, more than 1,500 extras are needed to fill the Petersen gymnasium."
Seems like a few other extras may be needed for other scenes and that the bulk of the film will be shot in and around Pittsburgh
Christine @drink & draw
I know I am late in posting this. The session last week was really stupendous. As always, Christine was a wonderful model. Thanks to everybody that came out! We had a pretty full house, but some folks left before I could get images of their work. Below is a slideshow of some of the drawings done at the session. I usually ask drawers to have the piece they liked best ready to shoot. Funny how it almost always is from the longer poses.
drink & draw is moving to once a month! We will be meeting on the last Tuesday of each month. Sessions will start at 6:30pm. Next session is April 27, our model will be Paul.
Drink and Draw…
is an open studio live model drawing session that meets last Tuesdays on the second floor of brillobox, located at 4104 Penn Ave, Pittsburgh, Pa. This session is relaxed, surprising, and inspiring. amazing models dressed in various themes, old timey music, great company, and decor. All mediums, except oils, welcome.
Drink & Draw
Upstairs | 6:30 - 9:30PM | $10
MySpace
brillobox
get on our mailing list. email us at brilloboxdrinkanddraw@yahoo.com
4104 penn ave
412.621.4900
Monday, March 23, 2009
No Longer Disturbing: Beneath The Paper Thin Surface At Unsmoke Systems
Saturday Night, I was able to get to Unsmoke Systems in Braddock and was treated to an amazing show which I didn't document visually. Zoe McCloskey, is an artist from, I think NY who done art projects in Belize, Argentina, Mexico and El Salvador and now moved to Pittsburgh. She and her brother started a residency program for writers called Cyberpunkapocalypse in Lawrenceville. She shares the gallery with a classmate from Cooper Union named Firelei Baez.
Firelei's work was mysterious, sometimes funny, and visually stunning. She's obviously got talent, imagination and skills to burn but these works go far beyond just visual display. Lush, ornate and often over the top, combinations of sensual, and biological images prevail many of which trace to Afro Caribbean folklore. But as she states, her purpose seems to always blur definitions and identities.
"My artwork consists of paintings, drawings, and prints that regard my physical self, my personal history, and Caribbean folklore. Afro-Caribbean folklore allows for malleability in the creation of the self, but I find my status as an Afro-Latina in the United States static and limiting in comparison. In response, I try to disrupt the current system of social categorization through the creation of characters that refuse definition. My artworks depict characters of indeterminate race, signified by their facial features, colorless skin, and hairstyles representative of ethnic hair. These men and women are interacting with predatory birds and finches: eating them, being plucked by them, admiring them, fighting them, scared of them, and unaware of them. In Caribbean folklore any part of the body represents the soul, especially hair. It is necessary to protect ones soul by making sure that any hair that is shed does not wind up in the hands of others. If a bird picks up ones hair and incorporates it into it’s nest, then the person’s soul is placed in limbo. I use this symbolically loaded scenario, among others, to metaphorically illustrate the multiplicities and hypocrisies that make up the current discussion about race and class within popular culture. "
Zoe's work which was mostly hung at the gallery's center had much less visual force. A lot of it seemed to involve large blowups of personal poetry/writing and several letters and notes written to her. A lot of the poems, in english or spanish were pretty strong and that gave it a slowly resonating power as the words linked to their arrangements on the page and interaction with her imagery. I felt I should have looked closer.
Luckily, the Post Gazette posted this video on the show.
Sunday, March 22, 2009
Sixteen Birds & Inflatable Architectural Body @ Wood Street (to April 4)
immediate impressions :
- kinetic sculpture
- robotics
- zen mechanics
- alienation
- pseudo-industrial & regulatory translation of natural processes
- computer - aided (mac minis in the cieling)
- white on white on white with silver accents, pseudo-surgical tubing, touches of lubricating gel
- oh! where's my patience. so i can really experience this.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Gallery 3
Inflatable Architectural Body
Gallery white-out, white covers the windows. White box with mechanical apparatus hanging from the ceiling at center. The puffs and grinds of this sculpture having an internal dialogue in front of the viewer. Hangs like -- fruit? squid? vines? many organic analogies for a clearly inorganic object.
Movement triggered by inflation and deflation of the white tubes tugging on the closed system. Hisses, noises, clicks whirs and breathing.
The gallery attendant lets me in on a secret: the argument its having with itself is tearing the thing apart.
I have a self-other clinical relationship with it. Then I ask if it is permissible to lie down under the thing and, in fact, do so. Only now am I vulnerable to it. Intellect knows its not going to hit me. Instinct tells me this is dangerous. I have a heightened awareness response. I think of some of the self-destructive delusions I have watched people bog themselves down with (including myself).
I have been reading a tibetan buddhist tract about the discursive mind, our ability to get into closed loops of thought, immediately before viewing this piece. Of course I project that notion onto this work. I find that idea fits in a satisfying way. I decide I understand this work.
Gallery 4
Sixteen Birds
The windows are uncovered.
Sixteen flying Vs. A flock. Oh the birds of appetite. White sculpture, white walls. They are flaccid, wings dangling down. My presences figures into, triggers inflation. Up. Cascade from front to back. They fly out the window.
Did the artists make the mechanical birds because they could. Don't we all make art because we can. Well its less destructive than any other way of existing, even in its uselessness. And it is beautiful.
Fourth floor of Wood Street. Birds fly past the windows. This is such a clean image, there are so many resonances in art history - Van Gogh's fields with black crows scudding across the sky, Saint-Exupery's Little Prince flying, his flock of wild birds carrying him. Intuitive, clean, immediately get it, sit, rest, watch the birds breathe, their wings inflate and deflate in some musical sequence scored to a rhythm I don't know.
Wood St. Galleries
- kinetic sculpture
- robotics
- zen mechanics
- alienation
- pseudo-industrial & regulatory translation of natural processes
- computer - aided (mac minis in the cieling)
- white on white on white with silver accents, pseudo-surgical tubing, touches of lubricating gel
- oh! where's my patience. so i can really experience this.
Gallery 3
Inflatable Architectural Body
Gallery white-out, white covers the windows. White box with mechanical apparatus hanging from the ceiling at center. The puffs and grinds of this sculpture having an internal dialogue in front of the viewer. Hangs like -- fruit? squid? vines? many organic analogies for a clearly inorganic object.
Movement triggered by inflation and deflation of the white tubes tugging on the closed system. Hisses, noises, clicks whirs and breathing.
The gallery attendant lets me in on a secret: the argument its having with itself is tearing the thing apart.
I have a self-other clinical relationship with it. Then I ask if it is permissible to lie down under the thing and, in fact, do so. Only now am I vulnerable to it. Intellect knows its not going to hit me. Instinct tells me this is dangerous. I have a heightened awareness response. I think of some of the self-destructive delusions I have watched people bog themselves down with (including myself).
I have been reading a tibetan buddhist tract about the discursive mind, our ability to get into closed loops of thought, immediately before viewing this piece. Of course I project that notion onto this work. I find that idea fits in a satisfying way. I decide I understand this work.
Gallery 4
Sixteen Birds
The windows are uncovered.
Sixteen flying Vs. A flock. Oh the birds of appetite. White sculpture, white walls. They are flaccid, wings dangling down. My presences figures into, triggers inflation. Up. Cascade from front to back. They fly out the window.
Did the artists make the mechanical birds because they could. Don't we all make art because we can. Well its less destructive than any other way of existing, even in its uselessness. And it is beautiful.
Fourth floor of Wood Street. Birds fly past the windows. This is such a clean image, there are so many resonances in art history - Van Gogh's fields with black crows scudding across the sky, Saint-Exupery's Little Prince flying, his flock of wild birds carrying him. Intuitive, clean, immediately get it, sit, rest, watch the birds breathe, their wings inflate and deflate in some musical sequence scored to a rhythm I don't know.
Wood St. Galleries
Monday, March 16, 2009
SketchCrawl
So, I think this is a pretty nifty idea. From the SketchCrawl site --The next step was making the SketchCrawl a World Wide event: having people from different corners of the world join in a day of sketching and journaling and then, thanks to the Internet, having everyone share the results on an online forum.
The events happen in a (casual) quarterly schedule. The next one, SketchCrawl 22, is scheduled for April 22.
I wish I could do something about coordinating one of these events here in Pittsburgh. Unfortunately, I work on Saturdays at my day job and Saturdays off is not really an option. I hope someone around here takes this up; the event is up to 90 participating cities around the world. Who knew there were so many folks interested in drawing?
Sunday, March 15, 2009
Lit News: Novelist Michael Kimball Visits Pittsburgh This Week
I'm really excited that novelist Michael Kimball is coming from Baltimore to read TWICE in Pittsburgh this week. I could tell you that I loved his heartbreaking and tragicomic new book, Dear Everybody, in which we get to read the thank you notes and apologies a suicided young weatherman left behind, but why take my word for it when you could take the LA Times', Time Out New York's, The Believer's, New Pages', or Just Listen Book Reviews'. Dear Everybody has been getting non-stop rave reviews for several months, and you shouldn't miss this opportunity to see Kimball read from it.
For a taste of the readings, check out this beautiful video for the book, an excerpt in the author's voice that plays like a visual short story: Dear Everybody, the Book Trailer
Kimball is also the author of the ongoing blog and forthcoming book, "Michael Kimball Writes Your Life Story (on a Postcard)".
Michael Kimball reads on:
Monday, March 16th @ 7:30 pm
University of Pittsburgh English Department
Cathedral of Learning
5th floor, room 501
and
Wednesday, March 18th @ 8:00 pm
TNY Presents at ModernFormations Gallery
4919 Penn Avenue
$5 or free with pot luck item
with Kelly Ramsey, Andy Mulkerin, & Colin Baxter
Monday, March 02, 2009
St. Nicholas Croatian Catholic Church
In July of 2007, a couple Pittsburgh Arts - Digging Pitt contributors made a trek across the river to Millvale to view the Vanko murals at St Nicholas.
The author did document his field trip. The reason this has come up again is because the Pittsburgh Post Gazette has put up an extraordinary documentation of St Nicholas Church. Periodically, Steve Mellon sets up a 360 degree camera and shoots a location of interest in Pittsburgh. It's pretty amazing; you can navigate through the entire environment, zooming in at points of specific interest. Go see for yourself.
The author did document his field trip. The reason this has come up again is because the Pittsburgh Post Gazette has put up an extraordinary documentation of St Nicholas Church. Periodically, Steve Mellon sets up a 360 degree camera and shoots a location of interest in Pittsburgh. It's pretty amazing; you can navigate through the entire environment, zooming in at points of specific interest. Go see for yourself.
Friday, February 27, 2009
Angels in America at Pitt
This weekend marks the last two performances of Angels in America Part 1: Millennium Approaches. University of Pittsburgh Repertory Theater, directed by Holly Thuma, made the commitment to Angels. They've assembled a wholly original staging.
Ted Hoover's review in the City Paper covers the historic nature & inherent difficulties of staging Angels. All the necessary Kushner details. I'm more interested in this particular staging, how its compact format and strategic transitions allowed the group to create a series of striking images for the audience.
The stage inside Stephen Foster Memorial Theatre (Forbes Avenue at Bigelow) is pretty damn small. If this were an apartment, it would be "charming" or "cozy". Monochromatic beige stone masonry in three layers, shallow levels that create zones for small set-pieces. The walls flip to become urinals. Stagehands bring out simple beds, couches, chairs, easily flipping the audiences attention from one stage 'zone' to another. Simple misdirection allows characters to appear magically.
Lighting, from strong color 'looks' to image projections over the entirety of the stage allow the set and the actors upon it to become the screen upon which we the audience projected the play. Moments like Ethyl Rosenberg's appearance, the dance of the diseased Prior and his fleeing lover in a tux, the shifting snows of the antarctic, all created indelible images that could become painting.
All in one intimate space. Of course the angel makes her appearance, in the way we are expecting her to. But the series of spells cast by the environments, the capable acting, draw one in. I was surprised to burst into tears when she fell from the cieling in her harness.
This group has overcome the difficulty of audience familiarity which poses a particular challenge in Millennium. Still, take advantage of the last two nights. That way you'll be prepared for Perestroika when they stage it this spring.
city paper review
university of pittsburgh information
for tickets call 412-624-PLAY
Ted Hoover's review in the City Paper covers the historic nature & inherent difficulties of staging Angels. All the necessary Kushner details. I'm more interested in this particular staging, how its compact format and strategic transitions allowed the group to create a series of striking images for the audience.
The stage inside Stephen Foster Memorial Theatre (Forbes Avenue at Bigelow) is pretty damn small. If this were an apartment, it would be "charming" or "cozy". Monochromatic beige stone masonry in three layers, shallow levels that create zones for small set-pieces. The walls flip to become urinals. Stagehands bring out simple beds, couches, chairs, easily flipping the audiences attention from one stage 'zone' to another. Simple misdirection allows characters to appear magically.
Lighting, from strong color 'looks' to image projections over the entirety of the stage allow the set and the actors upon it to become the screen upon which we the audience projected the play. Moments like Ethyl Rosenberg's appearance, the dance of the diseased Prior and his fleeing lover in a tux, the shifting snows of the antarctic, all created indelible images that could become painting.
All in one intimate space. Of course the angel makes her appearance, in the way we are expecting her to. But the series of spells cast by the environments, the capable acting, draw one in. I was surprised to burst into tears when she fell from the cieling in her harness.
This group has overcome the difficulty of audience familiarity which poses a particular challenge in Millennium. Still, take advantage of the last two nights. That way you'll be prepared for Perestroika when they stage it this spring.
university of pittsburgh information
for tickets call 412-624-PLAY
Wednesday, February 25, 2009
Preservation Fair @Carnegie Museum
As if you didn't need a reason to visit the Carnegie Museum, here's another one! There will be a Preservation Fair at the Carnegie Museum this Saturday --
Over 30 individual conservators and vendors of conservation supplies and services will be on hand to address your conservation issues. Bring books, photographs, film, letters and other documents, paintings, textiles and family treasures for free conservation advice. No appraisals or valuations will be given.
The featured speakers will be Rick Prelinger, of the Prelinger Film Archive, speaking on the value of preserving film as a cultural artifact and Tom Clareson, of PALINET, with advice on preserving your family treasures in times of disaster. These talks will be held in the Museum’s Earth Theater, from 11:30 AM – 1:00 PM.
The fair has a broad appeal, with an emphasis on family treasures. But that covers a lot of ground, with exhibitors from local museums, galleries and universities. Here is a list of the exhibitors that will be on hand to discuss art conservation issues --
* Carnegie Museum of Art
Ellen Baxter (paintings)
Michael Belman (objects)
Carnegie Museum of Art, Conservation Dept.
* Christine Daulton (paintings)
* Concept Art Gallery (paintings, photographs, art on paper)
Charles Biddle
* Rikke Foulke (paintings)
* Rhonda Wozniak (fine and decorative art, ethnographic and archaeological materials)
In addition to art conservation, exhibitors will also be on hand to discuss film preservation, photography and furniture restoration. Check here for a full list of exhibitors. All in all it sounds like a really full day.
Preservation Fair
Carnegie Museum of Natural History
4400 Forbes Avenue, Pittsburgh.
Saturday, February 28, 2009, 10 AM – 4 PM
Co-sponsored by Carnegie Museum of Natural History and the School of Information Sciences, University of Pittsburgh
Over 30 individual conservators and vendors of conservation supplies and services will be on hand to address your conservation issues. Bring books, photographs, film, letters and other documents, paintings, textiles and family treasures for free conservation advice. No appraisals or valuations will be given.
The featured speakers will be Rick Prelinger, of the Prelinger Film Archive, speaking on the value of preserving film as a cultural artifact and Tom Clareson, of PALINET, with advice on preserving your family treasures in times of disaster. These talks will be held in the Museum’s Earth Theater, from 11:30 AM – 1:00 PM.
The fair has a broad appeal, with an emphasis on family treasures. But that covers a lot of ground, with exhibitors from local museums, galleries and universities. Here is a list of the exhibitors that will be on hand to discuss art conservation issues --
* Carnegie Museum of Art
Ellen Baxter (paintings)
Michael Belman (objects)
Carnegie Museum of Art, Conservation Dept.
* Christine Daulton (paintings)
* Concept Art Gallery (paintings, photographs, art on paper)
Charles Biddle
* Rikke Foulke (paintings)
* Rhonda Wozniak (fine and decorative art, ethnographic and archaeological materials)
In addition to art conservation, exhibitors will also be on hand to discuss film preservation, photography and furniture restoration. Check here for a full list of exhibitors. All in all it sounds like a really full day.
Preservation Fair
Carnegie Museum of Natural History
4400 Forbes Avenue, Pittsburgh.
Saturday, February 28, 2009, 10 AM – 4 PM
Co-sponsored by Carnegie Museum of Natural History and the School of Information Sciences, University of Pittsburgh
Monday, February 09, 2009
Blossom Dearie; Godspeed
I have spoken about my admiration of Blossom Dearie in the past. An incomparable vocalist and pianist, Blossom Dearie's voice has accompanied me through many changes.
I first became acquainted with her in college and because of that exposure have found myself drawn to other indefinable performers. I never saw her perform; I wish now that I had. The NYT announced today that Blossom Dearie has died. --
Godspeed, Blossom Dearie. You will be forever cherished.
I first became acquainted with her in college and because of that exposure have found myself drawn to other indefinable performers. I never saw her perform; I wish now that I had. The NYT announced today that Blossom Dearie has died. --
A singer, pianist and songwriter with an independent spirit who zealously guarded her privacy, Ms. Dearie pursued a singular career that blurred the line between jazz and cabaret. An interpretive minimalist with caviar taste in songs and musicians, she was a genre unto herself. Rarely raising her sly, kittenish voice, Ms. Dearie confided song lyrics in a playful style below whose surface layers of insinuation lurked. Read the article
Godspeed, Blossom Dearie. You will be forever cherished.
Friday, February 06, 2009
Literary Pittsburgh--Get Your Readings Here
There's lots for the literary audience to love this month. The following are only SOME of what's out there in Steel City in the next few weeks:
The ever-popular Gist Street readings happen tonight in Uptown. Emily Mitchell (who teaches writing at nearby WVU) is the featured fiction reader, and Jeffrey McDaniel (who has published on Manic D Press and University of Pittsburgh Press) will read from his poetry. The Gist Street readings start at 8:00 but doors close when the place hits capacity--go early to ensure your seat! Door charge, $5.00, held at James Simon’s sculpture studio, 305 Gist Street. For more info and directions: giststreet.org
On the other side of town, at the lovely Kelly Strayhorn Theatre in East Liberty (5941 Penn Ave on Penn Circle), you can see spoken word and music with performers like Human Nature hosts, Yah Lioness and Gene Stovall, Human Nature house musician Hambone Jenkins, DJ Omar Abdul in the front lobby, and more. The event is called KST Live, costs $5.00 and starts at 7:00pm.
Tomorrow, Saturday February 7th, there's a great lineup at Most Wanted Fine Art Gallery at 5015 Penn Avenue. Calling themselves the Six Degree Reading, emerging poets Renée Alberts, Sophie Klahr, Holly Coleman, Michelle Stoner, Jerome Crooks, Nikki Allen, and Jason Kirin will read starting at 7:00pm, also for $5.00.
Mid-month, the New Yinzer's reading series, TNY Presents, features Gist Street host Sherrie Flick with fiction, Patti Emory with poetry, and indie rocker and dramatist, Julie Sokolow with fiction. February 18th at ModernFormations, 8:00pm, $5.00.
Pittsburgh's own poetry powerhouse, Autumn House Press will host two readings for their anthology, When She Named Fire: An Anthology of Contemporary Poetry by American Women edited by Andrea Hollander Budy. A book launch will be held at Chatham University on Tuesday, February 24 at 8:00 p.m. in the James Laughlin Music Hall (Welker Room). Featured readers will be Andrea Hollander Budy, Toi Derricotte, Sheryl St. Germain, and Judith Vollmer. Then on Friday, February 27 from noon to 2:00 p.m., there will be a "Reading & Conversation" for the book at the YWCA Greater Pittsburgh at 305 Wood Street, Downtown. There will be readings by Andrea Hollander Budy and two residential clients of the YWCA. Both Autumn House events are free.
Six Gallery Press is running a showcase reading of their authors later in the month, called The Big Dig. Saturday, February 28th at ModernFormations Gallery on Penn Avenue, join Renée Alberts, Jessica Fenlon, Dana Killmeyer, Jerome Crooks, Nikki Allen, Karen Lillis, Che Elias, Jonathan Loucks, Kristofer Collins, John Thomas Menesini, Scott McClanahan up from West Virginia (he was a show-stealer last time), Alexi Morrissey, Scott Silsbe, Bill Hughes, and the inimitable Ed Steck for a combination of poetry and fiction.
Also, Pittsburgh press, Words Like Kudzu, thanks all who emailed and called on behalf of their poet, Richard Leck. He was buried with dignity in a modest military ceremony at Calverton National Cemetery on Long Island on January 23, 2009, and the New York City Mayor's Office paid for it. You can read the follow up Village Voice article here.
Speak up
The Greater Pittsburgh Arts Council is interested in finding out what our city's artists need --
They are sincerely interested in hearing what you have to say. The survey is primarily interested in nuts and bolts issues about the business and physical making of art. It is not a reflective survey, though, so it is difficult to qualify an answer with something like "Yeah, I need a studio, I know there are some available but I can only afford to pay $150/month for rent and from what I've seen for that amount I may as well work in a parking lot." or "I could use health insurance, but my income only covers my living expenses and some professional expenses." Hmmm. Take the survey here.
The Greater Pittsburgh Arts Council would like you to tell us how to make the Pittsburgh region a better place for the artists who live and work here.
They are sincerely interested in hearing what you have to say. The survey is primarily interested in nuts and bolts issues about the business and physical making of art. It is not a reflective survey, though, so it is difficult to qualify an answer with something like "Yeah, I need a studio, I know there are some available but I can only afford to pay $150/month for rent and from what I've seen for that amount I may as well work in a parking lot." or "I could use health insurance, but my income only covers my living expenses and some professional expenses." Hmmm. Take the survey here.
Thursday, February 05, 2009
"Did you feel guilty, crossing the picket line to get in?"
We were settling into the audience at the Benedum center when I saw E. a few rows down.
I went down to say hi. "Did you feel guilty, crossing the picket line to get in?" I asked her.
"A little," she said, "but this is art. What does art have to do with war?"
I smiled. We were here for Batsheva Dance Company, an Israeli dance troupe founded by Martha Graham and Baroness Batsheva De Rothschild in 1964. Ohad Naharin, the current artistic director, began working with Martha Graham in 1980, at her invitation, after he began his study with Batsheva in the late 1970's.
Israeli dance troupe is all that some people heard. Hence, "Would you dance on my grave?" on one protester's placard. They marched in a steady loop in front of the Benedum's big glass doors. There were cops on every corner of the block.
Inside we were met with a spare stage, grey walls with multiple exits and entrances cut into them. White floors. A steady soft glow from upstage lights. Back of house inner architecture revealed - who'd have thought the Benedum had so many silver ventilation ducts?
Lights up. Dancers dressed in clothes one could order from J. Crew's summer catalogue, polo-necked tees and capri length shorts. Dancing barefoot on white marley, lit from above with 200 lights that shifted very subtly, highlighting the dancers' precise technique.
Bellus opens with a large group of dancers standing, in silence, facing the audience. With no audible cues, they move as one, most of them leaving the stage to that moment's primary dancers as the music starts.
An evenly balanced group of men and women, with bodies many shapes and sizes. They would be an ordinary crowd anywhere (though none of them are overweight).
Late in Bellus I was struck by how gesture was passed from dancer to dancer. Each dancer danced alone, yet expressed the same stories with their bodies.
How like us, in our illusion of aloneness, moving through our heartbreaks, sorrows, and joys isolated, yet just like every person's necessary journies ... The gestures of contemporary life, translated to dance, made into art.
Hilarious, true, small gestures - the male dancer sniffs the female dancer's ass in their duet of seduction (or its lack). Humor popped up elsewhere as the troupe surprised us. It took a few times for the audience to get comfortable laughing. You can laugh at a contemporary dance performance?
Humus : the power of female gestures. Only the female dancers worked together for this piece. They danced as a single organ, a single gender muscle. Stereotypes of walks - the tiptoes of high heels, the swing of jutting hips. Sexual postures placed next to everyday gestures. The rejection presented by this group of women on their knees, hips to the audience, their knees crossing their legs behind them. They look back at the audience, cold. They hold pose, then shift, stand up, flock into movements as birds.
Humus perfectly coordinated against a Brian Eno soundtrack containing no punctual rhythm. The soundtrack was so soft it pulled all of one's sensory perception into one's eyes.
By the time we reached Secus I was totally rapt. I trusted this choreographer, these dancers, completely. When they came to the moments of nudity, gestures exposing gendered difference (or its lack), gestures exposing the rump ... it made perfect sense in this context.
Yes, I cried when the mano-a-mano duet played out. Such emotional intimacy shared forthrightly by two men on stage. Yes the audience was palpably uncomfortable with it. I want so badly for us to get over that.
This is art, what does art have to do with war? What do we expect two men to do in a dance with each other on stage?
A language developed by a person with Pittsburgh roots circled the globe. It returned to us tonight in an extraordinary performance ...
* * * * * * * * * *
Batsheva dance company at the Benedum center 5 February 2009
Three
by Ohad Naharin
70 minute program of three pieces : Bellus, Humus, and Secus. No intermission.
http://www.batsheva.org
I went down to say hi. "Did you feel guilty, crossing the picket line to get in?" I asked her.
"A little," she said, "but this is art. What does art have to do with war?"
I smiled. We were here for Batsheva Dance Company, an Israeli dance troupe founded by Martha Graham and Baroness Batsheva De Rothschild in 1964. Ohad Naharin, the current artistic director, began working with Martha Graham in 1980, at her invitation, after he began his study with Batsheva in the late 1970's.
Israeli dance troupe is all that some people heard. Hence, "Would you dance on my grave?" on one protester's placard. They marched in a steady loop in front of the Benedum's big glass doors. There were cops on every corner of the block.
Inside we were met with a spare stage, grey walls with multiple exits and entrances cut into them. White floors. A steady soft glow from upstage lights. Back of house inner architecture revealed - who'd have thought the Benedum had so many silver ventilation ducts?
Lights up. Dancers dressed in clothes one could order from J. Crew's summer catalogue, polo-necked tees and capri length shorts. Dancing barefoot on white marley, lit from above with 200 lights that shifted very subtly, highlighting the dancers' precise technique.
Bellus opens with a large group of dancers standing, in silence, facing the audience. With no audible cues, they move as one, most of them leaving the stage to that moment's primary dancers as the music starts.
An evenly balanced group of men and women, with bodies many shapes and sizes. They would be an ordinary crowd anywhere (though none of them are overweight).
Late in Bellus I was struck by how gesture was passed from dancer to dancer. Each dancer danced alone, yet expressed the same stories with their bodies.
How like us, in our illusion of aloneness, moving through our heartbreaks, sorrows, and joys isolated, yet just like every person's necessary journies ... The gestures of contemporary life, translated to dance, made into art.
Hilarious, true, small gestures - the male dancer sniffs the female dancer's ass in their duet of seduction (or its lack). Humor popped up elsewhere as the troupe surprised us. It took a few times for the audience to get comfortable laughing. You can laugh at a contemporary dance performance?
Humus : the power of female gestures. Only the female dancers worked together for this piece. They danced as a single organ, a single gender muscle. Stereotypes of walks - the tiptoes of high heels, the swing of jutting hips. Sexual postures placed next to everyday gestures. The rejection presented by this group of women on their knees, hips to the audience, their knees crossing their legs behind them. They look back at the audience, cold. They hold pose, then shift, stand up, flock into movements as birds.
Humus perfectly coordinated against a Brian Eno soundtrack containing no punctual rhythm. The soundtrack was so soft it pulled all of one's sensory perception into one's eyes.
By the time we reached Secus I was totally rapt. I trusted this choreographer, these dancers, completely. When they came to the moments of nudity, gestures exposing gendered difference (or its lack), gestures exposing the rump ... it made perfect sense in this context.
Yes, I cried when the mano-a-mano duet played out. Such emotional intimacy shared forthrightly by two men on stage. Yes the audience was palpably uncomfortable with it. I want so badly for us to get over that.
This is art, what does art have to do with war? What do we expect two men to do in a dance with each other on stage?
A language developed by a person with Pittsburgh roots circled the globe. It returned to us tonight in an extraordinary performance ...
* * * * * * * * * *
Batsheva dance company at the Benedum center 5 February 2009
Three
by Ohad Naharin
70 minute program of three pieces : Bellus, Humus, and Secus. No intermission.
http://www.batsheva.org
Artists Review Artists Project @Thinking About Art
Back in December, I posted the review of my work on Thinking About Art's Artists Review Artists project. Well, the second part of JT Kirkland's project has been posted, where I review another artist's work.
It was interesting to work on. I received one anonymous image; title, size and medium were the only information that I had to go on. What was really interesting about the process was reviewing the work without any context. No information about the artist's body of work, or a context provided by a group show. Anyway, the artist I reviewed is Alexandra Silverthorne. The work above is from a series in progress.
This has been a really great project, not only to participate in but to read. If you haven't checked out the project, haul on over to Thinking About Art and check it out.
Wednesday, February 04, 2009
thank god february is a short month ...
The cranky "I'm stuck indoors with a giant gas bill" overwhelms my Superbowl afterglow. Its still too fricking dark outside. Still there's good stuff to be had ...
Documentary Salon met last night in the mini-Melwood theater at Pittsburgh Filmmakers. Loosely organized by documentary filmmaker Will Zavala, a little social time with food precedes locally produced documentary film presented for post-show discussion.
Justin Crimone and Mark Staley showed a rough cut of a piece shot in Guatemala. Mark shot the footage while teaching in an educational program for underserved kids in this wild-west country. Since the program, and the film, is funded by Whole Foods, there was a lively discussion of everything from managing the content to concerns about 'slant'.
tENTATIVELY a Convenience was there; he told me a bit about his experimental orchestra, a "communal thought experiment", he recently performed? conducted? at the New Hazlett. He'll be screening the documentation of this event at the next meeting, which is March 3.
While in Filmmakers I got all the movie poster reminders I needed for films I'm looking forward to. Azure & Asmar, an amazing picture-book of an animated fairy tale (kid-friendly non-Disney/Pixar!), an old favorite, Easy Rider, and two servings of Oscar-nominated short films.
Oh, yeah, and Film Kitchen is next Tuesday at Melwood Screening Room in Oakland. Features a locally-made doc about squatters, among other things.
the blog for Documentary Salon
Filmmaker's february screening schedule
Film Kitchen's page
Jessica Fenlon
Documentary Salon met last night in the mini-Melwood theater at Pittsburgh Filmmakers. Loosely organized by documentary filmmaker Will Zavala, a little social time with food precedes locally produced documentary film presented for post-show discussion.
Justin Crimone and Mark Staley showed a rough cut of a piece shot in Guatemala. Mark shot the footage while teaching in an educational program for underserved kids in this wild-west country. Since the program, and the film, is funded by Whole Foods, there was a lively discussion of everything from managing the content to concerns about 'slant'.
tENTATIVELY a Convenience was there; he told me a bit about his experimental orchestra, a "communal thought experiment", he recently performed? conducted? at the New Hazlett. He'll be screening the documentation of this event at the next meeting, which is March 3.
While in Filmmakers I got all the movie poster reminders I needed for films I'm looking forward to. Azure & Asmar, an amazing picture-book of an animated fairy tale (kid-friendly non-Disney/Pixar!), an old favorite, Easy Rider, and two servings of Oscar-nominated short films.
Oh, yeah, and Film Kitchen is next Tuesday at Melwood Screening Room in Oakland. Features a locally-made doc about squatters, among other things.
the blog for Documentary Salon
Filmmaker's february screening schedule
Film Kitchen's page
Jessica Fenlon
Second Elizabeth released
Full disclosure - Karen Lillis is one of Pittsburgh Arts - Digging Pitt contributors. We are ever so happy for her! The following is from Bill Driscoll's review --Lillis, writing in the first person, tells the (perhaps at least semi-autobiographical) story of a young woman named Karen E. Lillis as she spends a summer working in a deli in small-town Charlottesville, Va., while reeling from the fallout from an unspecified personal trauma. Anxious, introverted and hard-pressed to communicate with others, including a gutsy co-worker named Beth, Karen longs to become the title character -- the more confident, more assertive person she used to be. "My meanings are trapped inside my body, I have a body which is a wall between the words I mean and the words I say," she says. From the City Paper - Read the articleThe Second Elizabeth is available at Amazon.
Monday, February 02, 2009
>kaff::kaff::kaff<
Hello all of you lovely people!
Recently the Digging Pittsburgh Arts team had a flurry of emails about newly minted blogs. -Ah! the sweet ozone-tinted air of a new blog!-
Well, in the course of adding new blogs to our roll, I thought it might be time to take down bad links. If I inadvertently deleted your blog through some column a/column b process, please let me know.
Also, if you would like to recommend a blog that isn't in our blogroll, please feel free to leave a link in the comment trail.
Recently the Digging Pittsburgh Arts team had a flurry of emails about newly minted blogs. -Ah! the sweet ozone-tinted air of a new blog!-
Well, in the course of adding new blogs to our roll, I thought it might be time to take down bad links. If I inadvertently deleted your blog through some column a/column b process, please let me know.
Also, if you would like to recommend a blog that isn't in our blogroll, please feel free to leave a link in the comment trail.
Drink & Draw with Michael
We had a really nice session last Tuesday. I can't believe it's been nearly a week since our last session! It was really great, though. Our model was Mike Duray, of Synergy Bodyworks. He did these great action poses, using the walls and equipment to extend the length of some of the more challenging poses.
This particular session was a gesture intensive; all of the poses were under five minutes in duration. It was a pretty intense session because of that. The thing that's nice about a gesture intensive is that by the time you get to that five minute pose, you feel like you have all the time in the world.
Anyway, here are a few images of the sketches done that evening. Unfortunately, I was having some camera problems and there aren't as many images as there should be.
drink & draw is moving to once a month! We will be meeting on the last Tuesday of each month. Sessions will start at 6:30pm. Next session is February 24!
Drink and Draw…
is an open studio live model drawing session that meets last Tuesdays on the second floor of brillobox, located at 4104 Penn Ave, Pittsburgh, Pa. This session is relaxed, surprising, and inspiring. amazing models dressed in various themes, old timey music, great company, and decor. All mediums, except oils, welcome.
Drink & Draw
Upstairs @ 6:30PM | $10
MySpace
brillobox
get on our mailing list. email us at brilloboxdrinkanddraw@yahoo.com
4104 penn ave
412.621.4900
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